| Photos (See all 78 | slideshow) | Videos (see all 3) |
| Debra Messing | ... | Kat Ellis | |
| Dermot Mulroney | ... | Nick Mercer | |
| Amy Adams | ... | Amy | |
| Jack Davenport | ... | Edward Fletcher-Wooten | |
| Sarah Parish | ... | TJ | |
| Jeremy Sheffield | ... | Jeffrey | |
| Peter Egan | ... | Victor Ellis | |
| Holland Taylor | ... | Bunny | |
| Jolyon James | ... | Woody | |
| C. Gerod Harris | ... | Bike Messenger | |
| Martin Barrett | ... | Teenager | |
| Jay Simon | ... | Male Flight Attendant | |
| Danielle Lewis | ... | Pretty Woman | |
| Ivana Horvat | ... | Smitten Girl | |
| Linda Dobell | ... | Sonja | |
| Helen Lindsay | ... | Aunt Bea | |
| Lucy Bermingham | ... | Posh American Woman | |
| John Sackville | ... | Phil | |
| George Asprey | ... | Pat | |
| Alan Wills | ... | Limo Driver | |
| Nick Miers | ... | Limo Driver | |
| David Nobbs | ... | Rolls Royce Driver | |
| Steve Hall | ... | Taxi Driver | |
| Dave Brown | ... | Taxi Driver | |
| Colin Staplehurst | ... | Taxi Driver | |
| Patrick Guihen | ... | Taxi Driver (as Pete Guihen) | |
| Michael McCarthy | ... | Taxi Driver | |
| Anthony Blackman | ... | Wedding Car Driver | |
| Adrian Walker | ... | Stag | |
| Ivan Johnson | ... | Organist | |
| Anna Sands | ... | Stripper | |
| Jens La Barre | ... | Stripper | |
| Brian Lesseat | ... | Stripper | |
| Alice Brickwood | ... | Stripper | |
| rest of cast listed alphabetically: | |||
| Stephen Lobo | ... | Harried Employee (uncredited) | |
| Lisa-Marie Long | ... | Flirty girl (uncredited) | |
| Kerry Shale | ... | Clipboard Manager (uncredited) | |
Directed by | |||
| Clare Kilner | |||
Writing credits | ||
| Elizabeth Young | (book "Asking for Trouble") | |
| Dana Fox | (screenplay) | |
Produced by | |||
| Jessica Bendinger | .... | producer | |
| Mairi Bett | .... | line producer | |
| Paul Brooks | .... | producer | |
| Michelle Chydzik Sowa | .... | producer | |
| Jeff Levine | .... | co-producer | |
| Nathalie Marciano | .... | producer | |
| Scott Niemeyer | .... | executive producer | |
| Jim Reeve | .... | executive producer | |
| Steve Robbins | .... | executive producer | |
| Rae Umsted | .... | line producer: New York | |
| Norm Waitt | .... | executive producer | |
Original Music by | |||
| Blake Neely | |||
Cinematography by | |||
| Oliver Curtis | |||
Film Editing by | |||
| Mary Finlay | |||
Casting by | |||
| Monika Mikkelsen | |||
| Carl Proctor | |||
Production Design by | |||
| Tom Burton | |||
Art Direction by | |||
| Astrid Sieben | |||
Set Decoration by | |||
| Barbara Herman-Skelding | |||
Costume Design by | |||
| Louise Page | |||
Makeup Department | |||
| Sarah Berry | .... | makeup artist | |
| Kirstin Chalmers | .... | hair designer | |
| Kirstin Chalmers | .... | makeup designer | |
| Hanna Coles | .... | makeup artist | |
| Donald McInnes | .... | hair stylist | |
| Donald McInnes | .... | makeup artist | |
| Laura McIntosh | .... | makeup artist | |
Production Management | |||
| Marshall Leviten | .... | production manager | |
| Alan Martin | .... | executive in charge of production | |
| Tim Pedegana | .... | post-production supervisor | |
| Emma Zee | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Sasha Mann | .... | second assistant director | |
| Andrew Woodhead | .... | first assistant director | |
Art Department | |||
| Jonnie Elf | .... | art department assistant | |
| Kamlan Man | .... | assistant art director | |
| Lisa McDiarmid | .... | stand-by art director | |
| Mark Papworth | .... | stand-by props | |
| Leigh Thurbon | .... | carpenter | |
| Graham Ward | .... | props | |
Sound Department | |||
| Howard Bargroff | .... | sound re-recording mixer | |
| Courtney Bishop | .... | adr recordist | |
| Owen Bleasdale | .... | foley recordist | |
| Dan Green | .... | adr recordist | |
| Mike Grimes | .... | sound effects editor | |
| Christopher Harvengt | .... | adr supervisor | |
| Stewart Henderson | .... | additional adr editor | |
| Dan Johnson | .... | sound re-recording mixer | |
| Melissa Lake | .... | foley artist | |
| Cynthia Merrill | .... | foley artist | |
| Michael Miller | .... | adr mixer | |
| Joe Milner | .... | sound re-recording mixer | |
| Joe Milner | .... | supervising sound editor | |
| Nick Neutra | .... | foley mixer | |
| Bernard O'Reilly | .... | supervising sound editor | |
| Lionel Selwyn | .... | foley artist | |
| George Trevis | .... | boom operator | |
| Martin Trevis | .... | sound mixer | |
| Michele Woods | .... | dialogue editor | |
| Hilary Wyatt | .... | supervising dialogue editor | |
Visual Effects by | |||
| Andrew Bishop | .... | visual effects | |
| Simon Coombs | .... | visual effects | |
| Greg Cox | .... | visual effects | |
| Christopher Dusendschon | .... | digital imaging supervisor: iO FILM | |
| Simon Percy | .... | visual effects | |
| Anthony Wonsoff | .... | digital compositor | |
Stunts | |||
| Richard Hammatt | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Richard Blackmore | .... | daily electrician | |
| Camilla Drennan | .... | camera trainee | |
| Sam Garwood | .... | director of photography: second unit | |
| Adrienne Hayward | .... | camera trainee | |
| Tim Potter | .... | focus puller | |
| Craig Pressgrove | .... | first assistant camera: New York City | |
| Hilda Sealy | .... | second assistant camera | |
| Larry Slater | .... | electrician | |
| Roger Tooley | .... | Steadicam operator | |
| Paul Toomey | .... | gaffer | |
Casting Department | |||
| Louis Elman | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Sharon McCormack | .... | costume cutter | |
| Michael Weldon | .... | assistant costume designer | |
Editorial Department | |||
| Kate Higham | .... | first assistant editor | |
| Nicola Instone | .... | post-production coordinator | |
| Alexandra Montgomery | .... | post-production coordinator | |
| Des Murray | .... | on-line editor | |
| Christy Richmond | .... | additional editor (uncredited) | |
Music Department | |||
| Jeffrey Biggers | .... | assistant score engineer | |
| Don Gallacher | .... | music consultant | |
| Randy Gerston | .... | music supervisor | |
| Joel Iwataki | .... | music scoring engineer | |
| Kory Kruckenberg | .... | scoring assistant engineer | |
| Brian Leff | .... | music coordinator | |
| Elizabeth Neely | .... | music studio manager | |
| Emily Rogers Swanson | .... | music editor (as Emily Rogers) | |
| David Sabee | .... | orchestra contractor | |
| Stuart Michael Thomas | .... | music editor: Los Angeles | |
| Stuart Michael Thomas | .... | scoring assistant | |
| Greg Vines | .... | assistant score engineer | |
Transportation Department | |||
| Karen Russell | .... | driver: minibus | |
Other crew | |||
| Monika Agorelius | .... | electronic press kit | |
| Cassandra Barbour | .... | rights and clearances | |
| Daniel Budd | .... | assistant accountant | |
| Anouska Chydzik | .... | assistant: Michelle Chydzik Sowa | |
| Chris Doss | .... | executive in charge of finance | |
| Giles Edleston | .... | location manager | |
| Julia Finn | .... | publicist | |
| Suraj Gohill | .... | production lender | |
| Alix Graham | .... | assistant: Ms. Messing | |
| Nicole Gregory | .... | unit publicist | |
| Mark Grimwade | .... | assistant location manager | |
| Sasha Harris | .... | production coordinator | |
| Mary Hope | .... | assistant to director | |
| Karyn Isaacs | .... | legal affairs: Gold Circle Films | |
| Rebecca Johnson | .... | assistant: Jeff Levine and Wendy Rhoads | |
| Julia Jones | .... | unit publicist | |
| Heather Joyce | .... | manager of marketing | |
| Susy Kane | .... | stand-in | |
| Alex Karpinski | .... | assistant to director | |
| Brian Kelly | .... | foot double: Ms. Messing | |
| Theresa Larche | .... | assistant to director (as Theresa Larché) | |
| Alan Martin | .... | production executive | |
| Sarah McFadden | .... | unit nurse | |
| Aaron Michiel | .... | legal affairs: Gold Circle Films | |
| John Miles | .... | production accountant | |
| Martin Poultney | .... | camera film and tape | |
| Wendy Rhoads | .... | production executive | |
| Corrie Rothbart | .... | finance executive | |
| Laura Sevier | .... | rights and clearances | |
| Charlie Simpson | .... | unit manager | |
| Sascha Springer | .... | location manager: New York | |
| Stuart Michael Thomas | .... | additional synthesizer programmer | |
| Jennifer Turek | .... | assistant: Nathalie Marciano | |
| Tracy Wass | .... | assistant: Nathalie Marciano | |
| Kelly Weinstein | .... | assistant: Scott Niemeyer | |
| Elizabeth West | .... | script supervisor | |
Thanks | |||
| David Foster | .... | special thanks | |
| James Newton Howard | .... | special thanks | |
| Seth Jaret | .... | special thanks | |
| Heather Persons | .... | special thanks | |
| Chris Pettit | .... | special thanks | |
| Christy Richmond | .... | special thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| anchovies | Luckyboots |
| Did anyone else hate the hair/makeup? | pm2002 |
| Dermot Mulroney vs. Dylan McDermott | LucyRocks |
| Debra Messing's nose | jlnriddick |
| Based on... | fldelk-1 |
| Nick's dialogue | fd1708 |
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| Something's Gotta Give | The Witnesses | Forgetting Sarah Marshall | The Last Kiss | New York, I Love You |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Kat (Debra Messing), an airline executive, fears going alone to her snooty sister's wedding in London. This is especially so because her ex-fiancé will be there as well. Though young and beautiful, Kat nevertheless plunks down a cool $6,000 for a professional escort. In return, the gorgeous Nick (Dermot Mulroney) must play the role of her new and attentive boyfriend. Kat's sister, Amy, a la Monsoon Wedding, has planned her wedding extravaganza to last four days, complete with picnics, cricket, splashy parties and more. Can Kat and Nick pull it off? Do they have enough natural attraction for each other? And what about past loves? Messing and Mulroney make this film work, period. The script has some weaknesses and letdowns, but the darling duo rises above them. The nice scenery and costumes are also a bonus. There is a moment when Kat tells Nick he is worth every penny. The same could be said of the ticket price, as watching Debra and Dermot is very satisfying. Sometimes, the world just needs a silly love movie. What's wrong with that? I'd like to know.