Edit
The Bourne Supremacy (2004) Poster

Trivia

Jump to: Spoilers (9)
Matt Damon accidentally knocked out Tim Griffin who played the CIA interrogator John Nevins during the scene in the consulate when Bourne takes him and a security guard down after being captured.
Unlike the James Bond franchise, all the devices that Bourne uses are real and can be purchased by the average citizen.
Jason Bourne never smiles in the movie.
To give this movie its gritty, documentary-style appearance, director Paul Greengrass used mostly handheld cameras, and a muted color palette. Greengrass also made sure to avoid computer graphics at all costs, and all of the stunts shown in the movie were achieved practically.
Virtually all of the events in the movie were shot in the reverse order of location. This means scenes in Moscow were shot first and those in Goa were shot last.
The average length of a shot is 1.9 seconds.
In the house in Munich, when Jason Bourne uses the rolled newspaper as a weapon, the martial art he performs is derived from Escrima, an old Philippine martial art, also called Arnis or Kali. This fighting style mainly uses sticks to fight, and in modern times the use of everyday objects is taught, including ball pens (as seen in The Bourne Identity (2002)) and rolled up newspapers. In the film it is combined with Bruce Lee's Jeet Kune Do.
The first scene shot was the scene in Moscow where Bourne speaks to a taxi driver and arranges to pay in Dollars.
Unlike The Bourne Identity (2002), screenwriter Tony Gilroy read the book this time and claimed that he did a re-imagination, not an adaptation, of the novel. Gilroy wrote an original screenplay using key events and characters from the novel as a framework, though he replaced the traditional Carlos The Jackal-type villain with Kirill.
In a draft version of the script, Bourne passes out in Moscow after revealing all to Neski's daughter and wakes up in a hospital in Ramstein Air Base in Germany. Landy tells him his name is "David" and hands him a file with details about Treadstone and his own life. After leaving, a nurse takes food to Bourne but the room is empty. He has disappeared again.
Producer Frank Marshall selected Paul Greengrass as director after he'd seen Greengrass's Bloody Sunday (2002). Marshall was after a director who wasn't intrinsically associated with the action genre, feeling that Greengrass would impart an original spin of his own to the script.
The taxi that Bourne drives during the car chase is a Russian-made Volga 3110.
Regarding the famous use of a rolled-up magazine as a weapon, fight coordinator Jeff Imada explained, "I would go around the set after it had been dressed and get an idea of what would be lying around and how it could be used as a weapon. I came up with the idea of using a rolled up magazine and had to convince a few people that would actually be a functional weapon. I had to demonstrate it by rolling it up and hitting it on the table to show how hard the impact would be. And also Matt [Damon] and Marton [Csokas] verified that the magazine would actually hurt because they'd be hitting each other in the arm before takes and would actually get bruises from it."
7 of 7 found this interesting Interesting? | Share this
Share this: Facebook  |  Twitter  |  Permalink
While Bourne goes to look for Neski at her old house, the Russian cab driver receives a call, presumably by the Moscow police who alert him of Bourne, but the cab driver answers in German even though the scene is supposed to be in Moscow, Russia.
Bourne carries a SIG-Sauer P225 (the same model gun he takes from cops in The Bourne Identity (2002)). There is some confusion over the model of the gun because Bourne shoots 12 rounds through it without reloading and a real P225 only holds 8 rounds in the magazine plus one in the chamber. Kirill uses a P99 and Jarda a Beretta 92FS.
In Berlin, after researching Pam Landy's hotel, Bourne drives past a demonstration against globalization by activist organization ATTAC. The posters on the wall behind the man with the flag on the sidewalk read "Die Welt ist keine Ware", which means "The world is not for sale".
In a 2012 BAFTA Screenwriters' Lecture, uncredited screenwriter Brian Helgeland explained that part of Tony Gilroy's initial script was set in the USSR, even that government had fallen over 10 years earlier. Helgeland was brought on five days before production began and completely rewrote Gilroy's script. Although the studio rejected the new script, they did change the USSR setting. In addition, through production Paul Greengrass would change Gilroy's script with Helgeland's, resulting in the final film.
The pen Jason Bourne uses to jot his phone booth notes is a Rotring 600. This is a moderately expensive ballpoint ($30-40).
The address of the Hotel Becker, where Neski was killed, is shown to be Kurfürstendamm 238. This address no longer exists but was the historical location of the Romanisches Café, a meeting place for intellectuals in pre-war Berlin.
3 of 3 found this interesting Interesting? | Share this
Share this: Facebook  |  Twitter  |  Permalink
The 14 November 2003 draft of the screenplay credits Brian Helgeland for a rewrite. He is not credited in the final film.
6 of 9 found this interesting Interesting? | Share this
Share this: Facebook  |  Twitter  |  Permalink
In early drafts of the script, Kirill was known only as "Mock-Bourne".
7 of 11 found this interesting Interesting? | Share this
Share this: Facebook  |  Twitter  |  Permalink
Brian Cox and Joan Allen previously appeared together in Manhunter (1986).
5 of 8 found this interesting Interesting? | Share this
Share this: Facebook  |  Twitter  |  Permalink
The phone that Jason Bourne uses is a Siemens ME45.
9 of 20 found this interesting Interesting? | Share this
Share this: Facebook  |  Twitter  |  Permalink

Spoilers 

The trivia items below may give away important plot points.

The film was made with no intention of making a third movie after this one; the final scene was also meant to give the Bourne character some closure and properly end the series. When The Bourne Ultimatum (2007) was green-lit, the writers had to write the story around this epilogue.
When Bourne calls Pamela Landy from the rooftop, a voice is heard in her office saying that they "need 90 seconds to triangulate his position". Bourne disconnects the call exactly 88 seconds later.
The film originally ended with the confession to Neski's daughter. Following previews, which found the ending too bleak, the New York postscript scene with Bourne and Landy was shot, just weeks before the film's release in the summer of 2004.
It took 4 days to shoot the sequence where three assassins close in on a house they suspect harbors Bourne, but he has already left and rigged the house to explode. When it does, three stuntmen wearing cabled harnesses are violently yanked up and away from the explosion, landing on off-camera airbags. Six cameras simultaneously covered the brief sequence.
Before Brian Helgeland did his rewrite, Tony Gilroy's initial draft of the screenplay was vastly different. Instead of Kirill shooting her, Marie dies by accident when a bus veers off the road and slams into her. Bourne is outraged and goes berserk on the driver, almost killing him until the police arrest him. A large section of the film is then spent in an Indian prison, where Bourne makes numerous allies and enemies before planning his escape. From then on in, both scripts follow a similar track.
Although Bourne doesn't smile anytime along the story, a photograph of a smiling Bourne with his loving Marie can be seen after Marie's death.
Visible body count: 9.
The room where Ward Abbott stays in The Westin Grand hotel in Berlin is the Goethe Suite, one of several historical-themed and decorated suites in this hotel. Johann Wolfgang von Goethe was the playwright of the two-act tragedy 'Faust', about a deal with the devil. Abbott's stay in this suite is suitable, since in a way, he himself "made a deal with the devil."
When the framing of Bourne is initially being constructed and Kirill is staging the explosives on the circuit breakers, the actor (Karl Urban) is wearing these cool, black gloves that are actually black "Foot Joy" golf gloves, one for a right-handed golfer, the other for a left-handed golfer. The famous "FJ" label is on top of both gloves. Any golfer will recognize them immediately, now that they know what to look for.
7 of 11 found this interesting Interesting? | Share this
Share this: Facebook  |  Twitter  |  Permalink

See also

Goofs | Crazy Credits | Quotes | Alternate Versions | Connections | Soundtracks

Contribute to This Page