By working through problems stemming from his past, Tom Warshaw, an American artist living in Paris, begins to discover who he really is, and returns to his home to reconcile with his family and friends.
Based on the true childhood experiences of Noah Baumbach and his brother, The Squid and the Whale tells the touching story of two young boys dealing with their parents' divorce in Brooklyn in the 1980s.
A young Jewish American man endeavors to find the woman who saved his grandfather during World War II in a Ukrainian village, that was ultimately razed by the Nazis, with the help of an eccentric local.
Jonathan Safran Foer
On their son Odell's 13the birthday, graphic artist Tom Warszaw finally confesses to his wife why he fled Greenwich Village, NYC at that age to Paris. As a schoolboy, naturally sensitive, considerate Tommy was best buddy with 'adult' half-wit Pappass, father Duncan's Catholic school's assistant janitor. Smothered by his dependent mother, a dumb orderly, Tommy got 'parental advice' from a women's prison inmate. Together with Pappas, he saves up tips from their butchery delivery rounds. One night, Pappas steals the bike they were saving for. Tommy tries to take the blame, but ends up expelled as if the instigator. Even more tragic consequences follow. Written by
This story is about acceptance, and the coexistence of strengths and weaknesses that we all struggle to understand. The central character makes the best of an unfair hand he's dealt, and the basic character of this film is inspiring. The cleverness of the humor, the courageous use of the unabashedly implausible, gives us the lyricism of SESAME STREET or Hans Christian Anderson, with grit and passion. Zelda Williams (daughter of Robin), Frank Langella, Tea Leoni, Anton Yelchin, Erykah Badu, (the always great) Orlando Jones, David Duchovny and Robin Williams all bring us bar-raising performances. If you liked TERMS OF ENDEARMENT or A DOOR IN THE FLOOR, you'll love HOUSE OF D. The brilliant truth-bell ringing details are charming and plentiful. And it is a lovely, intimate gesture that the filmmaker shares a story that can only be believed in its meaning because it's in part a true story. It is very logical that someone might need to tell a story if they had spent a childhood and adolescence imagining the events behind the closed walls and tiny windows of a prison filled with women who've lost their way. And he passes this house of detention on the way to the realities behind the closed doors of his home. HOUSE OF D is like sitting down with an acquaintance, being touched and sometimes very amused by his secrets, and coming away loving him, embracing him and really rooting for him.
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