On the day of the Republican National Convention, radio show host Joe Pace joins the rallies, protests, delegates and citizens of NYC. Broadcasting his last show live, on-the-air, he goes on a one man march for free speech.
Two untalented singers are mistaken for a pair of major league safe crackers in Providence, Rhode Island. The two are pressed into service by the local hoodlums and quickly find themselves ... See full summary »
When petty thief Cosimo is given the plan for the perfect heist from a lifer in prison - the kind of job you dream about - he has to get out of jail, fast. But with Cosimo stuck in the ... See full summary »
William H. Macy
Two male actors/close friends want to jumpstart their careers. They end up making a big shot producer think that they have a hot script that everyone wants to get their hands on. The 2 men ... See full summary »
Tom and Jerry are two hit men, they work by day at a third-rate second-hand car dealership. Tom is a veteran and Jerry is a novice in their business, and their attitude toward their ... See full summary »
In an attempt to sign a Hollywood starlet, struggling talent agent and former child star Howard Holloway must contend with her volatile father, a scheming long-time rival, and a producer and casting director who despise him.
It's the 1930's. American sisters Eugenia Crocker and Nesta Pett are extremely wealthy and extremely competitive, with each disliking the other. Their latest quest of oneupsmanship has Nesta trying to marry off her niece by marriage, poetess turned crime novelist Ann Chester, to Lord Reginald Wisbeach, so that there will royalty in the family. This move is against Ann's wishes as she doesn't love the stuffy Lord. Meanwhile, Eugenia, now living in London, is trying to buy a royal title. Eugenia's current quest and others like it are always hindered by the notoriety of her stepson, James Crocker - better known as Piccadilly Jim, for the newspaper gossip column he used to write and the job from which he got fired - who is known as a womanizer, brawler, gambler and drunk. Jim is thinking about becoming more respectable when he meets and falls in love at first sight with a beautiful American visiting London. That woman is Ann, who hates what she knows of Jim, not only for that notoriety, ... Written by
This is the fourth filmed version of P. G. Wodehouse's comic novel of the same name. It was filmed in 1919 (directed by Wesley Ruggles, younger brother of the actor Charlie Ruggles) and in 1936 (directed by Robert Z. Leonard and starring Robert Montgomery), both times under its correct title. It was next filmed under the title THE GIRL ON THE BOAT (1961), directed by Henry Kaplan, and featuring the famous comedian Norman Wisdom as well as Millicent Martin, Richard Briers, and others of note. And then for this production of 2005, they went back to the original title again. 'Piccadilly Jim' is a wild young man who is the main character, and should be played by somebody truly extraordinary. Unfortunately, here he is played by a somewhat colourless actor who is about as interesting as a crushed toadstool, Sam Rockwell. However, the other performers do their best to 'act around him' and cover up the vacuum of his performance with their own energetic, and often hysterical performances. Tom Wilkinson is a steadying factor, good dependable Tom who can never let anyone down, including his son in this film, played by the nonentity aforementioned. The script by Julian Fellowes, the approach, the director, the design, all conspire in unison to leave the true Edwardian Age behind and enter into an overt fantasy-Edwardian Age for younger audiences who never knew any real Edwardians and might not realize just how hilarious every word that Wodehouse ever wrote really was. For those of us who knew genuine Edwardians (not to mention not a few surviving ancient Victorians as well), the fun of Wodehouse is the way he mocks, taunts, and teases the authentic types of the period by depicting them as the most outrageous caricatures imaginable. And as everyone knows, a good caricature only works if it closely resembles its subject. This film does not closely resemble anything that ever really existed, and was not planned to do so. I personally prefer the Wodehouse adaptations which affectionately and outrageously distort the truth, as opposed to this approach, which is to forget satire altogether and invent a wholly new truth where it is comedy rather than satire that is really the aim. For authentic vintage Wodehouse, one should see the three successive TV series called WODEHOUSE PLAYHOUSE, starring the amazing John Alderton, from the 1970s. Here it must be said that the design, the costumes, the look, are all simply dazzling. Taken in its own right, and forgetting its origins, this film is a tour de force of over-the-top but certainly scintillating fantasy. It takes the word 'camp' and raises it to a higher power. It is also great fun. But it is strictly for non-Purists only. I suppose that makes me impure.
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