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House of D (2004)

PG-13 | | Comedy, Drama | 29 April 2005 (USA)
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By working through problems stemming from his past, Tom Warshaw, an American artist living in Paris, begins to discover who he really is, and returns to his home to reconcile with his family and friends.

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Cast

Cast overview, first billed only:
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Lady / Bernadette
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Melissa
Magali Amadei ...
Coralie Warshaw
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Simone
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Superfly
Bernie Sheredy ...
Sasha (as Bernard Sheredy)
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Ticket Seller
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Mrs. Brevoort
Harold Cartier ...
Odell Warshaw
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Mr. Pappass
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Storyline

On their son Odell's 13the birthday, graphic artist Tom Warszaw finally confesses to his wife why he fled Greenwich Village, NYC at that age to Paris. As a schoolboy, naturally sensitive, considerate Tommy was best buddy with 'adult' half-wit Pappass, father Duncan's Catholic school's assistant janitor. Smothered by his dependent mother, a dumb orderly, Tommy got 'parental advice' from a women's prison inmate. Together with Pappas, he saves up tips from their butchery delivery rounds. One night, Pappas steals the bike they were saving for. Tommy tries to take the blame, but ends up expelled as if the instigator. Even more tragic consequences follow. Written by KGF Vissers

Plot Summary | Plot Synopsis

Taglines:

You never know who your angel's gonna be. See more »

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated PG-13 for sexual and drug references, thematic elements and language | See all certifications »
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Details

Country:

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Release Date:

29 April 2005 (USA)  »

Also Known As:

Can dostlar  »

Box Office

Budget:

$6,000,000 (estimated)

Opening Weekend:

$36,371 (USA) (15 April 2005)

Gross:

$371,081 (USA) (6 May 2005)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Shia LaBeouf was originally cast as Tommy, but was replaced by Anton Yechlin due to a scheduling conflict. See more »

Goofs

At the beginning of the school dance scene, there is a kid screaming "Sabbath. Sabbath." Later on, the same kid is shown to be the DJ, and when he is changing records, you can hear his voice still screaming "Sabbath. Sabbath." in the background, even though he is not saying it. See more »

Quotes

[first lines]
Tom Warshaw: [narrating] My name is Tom Warshaw. I'm an American artist living in Paris. I've lived here for 30 years with a secret nobody knows. My son, Odell, is turning 13 today. And for his birthday, I'm gonna tell him my secret.
Tom Warshaw: I'm gonna tell him, "You know how in old movies when the bad guys want to break into a safe? There's this one guy, the safecracker, who puts his ear up to the lock and listens as he dials the combination, listening for what they call in English, the tumblers. ...
[...]
See more »

Connections

Referenced in Crossover (2006) See more »

Soundtracks

Hold Your Head Up
Written by Rod Argent, Chris White
Performed by Argent
Courtesy of Epic Records
By Arrangement with Sony Music Licensing
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Moving, sweet, and deeply human
14 May 2004 | by (NY) – See all my reviews

Of course I went into the premiere at the Tribeca Film Festival hoping to like it. Still, I'm not sure I would have liked anything on the screen just because it was David's; I have a highly-developed sense of being able to cringe in empathetic embarrassment when someone I like royally screws something up. So while I wanted to like what I saw, I also prayed I wouldn't have to cringe anywhere along the line.

I needn't have worried. It's a lovely piece of work. It's just sweet enough to grab at your heart; it's just gritty enough to have its feet firmly on the ground. The writing is 'lean' in the best sense of the word: there is not an ounce of fluff on it; nothing gratuitous that was tossed in for the easy laugh or for the cheap pathos of the moment. Every word in the script, every shot in every scene, earned the right to be there.

What I loved about David's writing in his two X-F eps, I loved here too. It's character-driven, not plot-driven; so while he definitely has an idea of the story arc, rather than having a sense that he molded the characters' actions to fit the plotline, you feel he presented these characters with this situation and let them tell him how they handled it. Because of this,

you don't see actors reading lines -- you see living, breathing people, having lives. In many films you can spot one or two actors who achieve this through their own talents, but when it's everybody in the production, you have to assume it was the writing and direction that gave them their wings.

These people must have loved working for him. He has said that he didn't really have a hard idea of how the lines were supposed to read or how the scenes were supposed to be played; he just wrote down the words and let the actors take them. And he was smart enough to assemble a group of actors who could not just take them but could run with them. If Anton Yelchin in particular is not considered for some awards for this performance, it will be very surprising indeed.

The camera work and editing are marvelous. Again, he was smart enough to hire very good people, but we saw the evidence of his good eye in those two X-F eps, and it's a cinch he didn't have to hire those people to make up for anything he was lacking. Right from the get-go, the visuals of the opening scenes are so engaging, and it stays that good throughout. Like the writing, the cinematography and production are very purposefully done, and all work toward achieving a particular effect.

So, okay. It wasn't as good as I hoped it would be... it was better. :-)


95 of 153 people found this review helpful.  Was this review helpful to you?

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