A petty thief posing as an actor is brought to Los Angeles for an unlikely audition and finds himself in the middle of a murder investigation along with his high school dream girl and a detective who's been training him for his upcoming role... Written by
In reference to the "Ike, Mike, and Mustard" quote. Ike and Mike are diner slang for salt and pepper shakers. Also, Pre-1950s, an "Ike, Mike, and Mustard" joke was an off color joke, generally with sexual references, that wouldn't be told in polite or mixed company. See more »
When the camera zooms in on the newspaper article detailing the story about the film crew coming to the small town of Embry, Indiana to film a movie, the website www.embrystar.com is clearly visible under the name of the newspaper - the article was supposedly written and published in 1982, eight years before the first website existed. See more »
Go. Sleep badly. Any questions, hesitate to call.
Sleep bad. Otherwise it makes it seem like the mechanism that allows you to sleep...
What, fuckhead? Who taught you grammar? Badly's an adverb. Get out. Vanish.
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At the end of the movie, Val Kilmer says not to leave; to stay and watch the credits; and if you're wondering who the Best Boy is, he's someone's nephew. (The actual Best Boy credit is Jack Bauer.) See more »
A lucky mistake shifts out-of-luck criminal Harry Lockhart (Robert Downey Jr) from the gritty streets to glossy showbiz in L.A, landing him a part in an upcoming film. Another mistake then shifts him from actor to private detective, and this is where Val Kilmer comes in and things start to go wrong, more wrong and unbelievably wrong until they've snowballed into an enjoyable detective mess -- all to impress failed actress Harmony (Next big thing: Michelle Monaghan).
Shane Black's directorial debut 'Kiss Kiss Bang Bang' is a comic film noir. Even in the dazzling opening credits using a montage of contrasts of red, black and white, it is evident that this is no run-of-the-mill crime story, but a viciously entertaining ride from scene 01. What makes it so special is that it mixes equal doses of humour and crime like a $15,000,000 blender, pouring out a balanced end product and glazing it with a clever narrative coating by Robert Downey Jr. Black also sprinkles some rapid-fire dialogue onto his product, which is facilitated by the comedic chemistry between Downey and Kilmer. Some of the lines, gags and images are truly laugh-out-loud worthy. Everything else is nice, but forgettable.
Its only problem, as far as I can see it, is its paper-thin plot. It does not seem believable; it is complex, dizzying and not nearly as involving as it would like to be. So back to formula on that one, and Kiss Kiss Bang Bang would be a near-perfect comedy-thriller.
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