A French public servant from Provence is banished to the far North. Strongly prejudiced against this cold and inhospitable place, he leaves his family behind to relocate temporarily there, with the firm intent to quickly come back.
In 1942, in an occupied Paris, the apolitical grocer Edmond Batignole lives with his wife and daughter in a small apartment in the building of his grocery. When his future son-in-law and ... See full summary »
A man is charged with murder. He is Pigoil, the aging stage manager at Chansonia, a music hall in a Paris faubourg. His confession is a long flashback to New Year's Eve, 1935, when he ... See full summary »
Each week, Pierre and his friends organize what is called as "un dîner de cons". Everyone brings the dumbest guy he could find as a guest. Pierre thinks his champ -François Pignon- will ... See full summary »
Harris Tindall is a pencil sharpener. He is the last descendant of a family fully dedicated to this artistic tradition. Each day, the sharpener adjusts his pencil leads depending on his ... See full summary »
A teenager feels an endless fascination for his cellular which will enable him to reach his aim: alluring the pretty high-school girl he's in love with. Unfortunately, this special "... See full summary »
Fond de l'Etang is a boarding school for troubled boys located in the French countryside. In the mid-twentieth century, it is run by the principal M. Rachin, an egotistical disciplinarian whose official unofficial mantra for the school is "action - reaction", meaning that there will be severe consequences for any boy out of line. This approach does not seem to be working as the boys as a collective are an unruly bunch. In turn, the teachers don't teach, but are always watching out for the next subversive act from the boys. January 15, 1949 marks the arrival to the school of the new supervisor, M. Clément Mathieu, a middle-aged man who is grasping at finding his place in life after a series of failed endeavors. Although he does find the boys an unruly lot, Mathieu does not believe in the "action - reaction" policy, and as such, butts heads with Rachin while secretly undermining the policy. Slowly, Mathieu's approach of trying to match the discipline to the crime does have a positive ... Written by
In 2004, this was the #1 movie at the French box office, with more than 8.6 million admissions. See more »
While Mathieu is auditioning more than thirty boys in his class to sort them by the pitches of their voices, discontinuities can be perceived in the relative positions of some of the boys. While Pépinot is walking to the left side of the frame after his audition, Boniface and one of the oldest boys can be seen standing together on the lowest step of the stairs in the center of the frame (at 33:43 to 33:45). The scene then cuts to a close-up of Mathieu calling out Boniface's name to sing next (at 33:46 to 33:48). Then the scene cuts to a medium shot of Boniface stepping off the stairs, but the older boy is not beside him (at around 48 mins). In a wider shot (at around 56 mins), the older boy is at the far right of the frame with the baritones and bases having had his audition "off-camera". See more »
This is funny how people get from one extreme to another about this movie. When I saw the movie it was in a Citadelle in an open air cinema by the French Riviera (Villefranche sur Mer, very very nice). The friend I went to see it with said to me: "I give you the tissues now because I predict you will cry like a baby". And I cried like a baby. The story made me think about Sister Act ONLY IN THE STORY!!! A failed musician converting a group of difficult children into a choir... But this version of the story is way above the American one. Gérard Jugnot is really great. I like him very much since he has abandoned his comic roles. I loved him in Le meilleur Espoir Feminin and Monsieur Batignole. I think he's an great actor as he can convey a lot of emotions, from laughter to sincere emotion. At last, the fact that all the children are not professional actors adds to the sincerity of the film which should won at least an Academy Award this year if the Americans still can be sensitive about sincerity...
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