| Oksana Orlenko | ... | Lana | |
| Nickolai Stoilov | ... | Darco Lucev | |
| Luoyong Wang | ... | Julian | |
| Stephanie Childers | ... | Katrina | |
| Stacey Slowik | ... | Vermonica | |
| David Darlow | ... | Gen. Donoffrio | |
| Alex Diatchenco | ... | Celo | |
| Tony Castillo | ... | Marco | |
| Kelly Haizen | ... | Alex | |
| Robert Varvel | ... | Nayona | |
| Yasen Peyankov | ... | Cab Driver | |
| Ron Dean | ... | Lou | |
| Jason Pardo | ... | Leon | |
| Abelardo Ghoulam | ... | Gus | |
| Andrzej Krukowski | ... | Doctor (as Andrew Krukowski) | |
| Khallid Shabazz | ... | Newspaper Vendor | |
| Holly France | ... | Nurse Shot | |
| Jason Wells | ... | Surgeon | |
| Travis Taylor | ... | Thug #2 | |
| Jack McCabe | ... | John #1 | |
| Joanne Goodman | ... | Bag Lady | |
| Donna Whats | ... | Office Clerk | |
| Grant Adelman | ... | Bartender | |
| George Long | ... | Homeless Man | |
| Karen Racutt | ... | Homeless Woman | |
| Richard Shavzin | ... | Hotel Clerk | |
| Debbie Barton | ... | Marco's Prostitute | |
| Lora Starkman | ... | Bar Girl (as Laura Starkman) | |
| Matthew Stratton | ... | Thug #1 | |
| Jackie Seigel | ... | Bar Patron | |
| Juan Frausto | ... | Farther Moving | |
| Kevin Deigel | ... | Boy Moving | |
| Michael Seigel | ... | Boy Moving | |
| James Purcinski | ... | Skateboarder | |
| Davor Kelek | ... | Bosnian Soldier #1 | |
| Edward Perovic | ... | Bosnian Soldier #2 | |
| rest of cast listed alphabetically: | |||
| Ed Cray | ... | Bosnian Gangster | |
| Kelley Hazen | ... | Alex | |
| Cris D'Annunzio | ... | Bartender (uncredited) | |
| Sofie Dejus | ... | Smoking Hooker (uncredited) | |
Directed by | |||
| Michael S. Ojeda | (as Michael Ojeda) | ||
Writing credits(in alphabetical order) | ||
| Michael S. Ojeda | (as Michael Ojeda) | |
Original Music by | |||
| William Brown | |||
Cinematography by | |||
| Gennadi Balitski | |||
Film Editing by | |||
| Michael S. Ojeda | (as Michael Ojeda) | ||
Casting by | |||
| Richard Shavzin | |||
Production Design by | |||
| Lorianne Olson | |||
Art Direction by | |||
| Michelle Caplan | |||
Set Decoration by | |||
| Merje Veski | |||
Makeup Department | |||
| Denise Pawlak | .... | assistant makeup artist | |
| Patricia Ranger | .... | assistant hair stylist: second unit | |
| Patricia Ranger | .... | assistant makeup artist: second unit | |
| Eleanor Sabaduquia | .... | key hair stylist | |
| Eleanor Sabaduquia | .... | key makeup artist | |
| Rebecca Wachtel | .... | key makeup artist: second unit | |
Production Management | |||
| Misty Tosh | .... | unit production manager | |
Art Department | |||
| Abelardo Ghoulam | .... | sculptor | |
| Pete Ibarra | .... | assistant property master | |
| Orion Jensen | .... | construction coordinator | |
| Anthony Neil | .... | property master | |
| Heather O'Connor | .... | art department assistant | |
| Sean Stickney | .... | art department assistant | |
Sound Department | |||
| Ken Bogpanski | .... | boom operator | |
| Craig Harding | .... | audio dialogue re-enforcement | |
| Brian Rohr | .... | sound editor | |
| Ernest J. Saunders III | .... | production sound mixer | |
| Philippe Espantoso | .... | sound re-recording mixer (uncredited) | |
| Pierre Paquet | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Mary Stratton | .... | special effects assistant | |
| Matthew Stratton | .... | special effects coordinator | |
Stunts | |||
| Rick Le Fevour | .... | stunt coordinator | |
| Tom Lowell | .... | stunt double: Darko | |
| Linda Perlin | .... | stunt double: Lana | |
| Ed Purcinski | .... | stunt car mechanic | |
| Amory Williams | .... | stunt car mechanic | |
Camera and Electrical Department | |||
| Jim Adkins | .... | first assistant camera: second unit | |
| Gennadi Balitski | .... | camera operator: "a" camera | |
| Carlton Brown | .... | camera operator: "b" camera | |
| Shaw Hawkins Burrows | .... | key grip | |
| Jeff Conrad | .... | gaffer | |
| Deborah Cottington | .... | still photographer | |
| Simone Garcia | .... | grip | |
| Makoto Higashi | .... | grip | |
| Matthew Janke | .... | dolly grip: second unit (as Matt Jenke) | |
| David Jones | .... | dolly grip: second unit | |
| Julie 'Doc' Lindstrom | .... | dolly grip: second unit | |
| Jimmy Molise | .... | grip | |
| June Park | .... | second second assistant camera: "a" camera | |
| Gina Provenzale | .... | second assistant camera: "a" camera | |
| Yaanis Rutmans | .... | best boy (as Yannis Rutmans) | |
| Dave Wightman | .... | first assistant camera: "a" camera | |
Casting Department | |||
| Michelle Abel | .... | extras casting | |
Costume and Wardrobe Department | |||
| Lenore Bruce | .... | wardrobe assistant | |
| Holly France | .... | wardrobe supervisor | |
| Asia Roverson | .... | wardrobe assistant | |
| R.J. Seidel | .... | wardrobe assistant | |
Editorial Department | |||
| Brian Rohr | .... | first assistant editor | |
| Bob Sliga | .... | colorist | |
Transportation Department | |||
| Timothy Jedlink | .... | transportation coordinator | |
|
|
|
|
|
| Before the Devil Knows You're Dead | 'G' Men | Flatliners | The Assassination of Jesse James by the Coward Robert Ford | Interview |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section |
Lana's Rain is a really great example of what's right in today's independent cinema. This is an original film that examines the political strife in post-Cold War Eastern Europe the difficulties faced by immigrants in modern America. But it doesn't stop there: Lana's Rain also looks at the Eastern European criminal underworld, and its affects on refugees in America. It also takes an unflinching look at the horrors of prostitution, through the eyes of original characters in this fascinating genre piece.
The story is told through a familiar genre: the action/crime picture, but this isn't some Tarantino knock-off or film noir wannabe. Michael Ojeda's debut takes a real daring step by having Eastern European actors speaking in Croatian for much of the film! In an age where too much dialog is dumbed-down by Hollywood and when foreign films are poorly dubbed by producers, it's refreshing to see an American director using language the way it was meant to be. Ojeda keeps the action flowing neatly, while getting us into the lives of these characters. We end up caring a lot about these people.
As for the cast of unknowns: they are uniformly excellent. I heard that `Lana' Oksana Orlenko, won the best actress award at the Milan Film Festival. No surprises there! She's immensely talented, radiating pathos and a raw sensuality from the screen. When more people see this film, I'll bet movie goers will fall absolutely in love with her!
Bottom line: don't le me describe this film for you.SEE IT!