A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
Henry Roth is a man afraid of commitment up until he meets the beautiful Lucy. They hit it off and Henry think he's finally found the girl of his dreams, until he discovers she has short-term memory loss and forgets him the very next day.
Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
Percy and Marilyn are renewing their vows for their anniversary, and their daughter Theresa brings her boyfriend Simon for them to meet. Unbeknownst to her parents, the kids plan to announce their engagement during the weekend. The Jones family is Black; Theresa neglects to tell them Simon is White. Race complicates Percy's general mistrust of any boyfriend, so he instigates an investigation of Simon, discovering he's recently lost his job and hasn't told Theresa. Mistrust rears its ugly head, and in the process of Theresa and Simon's argument, Marilyn and Percy fall out. What can the men do to cross the divide between each other and between men and women? Will anyone be exchanging vows? Written by
The director's reason for making the film? "I have a 12-and-a-half-year-old daughter who's beautiful, and I'm sure she's going to come home one day with some Lithuanian, Samoan, punk-rock drummer dude, and I thought if I did this movie I'd be able to work out my issues before that day comes." See more »
Right after the "NASCAR scene" in the kitchen, Theresa is shown taking off her jacket. The camera cuts to Simon, then back to Theresa and we see her taking off her jacket again. See more »
I was just showing Simon around the house.
You have a very nice house, Mrs. Jones.
Thank you, Simon. You can call me Marilyn.
You too, Mr. Jones.
Thank you, Simon. You can call me Mr. Jones.
[Marilyn gives him a dirty look]
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The opening credits lists all names with no spaces, but with different fonts for given names and surnames. See more »
To take a work of pure genius (Guess Who's Coming To Dinner / Stanley Kramer 1967) and turn it into a Bernie mac, Ashton Kutcher roll reversal. I have nothing against the actors in this film... BUT! The original still stands strong as a cinematic masterpiece. Reviewing the troubled historic times past. Any comedic treatment of this classic work is nothing more than panhandling.
You can rent or buy the original for under $10. Sydney Portier was and is his generation. Don't be fooled, This series of remakes being spit out by the studios are simply because they already have the rights to the films and they will be the only ones making money. But the best question is what will they remake in 20 years from now.
Don't buy any of it!
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