Karen O'Connor, a young journalist known for her celebrity profiles, is consumed with discovering the truth behind a long-buried incident that affected the lives and careers of showbiz team Vince Collins and Lanny Morris.
Karen O'Connor tells the story about two distinct but related periods in her life. In 1972, she is an up-and-coming Los Angeles based journalist who has been given the lucrative assignment of convincing once successful comic Vince Collins, who is at the tail end of his career, to allow her to ghost write his memoirs. Most specifically, she has the task from her publishers of discovering the reason behind two issues in Vince's life from 1957: why he and his former on-stage partner Lanny Morris, who is still active and well known within the entertainment business, broke up their professional partnership shortly after they hosted a successful thirty-nine hour telethon for polio research in Miami, there not having been any indication of problems between the two before that; and how did the dead body of Maureen O'Flaherty end up in the water filled bathtub in Vince and Lanny's New Jersey hotel suite, the opening of that New Jersey hotel owned by mobster Sally Sanmarco which was Lanny and ... Written by
Director Atom Egoyan made cuts to the film, including an orgy scene, in a failed attempt to challenge the NC-17 rating given by the MPAA. ThinkFilm has since announced that the version shown in U.S. theaters, is the same as the one shown at the Cannes Film Festival. See more »
The dates given in the movie are inconsistent. The telethon takes place Veterans Day weekend, November, 1957. It is stated that telethon finished on noon that Sunday, which, according to the calendar, would be November 10th. However the date on the room service bill signed the previous afternoon for Maureen is also dated November 10th. And when the duo are asked to open the New Jersey night club on November 15th, they respond they can't because that is the next day after the telethon ... and that date is inconsistent with both the calendar and the room service bill. See more »
Get the fuck off me! We don't fuck, Vince! We're buddies, we're pals, we're partners, we're a duo. We love each other, but we don't fuck! We're fucking stars. We can - we can travel together. We can hang out together. We can live together, but we can't be queers!
See more »
You Know, You Know
Performed by The Mahavishnu Orchestra
Courtesy of Sony BMG Music Entertainment (UK) Ltd.
Composed by John McLaughlin
(c) Warner/Chappell North America Ltd.
By kind permission of Warner/Chappell Music Ltd. See more »
Sex, Drugs, (not so much Rock & Roll) and a Mystery....
Another great work by Atom Egoyan, based on the novel by Rupert Holmes.
Knowing a little about the plot before seeing the film my big question/concern was "Kevin Bacon"? Going in I just didn't see Bacon in such a roll. But it didn't take long before Egoyan's primary cast selection (including Kevin Bacon, Colin Firth, and Alison Lohman) was clearly calculated and well thought.
Some might call this Egoyan's 'most mainstream' work to date, but it retains many of the qualities we've come to expect from him. The screenplay was precisely developed to provide a great pace to the story, and to provide little 'bits and pieces' of key information just when you need them. It doesn't give the truth away too early, yet when the secret is finally revealed it's accompanied by a sense of "I should have seen that coming".
This film does deal with some 'touchy' cinematic subjects including sex and drug use. What should be truly disturbing is the murder in question, but 'simple' murder is accepted in film without a second thought.
The screening I saw was the 'uncut' version of the film. There has apparently been some controversy surrounding some of the films content, so I don't know whether this is the version the movie-going public will eventually see in mass-market theatres. It contained some pretty graphic sex, but it wasn't gratuitous - it served a purpose in the development of the characters and story. These scenes, while clearly not suitable for a younger audience, belong in this film.
An excellent film, as most have come to expect from Egoyan.
93 of 140 people found this review helpful.
Was this review helpful to you?
| Report this