By working through problems stemming from his past, Tom Warshaw, an American artist living in Paris, begins to discover who he really is, and returns to his home to reconcile with his family and friends.
In the midst of his crumbling relationship, a radio show host begins speaking to his biggest fan, a young boy, via the telephone. But when questions about the boy's identity come up, the host's life is thrown into chaos.
In 1944 Poland, a Jewish shop keeper named Jakob is summoned to ghetto headquarters after being caught out near curfew. While waiting for the German Kommondant, Jakob overhears a German ... See full summary »
Hannah Taylor Gordon,
Tommy Wilhelm (Robin Williams) is a salesman. An honest, hard-working guy who has lost his job, his girlfriend, and left part of his sanity behind as he heads to New York to pick up the ... See full summary »
Richard B. Shull,
Kids show host Rainbow Randolph is fired in disgrace while his replacement, Sheldon Mopes, aka Smoochy the Rhino, finds himself a rising star. Unfortunately for Sheldon, the kid's TV business isn't all child's play.
Joe's a car salesman with a problem. He has two days to sell 12 cars or he loses his job. This would be a difficult task at the best of times but Joe has to contend with his girlfriends (... See full summary »
On their son Odell's 13the birthday, graphic artist Tom Warszaw finally confesses to his wife why he fled Greenwich Village, NYC at that age to Paris. As a schoolboy, naturally sensitive, considerate Tommy was best buddy with 'adult' half-wit Pappass, father Duncan's Catholic school's assistant janitor. Smothered by his dependent mother, a dumb orderly, Tommy got 'parental advice' from a women's prison inmate. Together with Pappas, he saves up tips from their butchery delivery rounds. One night, Pappas steals the bike they were saving for. Tommy tries to take the blame, but ends up expelled as if the instigator. Even more tragic consequences follow. Written by
Film writing/directing debut of David Duchovny, who claims to have written the screenplay in six days. See more »
When Tom and Pappas are in the cab heading for the airport in 1973, there are at least two post-2000 cars in the background. See more »
I'm not retarded anymore.
When did that happen?
1984. Sometime in the spring. I went from retard to mentally handicapped. And then in 1987-88, I went from handicapped to challenged. I changed again. I'm probably changing right now. Who knows what I'll be next?
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I was fortunate enough to happen upon two free tickets to a sneak preview here in La Jolla. I enjoyed the movie thoroughly. The audience I was a part of was audibly drawn into the film. The plot is completely character-driven, revolving around a very honest 13-year-old. The honesty of this character--a unique portrayal of any boy this age--was portrayed sincerely, and as such the film read as very heartfelt. The sincerity is most profoundly seen in his relationship with a developmentally disabled adult, Pappass (Robin Williams), purely for the sake of companionship and not out of sympathy or having been forced into the friendship. In a time when the phrase "that's so retarded" is so ubiquitously used as a put-down, it was refreshing to see a character created who is not at all fazed by the stigma of befriending someone who is disabled or 30 years older than himself (let alone both). Each character seemed to be written with such empathy that you could be drawn into any one of their stories, if the movie so followed those stories. To those who call this film trite, I argue that this heartfelt empathy makes it unique among mainstream films whose screenplays contain characters so generalized that the actors must create any depth for their characters.
All in all, I enjoyed watching this film and would recommend it to my friends. And to those looking for an excuse to dismiss my 9/10 vote, no I am not a David Duchovny fan. I hardly even saw 3 episodes of the X-Files. I just liked the film. :-)
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