| Photos (See all 126 | slideshow) | Videos (see all 4) |
| Robert Downey Jr. | ... | Harry Lockhart | |
| Val Kilmer | ... | Gay Perry | |
| Michelle Monaghan | ... | Harmony Faith Lane | |
| Corbin Bernsen | ... | Harlan Dexter | |
| Dash Mihok | ... | Mr. Frying Pan | |
| Larry Miller | ... | Dabney Shaw | |
| Rockmond Dunbar | ... | Mr. Fire | |
| Shannyn Sossamon | ... | Pink Hair Girl | |
| Angela Lindvall | ... | Flicka | |
| Indio Falconer Downey | ... | Harry Lockhart - Age 9 | |
| Ariel Winter | ... | Harmony Faith Lane - Age 7 | |
| Duane Carnahan | ... | Chainsaw Kid | |
| Josh Richman | ... | Richie | |
| Martha Hackett | ... | Pistol Woman | |
| Nancy Fish | ... | N.Y. Casting Woman | |
| Bill McAdams Jr. | ... | N.Y. Cop | |
| Tanja Reichert | ... | B-Movie Actress | |
| Jake McKinnon | ... | Creature | |
| Stephanie Pearson | ... | Harmony Faith Lane - Age 14 | |
| Christopher Gilman | ... | Protocop (as Chris Gilman) | |
| Brendan Fehily | ... | Local News Reporter | |
| David Newsom | ... | Agent Type (as David Newsome) | |
| Judie Aronson | ... | Gift Bag Girl | |
| Ali Hillis | ... | Marleah | |
| Wiley M. Pickett | ... | Homicide Cop (as Wiley Pickett) | |
| Joe Keyes | ... | Lobby Cop | |
| Daniel Bobby Tuttle | ... | Hotel Concierge (as Bobby Tuttle) | |
| Jake Eberle | ... | Patrol Cop | |
| Saida Pagan | ... | News Anchor (as Saida Rodriguez-Pagan) | |
| Lela Edgar | ... | Party Girl | |
| Daniel Browning Smith | ... | Rubber Boy | |
| Stevie | ... | Pink Hair Girl's Dog | |
| Teresa Herrera | ... | Newswoman | |
| Kathy Lamkin | ... | Woman in Hospital Blues | |
| Evan Parke | ... | Dexter Clinic Guard | |
| Vincent Laresca | ... | Aurelio | |
| Brian Simpson | ... | Dexter Goon | |
| Cole S. McKay | ... | Dexter Goon (as Cole McKay) | |
| Ben Hernandez Bray | ... | Dexter Goon (as Ben Bray) | |
| Harrison Young | ... | Harmony's Dad | |
| rest of cast listed alphabetically: | |||
| Joel Michaely | ... | Eugene (credit only) | |
| Jessica Anderson | ... | Upscale Women (uncredited) | |
| Richard Alan Brown | ... | Harry Lockhart - Age 16 (uncredited) | |
| Mary Castro | ... | Model at Party (uncredited) | |
| Justin A. Davis | ... | Cool Guy at Party (uncredited) | |
| Deanna Dozier | ... | Kristin (uncredited) | |
| Sebastian Feldman | ... | Pool Party Guest (uncredited) | |
| Laurence Fishburne | ... | Bear in Genaros Beer Commercial (voice) (uncredited) | |
| Richard Grieco | ... | B-Movie Actor (uncredited) | |
| Jaelin Palmer | ... | Pie Eating Contest Kid (uncredited) | |
| Cat Rowe | ... | Pool Party Girl (uncredited) | |
| Jasen Salvatore | ... | Actor at Audition (uncredited) | |
| Steve Somers | ... | Young Harmony's Dad (uncredited) | |
| Tom Willett | ... | Abe Lincoln (uncredited) | |
| Rachel Zeskind | ... | Woman in Pool (uncredited) | |
Directed by | |||
| Shane Black | |||
Writing credits(WGA) | ||
| Brett Halliday | (novel "Bodies Are Where You Find Them") (in part) | |
| Shane Black | (screen story) | |
| Shane Black | (screenplay) | |
Produced by | |||
| Jessica Alan | .... | associate producer | |
| Susan Downey | .... | executive producer (as Susan Levin) | |
| Carrie Morrow | .... | co-producer | |
| Steve Richards | .... | executive producer | |
| Joel Silver | .... | producer | |
Original Music by | |||
| John Ottman | |||
Cinematography by | |||
| Michael Barrett | (director of photography) | ||
Film Editing by | |||
| Jim Page | |||
Casting by | |||
| Mary Gail Artz | |||
| Barbara Cohen | |||
Production Design by | |||
| Aaron Osborne | |||
Art Direction by | |||
| Erin Cochran | |||
Set Decoration by | |||
| Jeannie Gunn | |||
| Mary-Margaret Stratton | (set decorations) | ||
Costume Design by | |||
| Christopher J. Kristoff | |||
Makeup Department | |||
| Robin Black | .... | special makeup effects artist | |
| Wade Daily | .... | key makeup artist: second unit | |
| Scott H. Eddo | .... | key makeup artist (as Scott Eddo) | |
| Sean Flanigan | .... | key hair stylist | |
| Lee Joyner | .... | special makeup effects artist (as Lee Goyner) | |
| Ralis Kahn | .... | special makeup effects artist | |
| Jim Kail | .... | makeup artist (as James R. Kail) | |
| Michael Moore | .... | key hair stylist: second unit | |
| Nelly Recchia | .... | special makeup effects artist | |
| Francine Shermaine | .... | hair stylist | |
| Brenda Solomon | .... | hair special effects | |
| Cale Thomas | .... | special makeup effects artist | |
Production Management | |||
| Carrie Morrow | .... | unit production manager | |
| Scott Fort | .... | production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| Ty Arnold | .... | first assistant director: second unit | |
| Ty Arnold | .... | second assistant director | |
| Marco Black | .... | first assistant director | |
| Kurt Bryant | .... | second unit director | |
| Vernon Davidson | .... | second second assistant director (as Vernon A. Davidson) | |
| Steve Lonano | .... | additional second second assistant director (as Stephen Lonano) | |
| David Waters | .... | second assistant director: second unit (as David 'Muddy' Waters) | |
Art Department | |||
| Mike Carrillo | .... | property master (as Michael Carillo) | |
| Danielle Clemenza | .... | art department assistant | |
| Robert Consing | .... | storyboard artist | |
| Larce Crawford | .... | construction foreman | |
| Joe Del Monte | .... | construction coordinator | |
| Gustavo R. Ferreyra | .... | prop shop | |
| Charlene 'Charli' Gerhardt | .... | buyer | |
| Robert Hale | .... | head paint foreman | |
| Mark Kusy | .... | property assistant (as Mark S. Kusy) | |
| Jason Lasser | .... | set designer | |
| William F. McLaughlin | .... | property master: second unit (as William McLoughlin) | |
| Charles Reyes | .... | labor foreman (as Charles J. Reyes Jr.) | |
| Buddy Ray Reynolds | .... | assistant property master (as Buddy Ray Reynolds-Maichel) | |
| Carisa Rosenthal | .... | on-set dresser | |
| Ron Sica | .... | lead (as Ronald Sica) | |
| Andy Swan | .... | on-set dresser: second unit (as Andrew R. Swan) | |
| Audrey Zaldumbide | .... | graphics designer | |
| Aileen Febles | .... | art coordinator (uncredited) | |
| Scott Kitchen | .... | construction foreman (uncredited) | |
| Michele Munoz | .... | propmaker (uncredited) | |
| Jason Baldwin Stewart | .... | assistant food stylist (uncredited) | |
| David Tomeo | .... | stand-by painter (uncredited) | |
Sound Department | |||
| Richard Adrian | .... | supervising sound editor | |
| Christopher Alba | .... | first assistant sound editor | |
| Gregg Barbanell | .... | foley artist | |
| Brent Brewington | .... | utility sound | |
| David E. Campbell | .... | sound re-recording mixer (as Dave Campbell) | |
| Michael C. Casper | .... | sound re-recording mixer (as Mike Casper) | |
| Valerie Davidson | .... | supervising foley editor | |
| William R. Dean | .... | sound effects editor (as Bill Dean) | |
| André Dias | .... | dubbing editor | |
| André Dias | .... | dubbing mixer | |
| Ezra Dweck | .... | pre-dub mixer | |
| Aleksandr Gruzdev | .... | pre-dub mixer (as Alex Gruzdev) | |
| Paul Hackner | .... | dialogue editor | |
| Mark Larry | .... | supervising sound editor | |
| Daniel J. Leahy | .... | sound re-recording mixer (as Dan Leahy) | |
| Del Martin | .... | digital engineer | |
| David McRell | .... | digital engineer | |
| James Morioka | .... | dialogue editor | |
| Thomas J. O'Connell | .... | adr mixer | |
| Jason Piatt | .... | foley mixer (as Jason Platt) | |
| Troy Porter | .... | adr mixer | |
| Ken Strain | .... | boom operator (as Kenneth Strain) | |
| Stephen Tibbo | .... | production sound mixer (as Stephen A. Tibbo) | |
| Von Varga | .... | utility sound | |
| Donna G. Walker | .... | post sound operations | |
| Ezra Dweck | .... | additional sound re-recording mixer (uncredited) | |
| Aleksandr Gruzdev | .... | additional sound re-recording mixer (uncredited) | |
| Eddie Kim | .... | sound editor (uncredited) | |
Special Effects by | |||
| Charles Cooley | .... | key special effects | |
| Ricky Farns | .... | special effects senior technician | |
| Timothy B. Graham | .... | special effects | |
| Steven Munson | .... | special effects crew: special effects | |
| Mark Roberts | .... | special effects technician | |
| Tom Seymour | .... | special effects technician (as Thomas Seymour) | |
| J.D. Streett | .... | special effects supervisor | |
| Blumes Tracy | .... | special effects technician | |
| Sandra Stewart | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Adam Avery | .... | additional visual effects | |
| Stephen Bender | .... | additional visual effects | |
| John Breslin | .... | visual effects supervisor: Photon VFX | |
| Dean Cranney | .... | data management | |
| Richard David Hall | .... | digital compositor: Photon VFX (as Richard Hall) | |
| Daniel Harvey | .... | visual effects producer: Photon VFX | |
| Josh Kent | .... | digital compositor: Lola Visual Effects | |
| Scott Kinsey | .... | digital compositor: Lola Visual Effects | |
| Adam Lisagor | .... | visual effects coordinator: Lola Visual Effects | |
| Michael Meagher | .... | visual effects executive producer: Lola Visual Effects (as Tony Meagher) | |
| Warwick Mellow | .... | digital artist: Photon VFX | |
| Damon Milman | .... | digital artist: Photon VFX | |
| Thomas Nittmann | .... | visual effects producer: Lola Visual Effects | |
| Kim Pearce | .... | senior systems administrator | |
| Cheryl Potter | .... | visual effects editor: in-house | |
| Murray Smallwood | .... | digital artist: Photon VFX | |
| Craig Stevenson | .... | digital artist: Photon VFX | |
| Colin Strause | .... | 3D technical supervisor: Lola Visual Effects | |
| Greg Strause | .... | visual effects supervisor: Lola Visual Effects | |
| Edson Williams | .... | visual effects supervisor: Lola Visual Effects | |
| Martin Wiseman | .... | digital effects producer: Photon VFX | |
| Loeng Wong-Savun | .... | Inferno artist: Lola Visual Effects | |
| Yoshiya Yamada | .... | 3D artist: Lola Visual Effects | |
| Craig Clarke | .... | digital compositor (uncredited) | |
| Nicky Ladas | .... | system administrator (uncredited) | |
| Brian Nugent | .... | compositor (uncredited) | |
| Loren Robinson | .... | digital compositor (uncredited) | |
Animation Department | |||
| Gary Mau | .... | animator: main title animation | |
Casting Department | |||
| Jennifer Bender | .... | extras casting | |
| Farrah Fox-Collis | .... | casting associate | |
| Mariann H.W. Lee | .... | extras casting | |
Costume and Wardrobe Department | |||
| Virginia Burton | .... | costume supervisor | |
| Bob Moore Jr. | .... | set costumer (as Robert Moore) | |
| Courtney Ormond | .... | on-set costumer | |
| Courtney Ormond | .... | on-set costumer: second unit | |
| Courtney Ormond | .... | set costumer | |
| Nancy Smytka | .... | on-set costumer (as Nancy E. Smytka) | |
| Douglas J. Stewart | .... | textile artist (uncredited) | |
Editorial Department | |||
| Tony D'Amore | .... | digital intermediate colorist | |
| Vince Filippone | .... | first assistant editor | |
| Lauren Giordano | .... | editor: main titles | |
| Keith Shaw | .... | colorist: mastering | |
| Jeff Smithwick | .... | film timer (uncredited) | |
| Devin Sterling | .... | digital intermediate producer (uncredited) | |
Music Department | |||
| Andrea Datzman | .... | additional orchestrator | |
| Amanda Goodpaster | .... | music editor | |
| Bruce Harvey | .... | conductor | |
| John Ottman | .... | music score producer | |
| John Ottman | .... | orchestrator | |
| Pismo | .... | rapper | |
| Randall Poster | .... | music supervisor | |
| Jeremy Raub | .... | music editor | |
| George Shaw | .... | additional orchestrator | |
| Casey Stone | .... | music scoring mixer | |
| Frank Macchia | .... | orchestrator (uncredited) | |
| David Sabee | .... | orchestra contractor (uncredited) | |
Transportation Department | |||
| Morris Aroesti | .... | driver | |
| Troy Gould | .... | transportation co-captain | |
| David Travis Grieb | .... | driver: cast | |
| Dave Hannah | .... | driver | |
| Guy Merrick | .... | transportation co-captain | |
| David Oppenheim | .... | picture car coordinator | |
| Jack Jay Reece | .... | driver | |
| Griff Ruggles | .... | transportation coordinator | |
| Ronald Stinton | .... | transportation co-captain (as Ronald R. Stinton) | |
| Alberto Coto | .... | transportation (uncredited) | |
| Shawn Coulter | .... | transportation (uncredited) | |
| L. Chip Crosby Jr. | .... | additional driver (uncredited) | |
| Charlie Ping | .... | driver (uncredited) | |
Thanks | |||
| Michael A. Simpson | .... | special thanks | |
|
|
|
|
|
| The Black Dahlia | Freeway | The Ice Harvest | Pineapple Express | Hollywoodland |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Directed and co-written by Shane Black; based on a novel, "Bodies Are Where You Find Them" written by Brett Halliday; and starring Robert Downey Jnr, Val Kilmer and Michelle Monaghan.
A terrific opening credit sequence easily sets up the audacity and chagrin of the film for an appreciative audience. In essence, these are the reasons why you need to see this movie: the razor sharp wit, shockingly fast-paced and hysterical dialogue, pulp-fiction-esquire vibe, its pure cheesiness and the cynicism of a beat up old paperback detective novel.
Got you yet? Alright, maybe an explanation of the seemingly simple plot is warranted. It begins with a ridiculously funny set up resulting in Downey's character being paired up with Kilmer to observe the latter in his job as a private detective. They hook up with a down-on-her luck actress who brings a case for the sleuths. This synopsis constitutes gross misrepresentation on my part as things get remarkably complex. How so? Well, even the lead the character (who also is purposefully pathetic as narrator) takes time out within the movie to remember where he is in telling the story. There are even snippets of dialogue where the characters attempt to fill in the gaps or actually remind themselves of what has happened thus far in the movie.
Downey, Kilmer and Monaghan are all caricatures drawn from popular references of literature, movies and art. All however, are larger than life, exhibit great chemistry and for a movie buff, it is heaven to witness the self referential exercises and hear the narrator shred every narrating convention applicable. Downey's performance is remarkable (neurotic, comic, vulnerable and charming). I have never seen Kilmer in such a well-defined, uproarious piece of work. Monaghan is also integral to the trio and shines exuding a brash, fighting and sexy appeal. She brought back fond memories of early Kathleen Turner and Rene Russo. The fact that her look screams Renee Zellweger, is not a bad thing either.
Black became famous in the 1980s for writing the hit buddy movies: Lethal Weapon, The Last Boy Scout and The Long Kiss Goodnight. As a first time director, he does well keeping the frenetic pace and allowing the audience to catch up only to get lost time and time again. The style is so disarmingly effective, that at times I shook my head in confusion or found my hands against my mouth, agape in shock. I also think that in creating such a brilliant script that Black may have blacklisted himself in Hollywood for mirroring its supposed fame and glamor and exposing its not too pretty side. His one-liners and connected sub-plots are not typical and Kilmer and Downey make magic with their banter and clinical delivery.
All the ingredients of a pulp-noir novella can be found, even employing a structure of chapter-type headings within the movie. Parallel story lines unfold and given plot assumptions are turned over, always with achingly funny results. Even the clichés are clever e.g. a tough guy predictably crashes through a glass table, or body after body turns up, to haunt the characters.
I strongly recommend the movie, given the talent of Downey and Kilmer. Downey should be honored with a Lead Actor Oscar nomination; while Kilmer deserves a Supporting Actor nod. It thrilled me to see them both in their element, as I was on the verge of disavowing them as marquee/box-office draws. The screenplay should also attract Oscar consideration.
One of the year's best films and one of those rare movies where you'll consistently find something new to laugh at, when viewed each of a dozen times.