| Photos (See all 23 | slideshow) | Videos |
| Matt Farnsworth | ... | Esper Harte | |
| Diane Foster | ... | Donna Huffman | |
| John Savage | ... | Irv Huffman | |
| Rosanna Arquette | ... | Effie Harte | |
| Michael T. Weiss | ... | Larry Clarkson | |
| David Backus | ... | Nick Slavens | |
| Amanda Tepe | ... | Dominique | |
| William Wayne | ... | Joey Wilhoff (as Billy Wayne) | |
| Mickey Jones | ... | Darrell McNeely | |
| John Tracy | ... | Leo Harte | |
| Muse Watson | ... | Sheriff Walker | |
| Jack Orend | ... | Mortician | |
| John Bliss | ... | Pastor Krause | |
| James Serpento | ... | Gesture Man | |
| Stephen Whitney | ... | Tweeker | |
| Rocky Marquette | ... | Cousin Jake | |
| Golden Farnsworth | ... | Silly Milly | |
| Karen McFall | ... | Aunt Fonda | |
| David Basila | ... | Ramrod | |
| Keith Adams | ... | Shit Bird | |
| Colin Campbell | ... | Uncle Artie | |
| Seals Hilton | ... | Mortuary Singer | |
| Pat Hilton | ... | Organist | |
| Cathy Perry | ... | Jailer | |
| Steve Faust | ... | Co-Op Security Guard | |
| Louie Johnson | ... | Farmer |
Directed by | |||
| Matt Farnsworth | |||
Writing credits | ||
| Matt Farnsworth | (written by) | |
Produced by | |||
| Gregg Elder | .... | co-producer | |
| Matt Farnsworth | .... | producer | |
| Diane Foster | .... | producer | |
| Richard H. Prince | .... | supervising producer | |
Original Music by | |||
| Elia Cmiral | |||
Cinematography by | |||
| John Houghton | |||
| Andrew Parke | (as Andrew B. Parke) | ||
Film Editing by | |||
| Robert Brown | (as Bob Brown) | ||
Casting by | |||
| Aaron Griffith | |||
Art Direction by | |||
| Chris Wright | |||
Costume Design by | |||
| Jennifer L. Soulages | |||
Makeup Department | |||
| E. Larry Day | .... | makeup department head | |
| Angel Radefeld | .... | hair department head | |
Production Management | |||
| Richard H. Prince | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Chase Newhart | .... | first assistant director | |
| Karen Reinhart | .... | second assistant director | |
Art Department | |||
| Jerry A. Chavez | .... | property master | |
| Jenny Elsinger | .... | set dresser | |
| Brian Vogelgesang | .... | lead scenic | |
| Brian Vogelgesang | .... | on-set decorator | |
Sound Department | |||
| Darren Barnett | .... | sound re-recording mixer | |
| Brad Cox | .... | sound effects editor | |
| Bradford Cox | .... | sound effects editor | |
| Robert Fitzgerald | .... | sound effects editor | |
| Michael Jordan | .... | sound re-recording mixer | |
| Martin Maryska | .... | supervising sound editor | |
| Brian Mendelsohn | .... | sound effects editor | |
| Speed Ratliff | .... | boom operator (as Dwayne Ratliff) | |
| John Taylor | .... | sound mixer | |
Special Effects by | |||
| Jor Van Kline | .... | special effects coordinator | |
Stunts | |||
| Keith Adams | .... | stunt coordinator | |
| Lisa Hoyle | .... | stunt double | |
Camera and Electrical Department | |||
| Kent Abbott | .... | camera assistant: second unit | |
| Chris Chambers | .... | camera loader | |
| Jeff Dorer | .... | film loader | |
| Moe Flaherty | .... | first assistant camera: "b" camera | |
| Moe Flaherty | .... | first assistant camera: second unit | |
| David Allen Grove | .... | Steadicam operator | |
| David Allen Grove | .... | camera operator: additional camera | |
| Gor Haroutunian | .... | grip | |
| Oliver Henry | .... | gaffer | |
| John Houghton | .... | director of photography: second unit | |
| John Hudecek | .... | electrician | |
| Rob Monroy | .... | assistant camera | |
| Craig Peterschmidt | .... | additional camera operator | |
| Bernie Smith | .... | assistant camera | |
| Dean Williams | .... | still photographer | |
Casting Department | |||
| Ann Wilkinson | .... | casting: Iowa | |
Costume and Wardrobe Department | |||
| Raquel L. Jaffe | .... | assistant costume designer | |
Editorial Department | |||
| Mike Nichols | .... | additional editing supervisor | |
| Zachary Urbina | .... | editorial production assistant | |
Music Department | |||
| Max Blomgren | .... | synthesizer programmer | |
| Dana Niu | .... | orchestrator | |
| Bryon Rickerson | .... | music editor | |
Transportation Department | |||
| Carla Klein | .... | transportation | |
| Gracie Klein | .... | transportation coordinator | |
Other crew | |||
| Carol Baty | .... | location manager | |
| Brian Belise | .... | production assistant | |
| Ardy Brent Carlson | .... | office production assistant (as A. Brent Carlson) | |
| Carol A. Compton | .... | script clearance | |
| Clint Conkity | .... | production assistant | |
| Pablo Ferro | .... | title designer: main titles | |
| James Gibler | .... | production assistant | |
| James Gibler | .... | stand-in | |
| Mark Litwak | .... | producer's representative | |
| Veda Semarne | .... | script supervisor | |
| Janelle Smith | .... | key craft service | |
| Zachary Urbina | .... | office production assistant: Los Angeles | |
| Channing Whitaker | .... | production assistant | |
| Allison Whitmer | .... | production coordinator | |
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| Freeway | Nowhere | Blood In, Blood Out | Jesus' Son | From Hell |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
Although I wouldn't say this is the best movie I've seen, I thought that it did drive home the addicting and devastating effects of meth production, sale and use. The acting, for the most part, was captivating. I've lived in Iowa for almost a year now, and some folks have been worried about the perspective this gives of the state. I think that the movie really could have been placed in any rural community and still drive home the point. Quite honestly, I think that without the sex scenes, if this movie was shown to junior high school and high school students, it would quell any curiosity to try meth (particularly, I think, the tweaking scene and its aftermath). I still think "Requiem for a Dream" is a better movie that talks about the effects of dreams and the use of drugs to attain those dreams, but I have recommended this movie to many friends as a must-see movie.