K. O'Connor, a young journalist known for her celebrity profiles, is consumed with discovering the truth behind a long-buried incident that affected the lives and careers of showbiz team Vince Collins and Lanny Morris.
The 'Exotica' is a nightclub on the outskirts of Toronto, where Eric, DJ and MC, watches nightly as his ex-girlfriend Christina performs. Watches jealously, especially as far as the extra ... See full summary »
A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
A female journalist tries to uncover the truth behind the breakup, years earlier, of a celebrated comedy team after the duo found a girl dead in their hotel room. Though both had airtight alibis and neither was accused, the incident put an end to their act. Written by
An important plot twist, part of the reason the film was given an NC-17 rating in the US, is revealed in the documentary 'This Film Is Not Yet Rated (2006)'. See more »
The telethon takes place in 1957. The boys sing the song "Together (Wherever We Go)" from Gypsy. But Gypsy didn't open on Broadway until 1959. And the songs weren't public knowledge until then. See more »
[Beating up a bigot backstage]
Say what you like about any jew in the world... BUT NOBODY CALLS MY PARTNER A *KIKE*
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Performed by The Wonderland Band
Written by Grace Slick
Published by Rondor Music London Ltd. on behalf of Copperpenny Music and Irving Music Inc.
Additional lyrics from Alice's Adventures in Wonderland by Lewis Carroll (1865) See more »
Atom Egoyan is one of my most trusted directors. He never disappoints me even when I'm not totally taken by the film. This is a perfect example of that. I loved it and hated it, all at the same time. Everything works and nothing works. Bacon and Firth couldn't be better as the Martin and Lewis, boy and girl act and yet...I didn't quite believe it. Good as they are they're not heavyweights and in my modest opinion the parts required heavyweights. I was sucked in though and enthralled by some extraordinary Egoyanesque moments with David Lynchish touches here and there. I believe the film was a flop at the box office, naturally. Too much of an adult story that demands not only full attention but participation from its audience. I will certainly see it again.
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