Sensitive, somewhat effeminate farm-boy Duncan Mudge can barely cope with grim, since Ma's death even gloomier father Edgar's manly expectations, and seeks comfort in petting a chicken he ... See full summary »
When her brother Bobby returns from World War II mentally damaged, Anna has to deal with her parents who don't aknowledge her brother's existence, who is now brought to a mental hospital. ... See full summary »
A drama based on an ancient Chinese proverb that breaks life down into four emotional cornerstones: happiness, pleasure, sorrow and love. A businessman bets his life on a horse race; a gangster sees the future; a pop star falls prey to a crime boss; a doctor must save the love of his life.
Sarah Michelle Gellar,
An ad executive (Weaver) impersonates an archeology professor (Westheimer) to avoid a situation with an obsessed former lover. She enlists the help of a hapless archeologist (Depardieu) who... See full summary »
The Travis family façade is destroyed by an event incomprehensible to them -- an event which will open locked doors and finally reveal the secrets that have haunted them for decades. Written by
The song playing in the smoke shop is "Drug Day Afternoon", written and performed by Emile Hirsch and Ryan Donowho. Hirsch also sings the song when he is going up his stairs on crutches. See more »
Matt's swimming time at the start of the movie is 44.3 for a 100 meter long course swim. This time would better the world record of 47.84. If he had been swimming in a short course yard (instead of long course meters) pool this time would have been a great time, but not a world record. See more »
Matt Travis was a great swimmer. But it wasn't just that he was a great swimmer, it was simply that he was greater at swimming than anyone I ever knew was good at whatever they were good at.
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This film is chock-full of little surprises, many of them funny. The fact that it's written and directed by a 24-year old blows my mind. Some of the scenes where the high school kids are using ecstasy made me very uncomfortable because I have a kid that age and I could picture her using it. As parent of a teen, I found the depictions of the parent-child interactions to be dead-on accurate.
I enjoyed the film's many little jokes, and I enjoyed the fact that not everything made perfect sense and not all the issues were resolved by the end. To paraphrase Mark Twain, truth is stranger than fiction, because fiction is required to stick to that which is possible, while truth is not.
This is a film which plays with the viewer, allowing us believe that people are what other people think they are, only to allow us later to realize that the folks we assumed were right were completely ignorant of the real situation. One of the film's strongest scenes, a scene about which we feel very relieved and sympathetic about what the character is doing, turns out to be based on a completely wrong assumption, and the character, while admirable, is totally wrong. It's very subtly done, I think. Very realistic.
I liked the score a lot -- I thought it really aided the film, really helped set the mood -- the film has a couple of screwball moments, and the background music helps establish that.
The valedictorian speech is a hoot and a half -- got a big laugh! The movie is really in my head right now -- saw it this morning. Will try to see it again, time allowing. Tens are hard to come by, but a solid nine in my book.
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