On the day of the Republican National Convention, radio show host Joe Pace joins the rallies, protests, delegates and citizens of NYC. Broadcasting his last show live, on-the-air, he goes on a one man march for free speech.
When petty thief Cosimo is given the plan for the perfect heist from a lifer in prison - the kind of job you dream about - he has to get out of jail, fast. But with Cosimo stuck in the ... See full summary »
William H. Macy
The arrival of a newborn girl causes the gradual disintegration of the Cairn family; particularly for 9-year-old Joshua (Kogan), an eccentric boy whose proper upbringing and refined tastes both take a sinister turn.
It's the 1930's. American sisters Eugenia Crocker and Nesta Pett are extremely wealthy and extremely competitive, with each disliking the other. Their latest quest of oneupsmanship has Nesta trying to marry off her niece by marriage, poetess turned crime novelist Ann Chester, to Lord Reginald Wisbeach, so that there will royalty in the family. This move is against Ann's wishes as she doesn't love the stuffy Lord. Meanwhile, Eugenia, now living in London, is trying to buy a royal title. Eugenia's current quest and others like it are always hindered by the notoriety of her stepson, James Crocker - better known as Piccadilly Jim, for the newspaper gossip column he used to write and the job from which he got fired - who is known as a womanizer, brawler, gambler and drunk. Jim is thinking about becoming more respectable when he meets and falls in love at first sight with a beautiful American visiting London. That woman is Ann, who hates what she knows of Jim, not only for that notoriety, ... Written by
Thankfully I didn't venture into a cinema to see this film, just bought the DVD and got what I could for it by re-selling on ebay. The start of the film with a Morgan sports car stuck in a tree should have warned me how bad this would become. The car was a very new Morgan, so the 1930's setting was blown immediately. I did try very hard to like this film, but despite some excellent British actors who normally turn in a very reliable performance, this was not their finest hour. It should be viewed as a reminder that writers like Julian Fellowes can, on occasions, work well below par and that normally excellent actors can attach themselves to a real turkey.
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