When a young man agrees to housesit for his boss, he thinks it'll be the perfect opportunity to get close to the woman he desperately has a crush on - his boss's daughter. But he doesn't ... See full summary »
Walter, 24, is a wrestler, competing for a spot on the national team when he learns of his sister's brutal death. He comes home to help his mother; he works out, takes a dead-end job, and ... See full summary »
On a flight from Los Angeles to New York, Oliver and Emily make a connection, only to decide that they are poorly suited to be together. Over the next seven years, however, they are ... See full summary »
Constellation chronicles the lives and loves of an African-American family in the deep South as they are forced to come to terms with a tumultuous past marked by an unrequited interacial ... See full summary »
Billy Dee Williams,
Cool is a struggling actor fed up with stereotypical African-American roles. While pumping gas to make ends meet, he collides with his ex-fiance after 3 years of silence. She is getting ... See full summary »
A vacationing woman meets her ideal man, leading to a swift marriage. Back at home, however, their idyllic life is upset when they discover their neighbors could be assassins who have been contracted to kill the couple.
Suave Harvard Medical School grad Ray Howard seems destined to specialize in womanizing. That is, until he heads to Florida to intern under the tutelage of chief resident Dr. Sidney Zachary... See full summary »
A Catholic priest (Padre Geronimo) goes to a small town to solve some strange things that are happening in that town, things that come from the unknown, and gets involved in a romantic relationship with a young woman of the village.
Percy and Marilyn are renewing their vows for their anniversary, and their daughter Theresa brings her boyfriend Simon for them to meet. Unbeknownst to her parents, the kids plan to announce their engagement during the weekend. The Jones family is Black; Theresa neglects to tell them Simon is White. Race complicates Percy's general mistrust of any boyfriend, so he instigates an investigation of Simon, discovering he's recently lost his job and hasn't told Theresa. Mistrust rears its ugly head, and in the process of Theresa and Simon's argument, Marilyn and Percy fall out. What can the men do to cross the divide between each other and between men and women? Will anyone be exchanging vows? Written by
The director's reason for making the film? "I have a 12-and-a-half-year-old daughter who's beautiful, and I'm sure she's going to come home one day with some Lithuanian, Samoan, punk-rock drummer dude, and I thought if I did this movie I'd be able to work out my issues before that day comes." See more »
Even though the studio spent $100,000 to digitally remove Ashton Kutcher's red Kabbalah bracelet, it can still be clearly seen when he is drinking coffee in the "breakfast scene." See more »
If you're gonna marry one of these women, sometimes it's gonna hurt like hell. And all you can do is admit that you're wrong and know that she's always right.
All right okay, what about all that talk about my dignity?
Do you love her? Do you want her? Then she's always right.
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The opening credits lists all names with no spaces, but with different fonts for given names and surnames. See more »
When it was released in 1967, "Guess Who's Coming to Dinner" was acclaimed as a "breakthrough" film for its lighthearted, yet serious, depiction of an interracial romance. In the years since, society has moved so far in the direction of acceptance of so-called "mixed marriages" that any remake is bound to feel, at least to some extent, superfluous and anachronistic. And that is exactly the case with "Guess Who," a 2005 update whose abbreviated title is only the first of the many changes the filmmakers have rung on the Stanley Kramer original.
The screenwriters' first alteration involves switching the race roles, so that it is now a black family having to accept a white male as a prospective in-law rather than the other way around. Bernie Mac assumes the Spencer Tracy role as the father whose world is turned upside down when his beloved daughter brings a Caucasian boyfriend (Ashton Kutcher as a white Sidney Poitier) home to meet the family. On the distaff side, we have Judith Scott taking over for Katherine Hepburn as the understanding mother and Zoe Saldana replacing Katherine Houghton as the freethinking daughter.
Since interracial marriage is no longer the hot-button issue it once was, the filmmakers have been forced to inject a number of other non-race-related plot complications into the mix to develop and maintain the conflict and drama. Thus, we have Kutcher trying to hide the fact from both his fiancé and her family that he has recently quit his high-paying job at a prestigious firm and that he may, in fact, be the target of a securities-and-exchange commission probe. Indeed, with Kutcher spending most of his time trying to win over his critical and overbearing future father-in-law, "Guess Who" feels more like a remake of "Meet the Parents" than of "Guess Who's Coming to Dinner." The real problem with "Guess Who" is that it rarely has the courage of its convictions. Having decided to tackle a relatively dicey topic, the film too often drops the issue in favor of scenes that wouldn't pass muster even on a third-rate sitcom. For every scene that is incisive and daring - i.e. Kutcher telling a series of black jokes at the family dinner table - there is another that is pure Hollywood hokum (Mac and Kutcher sleeping in the same bed together, Mac and Kutcher having a go-cart race to determine who has the higher testosterone level and the greater machismo, etc.).
All of the performers are fine, especially Mac and Kutcher in the lead roles. However, they just haven't been given very sophisticated material to work with here. "Guess Who" might have been a better film had it aimed more for genuine, hard-edged satire and less for lowbrow slapstick and predictable romantic comedy sentimentality.
Still, it's been 38 years since "Guess Who's Coming to Dinner" first shocked the nation with its in-your-face defiance of miscegenation laws, and the world has since moved on to other issues of social injustice and marital definition. Which is why, in the year 2005, "Brokeback Mountain" was a breakthrough film and "Guess Who" was not.
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