Sensitive, somewhat effeminate farm-boy Duncan Mudge can barely cope with grim, since Ma's death even gloomier father Edgar's manly expectations, and seeks comfort in petting a chicken he ... See full summary »
Enduringly traumatized by the disappearance of her 3-year-old daughter 15 years ago, Julia Sandburg has cut herself off from anyone once near and dear to her, including her husband Doug and... See full summary »
Thomas is the son of a prison warden. He falls for and seduces Martin, who is older and one of the prison inmates. After Martin is released, They try to build a relationship and a life ... See full summary »
When her brother Bobby returns from World War II mentally damaged, Anna has to deal with her parents who don't aknowledge her brother's existence, who is now brought to a mental hospital. ... See full summary »
Two highway road workers spend the summer of 1988 away from their city lives. The isolated landscape becomes a place of misadventure as the men find themselves at odds with each other and the women they left behind.
The Travis family façade is destroyed by an event incomprehensible to them -- an event which will open locked doors and finally reveal the secrets that have haunted them for decades. Written by
When Tim is asleep on the kitchen table, the contents of the pickle jar he was eating from jumps from empty to half full between shots. See more »
Matt Travis was a great swimmer. But it wasn't just that he was a great swimmer, it was simply that he was greater at swimming than anyone I ever knew was good at whatever they were good at.
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The Kinks warned about media heroes. Outside the movies, most heroes are also "Ordinary People." Society demands some role playing, but what happens when that extends to the parent-child relationship? Do some parents try to improve themselves through their children rather than vice versa? How do you provide a role-model but not a role? A brilliant swimmer who hates to swim; a brilliant musician who won't play. Offbeat, funny (despite depiction of "serious" problems), very good multi-dimensional acting by everyone. Lots of plot twists complement the emotional tension. Celluloid heroes never feel any pain. I don't recall ever being disappointed in a Sigourney Weaver film (I even liked "The Village"!).
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