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Koktebel (2003)
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Overview
User Rating:
Release Date:
25 September 2003 (Russia) moreTagline:
Sometimes it's necessary to walk 1000 kilometers to find someone that's close to you.Plot:
A widowed aeronautics engineer, who has lost his job, travels with his son hopping freight trains from Moscow to Koktebel... more | add synopsisAwards:
5 wins & 6 nominations moreUser Comments:
This is NOT Disney (thank God). moreCast
(Credited cast) | Gleb Puskepalis | ... | The Son |
| Igor Csernyevics | ... | The Father |
| Yevgeni Syty | ... | Railway inspector |
| Vera Sandrykina | ... | Tanya |
| Vladimir Kucherenko | ... | Mikhail |
| Agrippina Steklova | ... | Kseniya |
| Aleksandr Ilyin | ... | Truck driver |
| Anna Frolovtseva | ... | Tenant |
| Lyubov Rozanova | ||
| Alexander Poslovsky | ||
| Sergei Kushnarenko | ||
| Sergei Shinkarenko | ||
| Yuri Panchishin | ||
| Tatiana Korol |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
100 min | Canada:105 min (Toronto International Film Festival) | Hong Kong:105 min (Hong Kong International Film Festival) | Argentina:105 min (Buenos Aires Festival Internacional de Cine Independiente)Country:
RussiaLanguage:
RussianColor:
ColorAspect Ratio:
1.85 : 1 moreCertification:
Canada:PG | Philippines:PG-13 | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | UK:12A | Australia:M | Argentina:AtpFAQ
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A film like this just couldn't be made in America, where action must occur at a slam-bang pace, and children must be either pitifully ignorant of life or else caricatures of evil. Here, there is exquisite attention to detail -- a countryside, a vase of flowers, and long periods with no dialog at all where a mood is simply allowed to develop. The passage of time may not be in equivalent "real time," yet it passes noticeably. And what a skilled performance by Gleb Puskepalis, a boy with, as often seems to be the case, a distinguished acting history in legitimate theater. His character is master of his fate and of the plot, and he himself is master of the camera and the cast. I like this film especially because it is the boy who is rational, determined and self-directed, while the adults, as in reality, are continually made fools by their alcohol, aggression, and just wanting "to f*** each other" all the time. Bravo!