Lewis is a brilliant inventor who meets mysterious stranger named Wilbur Robinson, whisking Lewis away in a time machine and together they team up to track down Bowler Hat Guy in a showdown that ends with an unexpected twist of fate.
Stephen J. Anderson
Boog, a domesticated 900lb. Grizzly bear, finds himself stranded in the woods 3 days before Open Season. Forced to rely on Elliot, a fast-talking mule deer, the two form an unlikely friendship and must quickly rally other forest animals if they are to form a rag-tag army against the hunters.
Barry B. Benson, a bee just graduated from college, is disillusioned at his lone career choice: making honey. On a special trip outside the hive, Barry's life is saved by Vanessa, a florist in New York City. As their relationship blossoms, he discovers humans actually eat honey, and subsequently decides to sue them.
Simon J. Smith
A scheming raccoon fools a mismatched family of forest creatures into helping him repay a debt of food, by invading the new suburban sprawl that popped up while they were hibernating...and learns a lesson about family himself.
A woman transformed into a giant after she is struck by a meteorite on her wedding day becomes part of a team of monsters sent in by the U.S. government to defeat an alien mastermind trying to take over Earth.
After Chicken Little causes widespread panic--when he mistakes a falling acorn for a piece of the sky--the young chicken is determined to restore his reputation. But just as things are starting to go his way, a real piece of the sky lands on his head. Chicken Little and his band of misfit friends, Abby Mallard (aka Ugly Duckling), Runt of the Litter and Fish Out of Water, attempt to save the world without sending the town into a whole new panic. Written by
The technical team built a digital tool called "Chicken Wire", which is a geometric wire-frame model of the characters that the animators could squash, stretch, and smear. They wanted to get a 2D animation style in 3D animation. See more »
During the first alien scene, the aliens create a crop circle in the corn field. However, the corn field is unchanged in all other scenes. See more »
Now, where to begin?
[shaft of light and pixie dust]
How about "Once upon a time"?
[screen suddenly goes black]
How many times have you heard that to begin a story? Let's do something else.
I got it. I got it. Here we go. Here's how to open a movie.
[opening to The Lion King]
No, I don't think so. It sounds familiar, doesn't it to you?
[...] See more »
The characters sing and dance to a song as the credits start rolling. Then Chicken Little lays his head on the floor an watches as the full screen credits start rolling, and the characters are scrolled off frame. See more »
Almost too slight, but a vast improvement on "Dinosaur."
Reviewing "Robots," "The New York Times" opined that when it comes to animation there's Pixar, there's Japan, and there's everyone else (it should be noted that not all Japanese cartoons are good - "Shin Chan," anyone? - but you see A.O. Scott's point). "Chicken Little" definitely falls into the "anywhere else" camp, but while it won't siphon away fans from John Lasseter or Nick Park - especially since Disney's delayed its UK release for a few months, the way they did with "Sky High" (but not "Herbie: Fully Loaded," I notice. Idiots) - it's not DreamWorks-mediocre either.
The House of Mouse's first attempt at computer animated movies without Pixar was the skilfully made but hollow "Dinosaur"; this one is under the auspices of the team behind the wonderful "The Emperor's New Groove," and while it doesn't have that cartoon's spirit it still has some virtues of its own. More deliberately cartoonish in its look and feel than many recent features, it's also probably a little too sentimental for some tastes - an awful lot of the movie involves our feathered hero wanting not only to redeem himself for the whole "the sky is falling" farrago but also to open up two-way communication with his single dad, with all the Family Issues that implies. Fortunately it never really swamps the movie, with the family message never overriding the main intent, i.e. to entertain.
Unlike the inexplicably hugely successful "Madagascar," it doesn't drag and the voice cast (Zach Braff, Garry Marshall, Joan Cusack, et al) doesn't get in the way of the movie's effect; it relies a little too much on popular culture references and songs for its effect (particularly in the opening - that works in "Raiders of the Lost Ark" in live action - and in the case of Runt of the Litter, the show-tune-loving pig voiced by Steve Zahn), but it's a colourful, charming little movie that thankfully ends well before it has a chance to wear out its welcome, and it's nice to have a movie with a message that doesn't try to ram it down your throat. There are worse Disney movies that could have been dedicated to veteran animator Joe Grant.
And if nothing else, I defy anyone to find another movie that has the voices of Don Knotts and Patrick Stewart joining in on "Don't Go Breaking My Heart" over the credits...
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