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Mind the Gap (2004)

 -  Comedy | Drama  -  13 March 2004 (USA)
7.2
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Ratings: 7.2/10 from 728 users   Metascore: 46/100
Reviews: 27 user | 8 critic | 10 from Metacritic.com

Five seemingly unrelated people decide to take huge risks in their personal lives in an effort to find happiness.

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Title: Mind the Gap (2004)

Mind the Gap (2004) on IMDb 7.2/10

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Cast

Cast overview, first billed only:
...
Herb Schweitzer
...
Malissa Zubach
...
Sam Blue
Christopher Kovaleski ...
Rocky Blue
...
John McCabe
Jill Sobule ...
Jody Buller
...
Vicki Walters
...
Henry Richards
...
Doctor Albertson
...
Dana
Deirdre Kingsbury ...
Mother Zubach
...
Deniese
Dolores McDougal ...
Woman on the Street
Stan Berger ...
Morris
Connie Sheppard ...
Beth
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Storyline

Five seemingly unrelated people decide to take huge risks in their personal lives in an effort to find happiness.

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Taglines:

Who will you meet at the crossroads of your life?

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for language
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Details

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Release Date:

13 March 2004 (USA)  »

Filming Locations:

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Box Office

Opening Weekend:

$5,503 (USA) (24 September 2004)

Gross:

$9,496 (USA) (1 October 2004)
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Company Credits

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Did You Know?

Trivia

The title is a warning issued to passengers as they get on and off trains at some stations on the London Underground. See more »

Goofs

Sam refers to the speed dating as meeting "20" people for 3 minutes each, but the computer screen from which he is reading says "25" people. See more »

Soundtracks

Freshman
Written by Jill Sobule and Robin Eaton
Performed by Jill Sobule
With Permission by Feel My Pain Music (ASCAP)/Left Right Left Music (BMI)
Administered by Bug
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User Reviews

An Uplifting Look at the Choices Even Quirky People Can Make
5 October 2004 | by (Queens, NY) – See all my reviews

'Mind the Gap' is an enchanting spiritual quest by eccentric characters who by converging from the sylvan north, south, west and east to the gritty sidewalks of the island of Manhattan, face death, their own or a loved one's, in different ways and find salvation in accepting that no person is an island.

While each is as damaged from relationships as the motley crew in 'Italian for Beginners,' this is far more than a romantic quest as these oddballs, who we on a rotating basis very gradually learn how they got so damaged, cannot have real relationships, including between parents and children, until they solve their spiritual malaise to make a positive choice. Their physical health and sensual perceptions are also linked to their emotional and spiritual well-being.

While the film is very long as it leisurely follows these characters' twisted trajectories, the mostly strong acting (particularly by Alan King in what I presume was his last film role) and the intriguing situations and lively conversations keep us curious, though the precocious kids interact with the adults like Gilmore Girls.

Like 'Magnolia,' we gradually find that some of the characters are linked in disturbing ways, others by coincidence (asymptotically cute) of need, time and place, but unpredictably. As brutally frank about the weaknesses, cruelties and foibles of human nature as the former film, writer/director/producer/co-star Eric Schaeffer is less cynical and more hopeful than Paul Thomas Anderson, without resorting to incredible magic realism to restore faith.

While these characters literally face the notorious undertow of the waters of Spuyten Duyvil (spiting the devil, per Dutch folklore about the treacherous waters off the mainland) --and their uniform hatred of the NY Yankees-- to enter Manhattan, I didn't catch all the theological interpretations about the sins of the fathers to discern any particular philosophical consistency about forgiveness, including the Krishna Das tracks on the soundtrack. I do question the meaningfulness of a child granting forgiveness to an adult, but I think it's about the adults growing-up.

Co-star singer/songwriter Jill Sobule's "Bitter" (available both on her CD 'Happy Town' and the compilation 'I Never Learned to Swim: Jill Sobule 1990-2000') serves as the satisfying culmination; five other of her songs, not specifically written for the film, are also featured as commentary, as she plays an isolated busker with a literal broken heart.

Some recurring images I didn't quite get yet, particularly of a dancer in Times Square, perhaps going around and around at the crossroads of the world.

One of the most hopeful and uplifting movies I've seen in a long time, it will bring a smile to "mind the gap" every time I get on and off the subway -- the gap between reach and grasp, between nirvana and humanity.


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