A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
In London, a real-estate scam puts millions of pounds up for grabs, attracting some of the city's scrappiest tough guys and its more established underworld types, all of whom are looking to get rich quick. While the city's seasoned criminals vie for the cash, an unexpected player -- a drugged out rock 'n' roller presumed to be dead but very much alive -- has a multi-million dollar prize fall into... See full summary »
A petty thief posing as an actor is brought to Los Angeles for an unlikely audition and finds himself in the middle of a murder investigation along with his high school dream girl and a detective who's been training him for his upcoming role... Written by
The movie shares its title with a song from the soundtrack of the James Bond movie Thunderball (1965). "Mr. Kiss Kiss Bang Bang" was recorded by first Shirley Bassey and then Dionne Warwick after composer John Barry had chosen the title when he read a magazine article which mentioned that was how Bond was known in Italy. However, the producers got cold feet at the last moment and asked him to write a title song, "Thunderball", which was performed by Tom Jones. KKBB was relegated to an instrumental-only status within the movie. Both versions of "Mr. Kiss Kiss Bang Bang" were released many years later, and "Kiss Kiss Bang Bang" has since become a slang description of the James Bond-style spy genre. See more »
When the camera zooms in on the newspaper article detailing the story about the film crew coming to the small town of Embry, Indiana to film a movie, the website www.embrystar.com is clearly visible under the name of the newspaper - the article was supposedly written and published in 1982, eight years before the first website existed. See more »
Wow, I feel sore. I mean physically, not like a guy who's angry in a movie in the 1950's.
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At the end of the movie, Val Kilmer says not to leave; to stay and watch the credits; and if you're wondering who the Best Boy is, he's someone's nephew. (The actual Best Boy credit is Jack Bauer.) See more »
Seriously where did this dark horse of a film come from?!
Without a doubt I thought that this was truly entertaining film. I only managed to catch it at my local cinema in a one off showing, but I really wasn't disappointed.
Me and my friend went in the film not truly understanding what to expect. Basically it cracks down to Robert Downey Jr. starting the film off as a burglar, after being shot at he accidentally runs into an acting audition. Breaking down with tears in the office, he accidentally gets the acting job and whisked off to Hollywood with hopes of playing a detective in an upcoming film.
Cue Gay Perry a.k.a Val Kilmer who is fantastic in this film with his dry wit and humour adding some hilarious scenes to this film. He plays a gay detective assigned to help train up Robert Downey Jr. The pair of them get sucked into a story starting with discovery of a corpse and building into deeper plot involving kidnapping and murder. The plot line is genuinely well crafted, and is explored in the perfect amount of depth. It is quite simply littered with many funny moments. Probably the favourite of mine being the running joke of the gay detective through the film, involving the 'faggot' gun. Shane Black directs this film superbly, keeping it alive with sharp wit.
The whole cast clicks together perfectly with Robert Downey Jr and Val Kilmer shining with good support coming from Michelle Monaghan. The film is accompanied by a very light hearted narration from Robert Downey Jr. which makes the film that even bit more engaging.
Overall, a quirky, very amusing film, with a superb cast, and with a run time of 99 minutes, you simply can't afford to miss it.
Kiss Kiss Bang Bang... A solid 10/10
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