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Hollywood Wives: The New Generation (2003)

A Hollywood star (Fawcett), fed up with her husband's cheating, hires a private investigator to tail him. Emotional support is offered by her two friends - a soul singer (Givens) and a famous director's wife (Gilbert).

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Writers:

(book), (teleplay)
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1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
...
Taylor Singer
...
Kyndra
...
Claude St. Claire
...
Gregg Lynch
Stewart Bick ...
Larry Singer
...
Saffron
...
Eric Vernon
...
Nikki Roman
...
Michael Scorsinni
Peter Cockett ...
James Pierson
...
Danny
...
Brian Richter
...
Evan Richter
Dallas La Porta ...
Oliver Rock
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Storyline

A Hollywood star (Fawcett), fed up with her husband's cheating, hires a private investigator to tail him. Emotional support is offered by her two friends - a soul singer (Givens) and a famous director's wife (Gilbert).

Plot Summary | Add Synopsis

Genres:

Drama

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Release Date:

19 October 2003 (USA)  »

Also Known As:

Jackie Collins' Hollywood Wives: The New Generation  »

Filming Locations:


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Runtime:

Sound Mix:

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Aspect Ratio:

1.33 : 1
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Trivia

Farrah Fawcett's final TV role. See more »

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User Reviews

Robin Givens alone saves "Jackie Collins's Hollywood Wives: The New Generation"
17 October 2011 | by (United States) – See all my reviews

It was The New York Times that termed Marlon Brando and Al Pacino the rescuers of bad films. Well, as with many things The Times had it dead wrong. The person who actually deserves that title is Robin Givens. And she abundantly proves that she merits it in "Jackie Collins's Hollywood Wives: The New Generation." The only other factor concerning "Generation" that makes it worthy is a generous display of female skin (Best example: During one scene where Robin's character, Kyndra, and Farrah Fawcett's character, Lissa, are getting "a midnight massage," we- -hurrah!--see more of the former's smokin' bod than the latter's). But, again, Robin is present and, again, she is just about the only worthwhile element of this stinker. Despite the thinnish characterizations, the mostly-amateurish dialogue, and the crawling pace, Robin's uptown charm, her svelte sexiness, and her keen intelligence shine through and, along with the considerable amount of exposed female bodies and a smattering of incisive dialogue, prevent "Generation" from achieving absolute badness. Really, the producers of "Generation" should have told her what Candace Bergen told the clutch of TV-newswomen guest-stars after they appeared on her "Murphy Brown" sitcom: "You saved our ass."


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