After escaping from the emotional and physical pain he previously encountered. Jason Bourne and his girlfriend Marie begin a new life as far away as possible. But when an assassination attempt on Bourne goes horribly wrong, Bourne must re-enter the life he wanted to leave behind, in order to find out the truth why they are still after him. Written by
To give this movie its gritty, documentary-style appearance, director Paul Greengrass used mostly handheld cameras, and a muted color palette. Greengrass also made sure to avoid computer graphics at all costs, and all of the stunts shown in the movie were achieved practically. See more »
When Bourne uses the yellow taxi in the Moscow tunnel to ram the Mercedes SUV into the lane divider, the SUV ends up at about a 45 degree angle to tunnel wall. But when Bourne get out of the taxi and approaches the SUV, the SUV is shown parallel to the wall. See more »
[voiceover - memories]
This is not a drill, soldier. We clear on that? This is a live project. You're a go. Training is over. Training is over.
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During the end credits the Marines are listed as Jarheads. See more »
The Bourne series are, without a doubt, the Bond films of the 21st century. What is even better is that they are the Bond we've been waiting for: one without the cheese, sleaze, camp predictable villains and cheap puns. This second installment in the series is a well-made, engaging adrenaline-booster and surprisingly every bit as good as The Bourne Identity.
Once again, we get to follow Matt Damon as Jason Bourne on the search for his lost identity. He had initially planned on putting his past behind him, but it sneaks up on him in the form of an assassination attempt in Thailand - while he is enjoying his life with Marie (Franka Potente). What I love about Franka Potente is that she is such a natural beauty and not in-your-face gorgeous like Bond girls and the like. It all fits with the low-key style of the film.
This film has mostly moved away from the flashy technology and violent showdowns of its fellow action-thrillers. Bourne Supremacy instead moves back to more traditional kinds of action, just like The Bourne Identity did. Its focus is the chase, not the confrontation or the gadgets. It is extraordinarily refreshing to see an action film like this, even more when it accomplishes everything it sets out to do and has so much brains.
The only minus to The Bourne Supremacy is its shaky, dizzying camera-work. I know a lot of people have complained about this, and usually I would disagree because this kind of cinematography can be a good thing, but it goes slightly overboard in the film at several points.
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