A cautionary tale of love, crime, fantasy and addiction that follows two young Iowan lovers who decide to go into the "batch" business - cooking their own methamphetamine - only to watch it burn a searing hole in their lives.

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1 nomination. See more awards »

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Cast

Cast overview, first billed only:
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Esper Harte
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Donna Huffman
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Irv Huffman
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Effie Harte
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Larry Clarkson
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Nick Slavens
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Dominique
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Joey Wilhoff (as Billy Wayne)
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Darrell McNeely
John Tracy ...
Leo Harte
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Sheriff Walker
Jack Orend ...
Mortician
John Bliss ...
Pastor Krause
James Serpento ...
Gesture Man
Stephen Whitney ...
Tweeker
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Storyline

A cautionary tale of love, crime, fantasy and addiction that follows two young Iowan lovers who decide to go into the "batch" business - cooking their own methamphetamine - only to watch it burn a searing hole in their lives.

Plot Summary | Add Synopsis

Taglines:

They don't just grow corn here anymore.

Genres:

Crime | Drama

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Details

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Release Date:

22 April 2005 (USA)  »

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Box Office

Budget:

$2,000,000 (estimated)
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Technical Specs

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(some sequences)|
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Did You Know?

Quotes

Esper Harte: [pointing a gun at Larry] Drop your pants; I wanna see *your* penis.
Larry Clarkson: What?
Esper Harte: Drop your goddamn pants; I wanna see your penis!
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User Reviews

 
A harsh look at drugs in the heartland
9 January 2007 | by (United States) – See all my reviews

I saw this movie on a trip to Iowa, and not knowing much about Matt Farnsworth, the director (or the subject of meth, for that matter), I had no preconceived expectations, but walked away impressed and educated by a first-time filmmaker's jarring exploration into addiction.

Though Farnsworth doesn't quite explore the psychology of drug addiction as much as he could, the frenetic, visual representation illustrates the world of meth from a user's perspective, providing a sharp contract to the small town setting of the film. Farnsworth is capable in the lead role, but its Michael T. Weiss's turn as a sadistic, power-tripping sheriff that steals the show.

A couple of complaints: Fransworth occasionally goes for shock value, mistaking it for a message of rude awakening. And the hand-held, store-bought-video-camera interludes of the Iowa landscape seem forced and shlocky. The landscape means very little to the film (presumably less than Farnsworth thinks it does, since the movie is named for the state it resides in), as this story could be easily translated to any city (big or small) in the states.

I've read Farnsworth has been leading an anti-meth crusade, and while that's honorable, I hope (for selfish reason) that he has not abandoned directing for this higher calling. I can't wait to see what he does with his second go-round.


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