Jack Hall, paleoclimatologist for NORAD, must make a daring trek across America to reach his son, trapped in the cross-hairs of a sudden international storm which plunges the planet into a new Ice Age.
A decidedly odd couple with ulterior motives convince Dr. Alan Grant to go to Isla Sorna (the second InGen dinosaur lab.), resulting in an unexpected landing...and unexpected new inhabitants on the island.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
5 years after Pitch Black, the wanted criminal Riddick arrives on a planet called Helion Prime, and finds himself up against an invading empire called the Necromongers, an army that plans to convert or kill all humans in the universe.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's creation turned bad and a unique ally who was born inside the digital domain of The Grid.
Professor Trevor Anderson receives his teenager nephew Sean Anderson. He will spend ten days with his uncle while his mother, Elizabeth, prepares to move to Canada. She gives a box to Trevor that belonged to his missing brother, Max, and Trevor finds a book with references to the last journey of his brother. He decides to follow the steps of Max with Sean and they travel to Iceland, where they meet the guide Hannah Ásgeirsson. While climbing a mountain, there is a thunderstorm and they protect themselves in a cave. However, a lightening collapses the entrance and the trio is trapped in the cave. They seek an exit and falls in a hole, discovering a lost world in the center of the Earth. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Indie film maker Paul Chart (American Perfekt) was originally signed to write and direct the picture and penned the original script. Chart left the project, however, after a decision was made to shoot the film in 3-D, uncomfortable with the possibility it would become more 'theme park ride' than the epic action-adventure film he envisioned. The Jules Verne novel was apparently one of his favorite pieces of literature. Chart was ultimately replaced with effects specialist Eric Brevig and the script was heavily retooled to emphasize the new 3-D format. See more »
Just before Trevor almost falls down the shaft Hannah is behind Sean. When she grabs Trevor to save him she has moved in front of Sean between shots. See more »
[holds up Max's yo-yo]
This was your old man's PSP.
See more »
As the credits are rolling a flare with a burning fuse appears. When the credits end. The flare explodes. See more »
First off, let me say that I'm VERY glad I saw this movie in 3D. If I hadn't, I might have walked out. The instant strength of this film that comes to mind is the great use of the 3D technology. It has plenty of surprises, and it doesn't over do it at all. HOWEVER, this does not excuse the blatant cheesiness, stupid typical one liners from Brendan Fraser, nor the underutilization of such a fantastic concept.
The story isn't really based on the book by Jules Verne, it's more based on a group's adventure that uses the book as a guide. It's certainly a fantasy adventure that kids will enjoy, but adults may find themselves getting restless by the time the third act reaches us. I also have very strong complaints about the predictability of the film, which was so bad that I could predict what the characters would say, in addition to what was about to happen on screen. That's bad. It's a classic case of flashy visuals, horrid plot execution. It's a wasted concept that could have been a lot better had the film-making branched out from the narrow scope it obviously uses. In fact, I could see this exact premise working PERFECTLY in a Guillermo Del Toro or Tim Burton type horror film.
We really only got three characters in the movie (and less than ten speaking parts), so a lot rides on our three leads. First, our headliner and box office draw, Brendan Fraser. He may not be the best actor, and he may say some pretty stupid one liners that get old after the 800th time, but he still has the same charm that makes him likable in the Mummy films. I really think that this film is further proof that Josh Hutcherson is THE best young American actor. He's blossomed into a great young actor, after a stunning turn in Bridge to Terabithia, in addition to great shows in Zathura and Little Manhattan. I've never seen a kid (especially a boy, as the girls tend to be better performers at ages 10-16) show so much emotional range, not only in this movie, but throughout his already prolific career (he's 15 and has 24 acting projects in his career). He's one to watch for a very long time. Our third lead is Icelandic actress Anita Briem. She neither added or took away anything from the film, though I suppose that can be blamed on the script, as she is not well developed. Seth Meyers (yes, THAT Seth Meyers) provides some laughs at the beginning and end of the film.
I felt that the chemistry between performers was very good, and was one thing that kept me interested. I came to care for all three of them, and they worked well together. Fraser and Hutcherson in particular worked well as uncle and nephew. While I was disappointed in the narrow scope of the film's vision, what was contained within said scope was well done and entertaining. The 3D really made it better. Without the 3D, this film is nothing but a mere C-class fantasy adventure that will bore anyone above age 10. However, the chemistry of the actors and the 3D save it from somewhat disaster, and make the film a bit enjoyable. It's worth the price of admission to a 3D theater, for sure, but I advise you to bring a younger person with you (who knows, maybe you'll feed off their energy). To put it simple, every kid under 10 or 11 will love it, then watch it again in 10 years and go, "what was I thinking?".
WITH 3D: 5/10 WITHOUT 3D: 3/10
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