Overview
Contact:
View
company
contact information for Secuestro express on
IMDbPro.
Release Date:
10 March 2006 (Mexico)
more
Plot:
Young couple Carla (Maestro) and Martin (Leroux) are abducted by three men and spend a terrifying night in Caracas as they wait for Carla's father (Blades) to hand over the ransom.
full summary |
add synopsis
Awards:
2 nominations
more
User Comments:
A Twisty Crime Thriller With Political and Social Commentary
more
Additional Details
Rated R for strong violence, drug use, sexuality and language.
Runtime:
USA:86 min | Argentina:90 min
Aspect Ratio:
1.85 : 1
more
Fun Stuff
Trivia:
The director Jonathan Jakubowicz has been kidnapped, and his cinematic style in this movie is a translation of the way he perceived reality while held hostage 45 minutes with a gun under his nose.
more
Quotes:
Radio Locust:
It's 6am in the Bolivarian Republic of Marijuana. Let's listen some music while we call one of our herbal therapists.
more
Soundtrack:
War Dogs
more
FAQ
This FAQ is empty. Add the first question.
more
Message Boards
Discuss this movie with other users on
IMDb message board for Secuestro express (2005)
more
Recommendations
Related Links
"Secuestro Express" is a neat little twisty thriller in the exaggerated style of gritty British crime dramas like "Layer Cake," with a pointed political and social overlay.
Using swooping, in-your-face close-up cameras, limited narration and dossier-style on screen character and time descriptors, writer/director Jonathan Jakubowicz, in his full-length fiction debut, captures a docudrama feel to make the kidnapping of a young, lighter-skinned couple by a motley group of "nigros" (darker-skinned) thugs, with a variety of psychological and financial motives for doing this "work", a commentary on class in Latin America, specifically in Caracas, Venezuela.
The individuality of all the characters, including the criminals, adds to the explosive unpredictability as stereotypes of Latin American culture are ironically skewered, including oligarchies, macho men, religion and sensuality, as each person uses political and class rhetoric to justify greed, selfishness and condescension on all sides.
Drugs are caustically shown to have pervasively corrupted and enthralled all levels of the society through a harrowing picaresque exploration of "the ghetto" (as the subtitles translated the geography).
The acting is excellent, particularly Mía Maestro, of TV's "Alias," who goes through an entire spectrum of emotions. Jean Paul Leroux as her boyfriend "Martin" is very good at shifting gears as our sympathies shift around him.
The song selection felt very atmospheric and the soundtrack kept the tension ratcheted up.
The "fire next time" coda didn't quite work or add much to what we think the characters learned that night except assuring us that life ominously goes on among all the classes despite the continuing sharp differences.