Batman Begins (2005)

After training with his mentor, Batman begins his war on crime to free the crime-ridden Gotham City from corruption that the Scarecrow and the League of Shadows have cast upon it.

Director:

Christopher Nolan

Writers:

Bob Kane (characters), David S. Goyer (story),

Stars:

Christian Bale, Michael Caine, Liam Neeson

Top 250 #105 | Nominated for 1 Oscar. Another 8 wins & 43 nominations.

Cast

Cast overview, first billed only:
Christian Bale	...	Bruce Wayne / Batman
Michael Caine	...	Alfred
Liam Neeson	...	Ducard
Katie Holmes	...	Rachel Dawes
Gary Oldman	...	Jim Gordon
Cillian Murphy	...	Dr. Jonathan Crane / Scarecrow
Tom Wilkinson	...	Carmine Falcone
Rutger Hauer	...	Earle
Ken Watanabe	...	Ra's Al Ghul
Mark Boone Junior	...	Flass
Linus Roache	...	Thomas Wayne
Morgan Freeman	...	Lucius Fox
Larry Holden	...	Finch
Gerard Murphy	...	Judge Faden
Colin McFarlane	...	Loeb

Storyline

When his parents were killed, millionaire playboy Bruce Wayne relocates to Asia when he is mentored by Henri Ducard and Ra's Al Ghul in how to fight evil. When learning about the plan to wipe out evil in Gotham City by Ducard, Bruce prevents this plan from getting any further and heads back to his home. Back in his original surroundings, Bruce adopts the image of a bat to strike fear into the criminals and the corrupt as the icon known as 'Batman'. But it doesn't stay quiet for long.

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Plot Keywords:

gotham | fight | fear | cave | murder | 

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Genres:

Action | Adventure | Crime | Drama

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Motion Picture Rating (MPAA)

Rated PG-13 for intense action violence, disturbing images and some thematic elements

Details

Official Sites:

Official Facebook Warner Bros [fr]

Country:

USA UK

Language:

English Urdu Mandarin

Release Date:

15 June 2005 (USA)

Also Known As:

Batman 5

Filming Locations:

Coalhouse Fort, East Tilbury, Essex, England, UK

Box Office

Budget:

$150,000,000 (estimated)

Opening Weekend:

$119,727 (Sweden) (19 August 2005)

Gross:

$205,343,774 (USA) (28 October 2005)

Company Credits

Production Co:

Warner Bros, Syncopy, DC Comics

Technical Specs

Runtime:

140 min

Sound Mix:

DTS Dolby Digital SDDS Sonics-DDP (IMAX version)

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

The name of the commissioner on the film is "Loeb". However, this is NOT a reference to comic book writer Jeph Loeb, author of the graphic novels "The Long Halloween" and "Dark Victory", but rather simply the canonical name of the Gotham City police commissioner when Bruce Wayne returns to Gotham. This is shown in Frank Miller's Year One, which actually influenced both "The Long Halloween" and "Dark Victory" and was published nearly a full decade before either of these.

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Goofs

In the scene where Batman saves Rachel and the Little Boy from the released Arkham maniacs, the boy is seen holding his arms around Rachel and with his face against her chest. Yet when the camera angle changes he is sitting and facing in a completely different direction.

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Quotes

[first lines]
Bruce Wayne - age 8: Rachel, let me see! Can I see?

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Crazy Credits

In some countries, the film title is shown at the very end of the closing credits, whereas in most other countries it's seen at the beginning of the closing credits.

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Connections

Version of Batman (1966)

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Soundtracks

"Folletto!...Folletto!"
from "Mefistofele"
Written by Arrigo Boito
Performed by Norman Treigle, Ambrosian Opera Chorus and London Symphony Orchestra (as London Symphony Orchestra)
Conducted by Julius Rudel
Courtesy of EMI Classics
Under License from EMI Film & Television Music

User Reviews

Why do we fall? So we can learn to pick ourselves up. And such is the case for the Batman franchise

It sickened me in the past to see the Batman movie franchise slowly digging it's way to an early grave. After the quality Tim Burton films, the series pretty much went down the toilet, beginning a horrifically campy age of 'Bat credit-cards' and an armored Arnold Schwarzenegger tossing cringe-worthy puns at a Batman who seemed to be trying not to be embarrassed by the fact that his costume had nipples. So what could Warner Brothers producers hope to do to resurrect the franchise? Pretend it never happened, and start the whole series over again with a talented director, compelling story and capable cast.

Enter Christopher Nolan, the mastermind behind 2000's 'Momento', widely praised as one of the most innovative films of the decade. As director/co- screenwriter, Nolan creates a richly dark, atmospheric world for Batman to inhabit, similar to that of the Burton films, but less cartoony. The film's screenplay, written by Nolan and David S. Goyer is quality stuff, it's true that some of the dialog exchanges can seem kind of contrived, particularly between Wayne and Liam Neeson's character, Ducard, but it sounds so classy you tend not to care.

Nolan also puts a lot of trust in his audiences to stay put while the first hour of the film comprehensively explores Bruce Wayne's backstory, with no cape donning and few fight sequences. Nevertheless, the pace never slows, and the story is so unexpected and fascinating (who would have expected a Batman film to begin in a prison in Tibet? only Nolan could pull it off!) there's little chance of us losing interest. And this way, we really get a sense of who Bruce Wayne is, a trait none of the past movies were able to capture, including the Burton films. We see what drives him, what leads him to become this iconic crime fighter, and the reasoning behind the mask.

Of course, to help the audience get under Bruce Wayne's skin, it doesn't hurt to have such a talented lead as Christian Bale. Bale has been emerging as one of the most talented actors of his generation, and he brings that talent to a peak here, playing the darkest of all superheroes. If you were to break down the role of Batman/Bruce Wayne, you would find that it is essentially three characters: Wayne as Batman, behind the mask; Wayne's public facade as the billionaire playboy; and the real, brooding Bruce Wayne. Bale plays all three of the characters to absolute perfection, and molds them together well enough to make it clear to show they are still the same person. He has been given tons of accolades for his performance already, and needless to say, he deserves every one.

And the sheer quality of the supporting cast is mind-boggling, if for the number of big names only. It's very hard to find a weak spot in the incredibly strong array of performances here, but if one had to be found, it would have to be Katie Holmes. It's not that she gives a bad performance, on the contrary, but just she seems too young to be convincing as a district attorney. For me, Michael Gough will always be the definitive Alfred, but Michael Caine does an excellent job of taking over the role, giving a very strong (and often funny) performance. Liam Neeson is sheer class as Ducard, Wayne's mysterious mentor, as is Morgan Freeman as Lucius Fox, Wayne's arms manufacturer and provider of the Batman gear. It's wonderful to see the incredibly talented and much underrated Gary Oldman as Sgt. Gordon, the only decent cop in Gotham, and he truly makes the role his own. Even cult favorite Rutger Hauer makes an appearance as Richard Earle, the ambitious head of Wayne Enterprises. And (surprise surprise!) the villains are also actually menacing for once, as opposed to cartoony and corny. Cillian Murphy just about walks away with the show as the truly chilling Scarecrow (the sequences involving his 'fear gas' are surprisingly frightening) Ken Watanabe is mysterious and creepy as guild leader Ra's Al Ghul and Tom Wilkinson is very convincing as Carmine Falcone, head of the Gotham city mob.

Nolan's knack for realism also comes as a breath of fresh air in this age of CGI bloated blockbusters - there are next to no computer generated shots in the movie, even a sequence with Batman standing on top of a high building staring down at the city was filmed with a stuntman. And it really works, the Batmobile actually interacts with it's environment, and looks so much better real than computer generated. But don't think that the film will come across as too serious and stuffy because of Nolan's realism - true, Gotham seems too dark and dirty to come across as a fantasy world, but Batman Begins retains that unmistakable sense of fun that seems to only be present in comic book movies. We jeer and fear the villains, and cheer the hero as he lays his life on the line to vanquish evil and save the city. And that is how it should be. There's even a surprising twist near the end, which is doubly surprising because it actually comes as a shock. What's not to love here?

(and, further cudos to director Nolan for finally managing to make a swarm of bats actually frightening for once)

Overall, I'd have to label Batman Begins 'The must see movie of the summer' - it's a well written, authoritatively directed, impeccably acted (especially by Bale's powerhouse lead performance and Cillian Murphy's sickly menacing Scarecrow) and very high quality production. Indeed, most other summer blockbusters could learn a thing or two from Batman Begins. If the Batman franchise died under it's own gaudiness years ago, let us rejoice this glorious rebirth - Batman truly does begin here.

-10/10