Based on the Korean legend, unknown creatures will return and devastate the planet. Reporter Ethan Kendrick is called in to investigate the matter, and he arrives at the conclusion that a ...
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Young-gu, a pizza parlor clerk, is sent back in time by a mysterious old man. He finds himself in 1599, but the village he is in has a dragon problem. The dragon requires the sacrifice of ... See full summary »
Agents of an oil tycoon vanish while exploring a swamp marked for drilling. The local sheriff investigates and faces a Seminole legend come to life: Man-Thing, a shambling swamp-monster whose touch burns those who feel fear.
Matthew Le Nevez,
Based on the Korean legend, unknown creatures will return and devastate the planet. Reporter Ethan Kendrick is called in to investigate the matter, and he arrives at the conclusion that a girl, stricken with a mysterious illness, named Sarah is suppose to help him. The Imoogi makes its way to Los Angeles, wreaking havoc and destruction. With the entire city under arms, will Ethan and Sarah make it in time to save the people of Los Angeles? Written by
This marked the first Korean production in nearly three decades to receive wide theatrical release in the United States. See more »
(at around 1h 3 mins) The soldiers controlling the .50 cal machine guns in the very front APC and tank are supposed to be Combat Vehicle Crewmen, yet they wear the uniforms and body armor of ordinary infantrymen. See more »
All right. Fine. I didn't see a snake. For heaven's sake, there is no such thing as a giant snake. I must have lost my mind for a second.
Everybody makes mistakes. I'm glad you're seeing clearly.
[to the guard]
You may untie him.
I hate to say this, but the giant snake is in this hospital right now. Look out your window.
Tie him again. He has to be hospitalized.
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This movie serves as a timely warning to anyone who thinks they can both write and direct their own movie. Face it, you can't. Because that way there's nobody around to tell you when you hack great holes in your plot, have meaningless transitions, trite, unmemorable dialog and manage to turn a fairly cool Korean legend into a steaming pile of celluloid turd.
I wanted to like this movie as a trashy popcorn movie, really I did; I like lots of crappy movies. But once I've been forced to ask myself what the hell just happened and WHY, DEAR LORD, WHY? more than a few times, I really can't take it any more.
Also, I would love for someone to explain how LA became Mordor for the last scene.
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