Popular Broadway actor Gary Johnston is recruited by the elite counter-terrorism organization Team America: World Police. As the world begins to crumble around him, he must battle with terrorists, celebrities and falling in love.
Kazakh TV talking head Borat is dispatched to the United States to report on the greatest country in the world. With a documentary crew in tow, Borat becomes more interested in locating and marrying Pamela Anderson.
The North American counter-terrorism force Team America attacks a group of terrorists in Paris. Later, the leader of the organization, Spottswoode, invites the famous Broadway actor Gary Johnston to join his world police and work undercover in Cairo, infiltrating a terrorist organization in the hope they will disclose their plan of destroying the world. Team America destroy the cell of terrorists, but then the Panama Canal is attacked by the criminals as a payback. Gary feels responsible for the death of many innocents and leaves the counter-terrorism organization. When the leader of North Korea, Kim Jong Il, joins a group of pacifist actors and actresses with the intention of using weapons of massive destruction, Team America tries to avoid the destruction of the world. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Paramount immediately greenlighted the idea of making a puppet movie, in the mistaken belief that it would be cheaper than a live action film. See more »
When Team America is fighting the Film Actor's Guild while trying to get into the peace ceremony, just after Tim Robbins is burned to death, the sound of hands clapping starts before the shot changes back over to the stage. See more »
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The last song played at the end of the credits is best known as "You Are Worthless Alec Baldwin" and is not featured in the film itself. Kim Jong Il sings about his trials and tribulations, and his hate for Alec Baldwin. This song is not on the soundtrack album. See more »
I'm sure plenty of parochial critics will berate this film for anti-American values during the current "war on terror"....BUT...the great thing about this film is that no one is spared being mocked. This bears the standard of a great film by expressing the ironies innate in every argument in this quasi-political tale; from socialist Michael Moore, fashionably charitable celebrities to the terrorists and the, ahem "world police." This couldn't be more accurately summed up than in one of the funniest ever analogies that is employed in this film; the "Dic*s, P*ssies, and a*s*holes, argument." This film also wonderfully parodies the standard conventions and cliché's of the action film genre to create an entertaining, and gleefully controversial film.
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