Popular Broadway actor Gary Johnston is recruited by the elite counter-terrorism organization Team America: World Police. As the world begins to crumble around him, he must battle with terrorists, celebrities and falling in love.
Kazakh TV talking head Borat is dispatched to the United States to report on the greatest country in the world. With a documentary crew in tow, Borat becomes more interested in locating and marrying Pamela Anderson.
The North American counter-terrorism force Team America attacks a group of terrorists in Paris. Later, the leader of the organization, Spottswoode, invites the famous Broadway actor Gary Johnston to join his world police and work undercover in Cairo, infiltrating a terrorist organization in the hope they will disclose their plan of destroying the world. Team America destroy the cell of terrorists, but then the Panama Canal is attacked by the criminals as a payback. Gary feels responsible for the death of many innocents and leaves the counter-terrorism organization. When the leader of North Korea, Kim Jong Il, joins a group of pacifist actors and actresses with the intention of using weapons of massive destruction, Team America tries to avoid the destruction of the world. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Matt Stone referred to the puppet technique used in the film as "supercrappymation". See more »
During the scene where the team is fighting the Koreans, after Lisa says, "We lost I.N.T.E.L.L.I.G.E.N.C.E. I repeat, we have no I.N.T.E.L.L.I.G.E.N.C.E", you can see the reflection of a face in the front window of Joe's helicopter during its head on shot. See more »
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The Paramount Pictures logo animates backwards: first it is shown in its finished form, then the stars fly away into darkness. See more »
First off, I'd like to say that this film is everything a South Park/Trey Parker devotee could hope for. It's sly, it's vulgar, it's full of gore/profanity/violence/nudity, and it is made entirely with marionettes.
The sheer amount of wit and subversive humor packed into this film is mind boggling, but yet it doesn't bog you down with vague references and really confusing in-jokes. And goddamn, puppets swearing/having sex/killing people/dancing never gets old. NEVER.
The film is actually almost 2 hours long, but as expected, is one which time takes on less relevance. Of course, some people are going to see just how limited Trey Parkers voice talents are, but having 4 different minor character sound exactly the same is always a surefire treat. Take note that a grand total of zero big name actors lend their voice to this film, though Little B**ch(Dian Bachar) does give a little appearance here and there.
The whole film is real. You heard me. Absolutely nothing in this movie (with the exception of the title credits and I.N.T.E.L.L.I.G.E.N.C.E.) was done with computers. While this may sound impressive on paper, on film it's actually a masterful achievement. While Parker sometimes plays into the film's self-conscious aura and indulges the audience a bit, most scenes are played out to their full puppet potential. I'm sure this film will be a benchmark in the world of puppeteering for years to come, despite it's content.
All in all, it was exactly what I expected (and I have high standards for Parker) and I could not have been happier with the result. A second viewing will be needed, just to take in all the detail of the film, as the sets are lush, elaborate and breathtaking scale models of cities all over the world.
For those who want to bother comparing it to Parkers earlier forays, yes, it is better than Cannibal! and Orgazmo, but does not quite stand up to SP:BLU, but only because BLU had the background and the familiarity factor. After a second viewing, this opinion could very likely change.
In other words, if you like this sort of stuff, you'll love it. If you are iffy on Parker/South Park/libertarian humor, then you will most likely hate it. But what else is new.
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