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Billy Dee Williams,
Suave Harvard Medical School grad Ray Howard seems destined to specialize in womanizing. That is, until he heads to Florida to intern under the tutelage of chief resident Dr. Sidney Zachary... See full summary »
A vacationing woman meets her ideal man, leading to a swift marriage. Back at home, however, their idyllic life is upset when they discover their neighbors could be assassins who have been contracted to kill the couple.
A Catholic priest (Padre Geronimo) goes to a small town to solve some strange things that are happening in that town, things that come from the unknown, and gets involved in a romantic relationship with a young woman of the village.
Percy and Marilyn are renewing their vows for their anniversary, and their daughter Theresa brings her boyfriend Simon for them to meet. Unbeknownst to her parents, the kids plan to announce their engagement during the weekend. The Jones family is Black; Theresa neglects to tell them Simon is White. Race complicates Percy's general mistrust of any boyfriend, so he instigates an investigation of Simon, discovering he's recently lost his job and hasn't told Theresa. Mistrust rears its ugly head, and in the process of Theresa and Simon's argument, Marilyn and Percy fall out. What can the men do to cross the divide between each other and between men and women? Will anyone be exchanging vows? Written by
Ashton Kutcher suggested that his character be Jewish, to add another dimension to his conflict with the Christian Percy Jones. The idea was scrapped because the filmmakers wanted to focus on the issue of interracial romance rather than also looking into the interfaith issue. See more »
After Simon and Theresa escape from the basement and are standing on the top of the fort, the moon is backwards (flipped shot). See more »
I was just showing Simon around the house.
You have a very nice house, Mrs. Jones.
Thank you, Simon. You can call me Marilyn.
You too, Mr. Jones.
Thank you, Simon. You can call me Mr. Jones.
[Marilyn gives him a dirty look]
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The opening credits lists all names with no spaces, but with different fonts for given names and surnames. See more »
The thing about my baby, it don't matter if you're black or white.
Ashton Kutcher is going out with Zoe Saldana and while they do not have a problem with their relationship a lot of other people do. That's because Kutcher is white and Saldana, welllll, isn't. One of the main people having a problem with their relationship is Bernie Mac (playing Saldana's father), about to meet his daughter's partner for the first time and completely unprepared for the obvious racial differences between them. It's a remake of Guess Who's Coming To Dinner for the MTV generation.
I like Ashton Kutcher and I also like Bernie Mac so this movie benefits from their central performances. It also has to be said that the rest of the cast do just as well and are all likable enough. So the cast isn't a problem.
There is also a little bit more going on here than you might expect, with the movie admirably tackling not only racism from one point of view but any prejudice between races, generations and classes. It's actually a bit braver than most during some moments (ie, Kutcher relating a number of "black" jokes at the dinner table) but then, sadly, dwindles back to rom-com clichés whenever scenes are lacking any tension.
The direction is blah, everything stays within very standard Hollywood limits and, for the most part, it's unexciting, safe movie-making at it's most average with character development at it's lamest. Which is a shame. Because I DO like Ashton Kutcher and Bernie Mac.
See this if you like: Just Married, Save The Last Dance, Soul Man.
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