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The Bourne Supremacy (2004)

 -  Action | Crime | Thriller  -  23 July 2004 (USA)
7.8
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Ratings: 7.8/10 from 280,617 users   Metascore: 73/100
Reviews: 782 user | 232 critic | 39 from Metacritic.com

When Jason Bourne is framed for a CIA operation gone awry, he is forced to resume his former life as a trained assassin to survive.

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Cast

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Storyline

After escaping from the emotional and physical pain he previously encountered. Jason Bourne and his girlfriend Marie begin a new life as far away as possible. But when an assassination attempt on Bourne goes horribly wrong, Bourne must re-enter the life he wanted to leave behind, in order to find out the truth why they are still after him. Written by Film_Fan

Plot Summary | Plot Synopsis

Taglines:

They should have left him alone. See more »

Genres:

Action | Crime | Thriller

Motion Picture Rating (MPAA)

Rated PG-13 for violence and intense action, and for brief language | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

23 July 2004 (USA)  »

Also Known As:

Die Bourne Verschwörung  »

Filming Locations:

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Box Office

Budget:

$75,000,000 (estimated)

Opening Weekend:

$683,567 (Japan) (11 February 2005)

Gross:

$4,138,339 (Japan) (11 March 2005)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

To give this movie its gritty, documentary-style appearance, director Paul Greengrass used mostly handheld cameras, and a muted color palette. Greengrass also made sure to avoid computer graphics at all costs, and all of the stunts shown in the movie were achieved practically. See more »

Goofs

During the fight in the German apartment with Jason's former colleague, at 42:15 a cameraman is reflected in the apartment window on the right-hand side of the screen. See more »

Quotes

[first lines]
Conklin: [voiceover - memories] This is not a drill, soldier. We clear on that? This is a live project. You're a go. Training is over. Training is over.
See more »

Crazy Credits

The opening titles only include the production company and the title of the film. See more »

Connections

Referenced in Be Kind Rewind (2008) See more »

Soundtracks

Ballade No. 4 in F minor Op. 52
(uncredited)
Composed by Frédéric Chopin
Played in the Hotel Brecker lobby
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The title says it, Mr Bond
14 August 2004 | by (London, UK) – See all my reviews

A supremacy over the Bond franchise, increasingly. Matt Damon reprises an impressive, convincing delivery of a role well executed the first time around. Dalton's efforts come closest, alas within the insuperable cage of audience/exec. production expectation (and reasonably so, I might add).

The equal star of this picture is the efforts of the director Paul Greengrass. I stumbled on a televised doc-feature of this film a couple of hours ago (the sort of thing that becomes a DVD special feature). Greengrass pints to his work in documentary as a style and means of getting closer to the principal character as he tries to discover (i) who he is and (ii) what the ever-present forces are that cause his mental and occupational Sturm und Drang. It all works - the hand-cam and editing chucks us about and it's exciting trying, visually, to keep up with Bourne's every move. There's next to no CGI (the aforementioned documentary claimed none but I don't think that's possible these days) so the interest stays with the characters and never strays into the peripheral or wantonly spectacular.

The one downside with these production values is that one can get a bit seasick at being in the centre of a fight/chase sequence - I kept wondering why Greengrass doesn't put Bourne's heart rate up on the screen as well for good measure. Anyway, the irony is that this film is a Hollywood studio flick: two preposterously good looking spies (Karl Urban's Russian nemesis to Bourne, Kiril, being the other) engaged in a ripping thriller with a shady baddie and a handful of classy women. So bravo to Universal's production hit-squad for not interfering with the project (i.e. trying to work up non-existent sub plots or pointlessly maintain A-ish-list screen time, etc.). 8/10


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