6.5/10
15,289
129 user 97 critic

Where the Truth Lies (2005)

Karen O'Connor, a young journalist known for her celebrity profiles, is consumed with discovering the truth behind a long-buried incident that affected the lives and careers of showbiz team Vince Collins and Lanny Morris.

Director:

Writers:

(screenplay), (novel)

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2 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Reuben
...
Maureen
...
Sally Sanmarco
...
Bonnie
...
Alice
Deborah Grover ...
Mrs. O'Flaherty
Beau Starr ...
Jack Scaglia
...
Publishing Executive
...
Publishing Executive
...
Publishing Executive
David Hemblen ...
NY Hotel Concierge
John Moraitis ...
Irv Fleischman
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Storyline

Karen O'Connor tells the story about two distinct but related periods in her life. In 1972, she is an up-and-coming Los Angeles based journalist who has been given the lucrative assignment of convincing once successful comic Vince Collins, who is at the tail end of his career, to allow her to ghost write his memoirs. Most specifically, she has the task from her publishers of discovering the reason behind two issues in Vince's life from 1957: why he and his former on-stage partner Lanny Morris, who is still active and well known within the entertainment business, broke up their professional partnership shortly after they hosted a successful thirty-nine hour telethon for polio research in Miami, there not having been any indication of problems between the two before that; and how did the dead body of Maureen O'Flaherty end up in the water filled bathtub in Vince and Lanny's New Jersey hotel suite, the opening of that New Jersey hotel owned by mobster Sally Sanmarco which was Lanny and ... Written by Huggo

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated R for strong sexuality, nudity, drug use and language | See all certifications »

Parents Guide:

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Details

Country:

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Language:

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Release Date:

7 October 2005 (Canada)  »

Also Known As:

Alaston totuus  »

Filming Locations:

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

$37,726 (USA) (14 October 2005)

Gross:

$871,527 (USA) (25 November 2005)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

An important plot twist, part of the reason the film was given an NC-17 rating in the US, is revealed in the documentary This Film Is Not Yet Rated (2006). See more »

Goofs

When Maureen is in the bathtub talking to her girlfriend on the telephone, modern-day blow-molded plastic shampoo bottles can be seen on the ledge of the tub behind her. See more »

Quotes

Lanny Morris: I don't eat lobster.
See more »

Connections

Featured in This Film Is Not Yet Rated (2006) See more »

Soundtracks

Just a Gigolo
(1929)
from the Austrian song "Schöner Gigolo" (1928)
Performed by The Blue Grotto Band
Music by Leonello Casucci
Lyrics by Julius Brammer
Adapted by Irving Caesar for English
(c) Wiener Boheme-Verlag GmbH/Irving Caesar Music Corp.
By kind permission of BMG Music Publishing Ltd./EMI Music Publishing Ltd./Warner/Chappell Music Ltd. and Campbell Connelly & Co. Ltd.
In a medley with "I Ain't Got Nobody"
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Frequently Asked Questions

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User Reviews

Hugely entertaining film + Bad critics + Tasteful love scenes.
17 October 2005 | by (United States) – See all my reviews

Hugely entertaining film + Bad critics + Tasteful love scenes.

I was very entertained. There wasn't a single boring minute in "Where the Truth Lies". I almost believed some newspaper critics' reviews and was prepared to be at least a little bit disappointed either with the actors (critics said were miscast), the sex scenes (critics said were explicit) or the ending. I was sitting there and waiting for a disappointment but it never came. It is a superb murder mystery with at least 3 top notch twists and in the end I was completely satisfied.

In my opinion, (and I know a thing or two about this) the love scene between "Alice" and Alison is one of the most beautiful ones ever performed (on the screen). I mean the (tastefully made) oral sex scene. ("Alice" stops for a moment, looks up at Alison with a trace of a smile ... the moonlight illuminates Alice's slightly wet mouth and chin... she looks down and continues. I haven't seen in any other film a more gorgeous pose than that of Alison during this exercise. Americans can make love as beautifully as Europeans and this film is the only proof so far. It even surpasses the straight love scene with Luisa Ranieri in Antonioni's "Eros"). The film is not about sex, though it is wonderfully choreographed. The most impressive thing here is certainly the story.

(P.S. Critics really did a disservice to us. Some of these same guys, I remember, used unbelievable superlatives while reviewing poor horror movies. One begins to question their motives).


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