| Michael McKell | ... | Dan Quarry | |
| Raquel Meroño | ... | Teresa Borgia | |
| Charlotte Salt | ... | Clara Borgia | |
| Patrick Gordon | ... | Mordecai Salas | |
| Manuel Manquiña | ... | Luis | |
| Pilar Soto | ... | Susana | |
| Diana Peñalver | ... | Mrs. Martín | |
| Ricard Borràs | ... | Mayor Luca | |
| Damià Plensa | ... | Antonio | |
| David Meca | ... | Diver Sargent Eduardo | |
| Carlos Castañón | ... | Police Captain Keller | |
| Josep Maria Pou | ... | Julio Gambine | |
| Omar Muñoz | ... | Luis - 10 Years Old | |
| Santiago Pasaglia | ... | Teo (as Santiago Passaglia) | |
| Eva Pont | ... | Cult Member | |
| Norberto Morán | ... | Cult Member | |
| Hugo Mesa | ... | Cult Member | |
| Esperanza De la Vega | ... | Cult Member | |
| Antonio Portillo | ... | Roberto Borgia | |
| María Borrego | ... | Camera Operator - Bea | |
| Ricardo Birnbaum | ... | Sound Recordist - Nacho | |
| Mansueto Manel | ... | Policeman Beto | |
| Ignacio Sánchez | ... | Policeman González | |
| Maria Briones | ... | Luca's Secretary | |
| Aparicio Rivero | ... | Antonio's Father | |
| Fanny Castro | ... | Antonio's Mother | |
| Paco Hidalgo | ... | Diver Lieutenant Ruso | |
| David Pinilla | ... | Paramedic | |
| Marina Durán | ... | Salas' Driver | |
| Alejandro De Nova | ... | David | |
| Gara Muñoz | ... | Samantha | |
| Juan Orozco | ... | Young Roberto Borgia | |
| Carmela Quijano | ... | Scared Girl | |
| Begoña Cadilus | ... | Woman Giving Birth | |
| Javier Botet | ... | Humanoid | |
| Marta Vegas | ... | Humanoid | |
| Yasmin Elias | ... | Dirty Princess | |
| Nico Baixas | ... | Party Lead | |
| rest of cast listed alphabetically: | |||
| Fanny de Castro | |||
| Nikki Schiller | ... | Dirty Princess | |
| Axelle Carolyn | ... | Partygoer (uncredited) | |
Directed by | |||
| Brian Yuzna | |||
Writing credits | ||
| Matthew Costello | (novel "Beneath Still Waters") | |
| Mike Hostench | (screenplay) & | |
| Ángel Sala | (screenplay) | |
Produced by | |||
| Kwesi Dickson | .... | co-producer | |
| Carlos Fernández | .... | executive producer | |
| Julio Fernández | .... | executive producer | |
| Julio Fernández | .... | producer | |
| Teresa Gefaell | .... | line producer | |
| José Luis Jiménez | .... | line producer | |
| Stephen Margolis | .... | co-executive producer | |
| Antonia Nava | .... | co-executive producer | |
| Brian Yuzna | .... | creative producer | |
| Brian Yuzna | .... | producer | |
Original Music by | |||
| Zacarías M. de la Riva | |||
Cinematography by | |||
| Johnny Yebra | |||
Film Editing by | |||
| Nicolas Chaudeurge | |||
Casting by | |||
| Pep Armengol | |||
Production Design by | |||
| Balter Gallart | |||
Art Direction by | |||
| Balter Gallart | |||
Makeup Department | |||
| Almudena Fonseca | .... | makeup artist | |
| Esther Ponte | .... | assistant makeup artist | |
Production Management | |||
| Mariano Liwski | .... | post-production supervisor | |
| Jesús L. Pérez Villar | .... | post-production manager | |
Second Unit Director or Assistant Director | |||
| Luis Cordero | .... | third assistant director | |
| Mariano Liwski | .... | second unit director | |
| Txarly Llorente | .... | first assistant director | |
Art Department | |||
| D.H. Covey | .... | storyboard artist | |
| Jorge de Soto | .... | props | |
| Boris Fernández | .... | props | |
| Daniel Izar de la Fuente | .... | props | |
Sound Department | |||
| Justine Angus | .... | sound effects editor | |
| Adele Fletcher | .... | sound effects editor | |
| Nick Foley | .... | adr recordist | |
| Alex Hudd | .... | sound consultant: dolby | |
| Blair Jollands | .... | sound designer | |
| Álvaro López-Arregui | .... | sound recordist | |
| Peter Maxwell | .... | sound re-recording mixer | |
| Daniel Peña | .... | boom operator | |
| Kath Pollard | .... | sound re-recording mixer | |
| Simon Price | .... | dialogue supervisor | |
| Ted Swanscott | .... | adr mixer | |
| Robert Thompson | .... | sound re-recording mixer | |
| Lauren Ana Walker | .... | sound supervisor | |
Special Effects by | |||
| Óscar Aparicio | .... | special effects | |
| Pedro Raúl de Diego | .... | special effects makeup | |
| José Ramón Molina Jr. | .... | special effects technician | |
| Juan Ramón Molina | .... | special effects coordinator | |
| Juan Ramón Molina | .... | special effects | |
| Raúl Romanillos | .... | special effects | |
Visual Effects by | |||
| Ramón Cervera | .... | digital compositor | |
| Pilar Cienfuegos | .... | digital compositor | |
| Daniel de Madrid | .... | digital compositor | |
| David Fernández Girón | .... | cgi operator | |
| Gabriel García | .... | digital compositor | |
| Iñaki Gil | .... | visual effects artist | |
| Ezequiel Larrú | .... | digital effects artist | |
| Mariano Liwski | .... | visual effects supervisor | |
| Marcos Onaindia | .... | visual effects supervisor | |
| Miguel Pablo | .... | digital compositor | |
| Saúl Rodríguez | .... | digital compositor | |
| Gabriel G. Roy | .... | digital compositor | |
| Telson S.L. | .... | post-production visual effects | |
Stunts | |||
| Pablo Casillas | .... | stunt double | |
Camera and Electrical Department | |||
| Luismi Fernández Aparicio | .... | second assistant camera | |
| Torquil Fleming-Boyd | .... | Steadicam operator | |
| Torquil Fleming-Boyd | .... | camera operator | |
| José Manuel Herrero | .... | underwater camera operator | |
| Francisco Izaguirre | .... | lighting technician | |
| Saúl Oliveira | .... | second assistant camera | |
| Anselmo Villalba | .... | key grip | |
Animation Department | |||
| David de Winter | .... | title sequence animator | |
Casting Department | |||
| Steve Daly | .... | casting: UK | |
| Luci Lenox | .... | casting: UK | |
Editorial Department | |||
| Chema Alba | .... | scanning and film recording | |
| Eva Alonso | .... | post-production coordinator | |
| Alex Fenn | .... | assistant editor: avid | |
| Elsa Fernández | .... | assistant editor | |
| Noelia Gorrón | .... | post-production director | |
| Enrique Jiménez | .... | colorist | |
| Nuria López | .... | scanning and film recording | |
| María Martín | .... | post-production coordinator | |
| Michael Nollet | .... | additional editor | |
| Verónica Pérez | .... | scanning and film recording | |
| Francisco Román | .... | post-production coordinator | |
| Silvia Torralba | .... | post-production coordinator | |
Music Department | |||
| Claudio Ianni | .... | orchestrator | |
Other crew | |||
| Eduardo Albaladejo | .... | management of rights: Filmax Entertainment | |
| Moresco Alessandra | .... | production coordinator | |
| Ramón Alonso | .... | production assistant | |
| Carlos Cabero | .... | assistant director | |
| David de Winter | .... | title designer | |
| Rubén Gómez | .... | production assistant | |
| Helena Moreno Núñez | .... | development executive | |
| Alessandra Moresco | .... | production coordinator | |
| Anna Oms | .... | documentation | |
| Richard Raaphorst | .... | title designer | |
| Mathieu Robinet | .... | assistant production coordinator | |
| Martin Samper | .... | making-of | |
| Elena Serra | .... | development executive | |
| Ursi Van der Herten | .... | assistant: Brian Yuzna | |
Thanks | |||
| Axelle Carolyn | .... | special thanks | |
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| The Abandoned | Transformers | St. Paul | An American Haunting | Don |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Spain section |
This movie is terrible. I don't know what the director was doing and I'm sure he felt the same way. The acting was terrible. There were characters with American, Spanish, British and what sounded like dutch, accents. I guess realism wasn't the number 1 priority. The acting was terrible, at best. That is more than I can say for the 'special effects' which comprised mainly of slow-motion(how 80s) and painfully clumsy green screen work. The monsters were about as scary as something out of an Ed Wood movie. I've seen toddlers make scarier monsters from play-dough. The plot was neither going here nor there. It was clichéd and methodical, yet still managed to be quite unfathomnnable. It seems the director was writing the script spontaneously and whatever popped into his head was hastily squeezed in. This movie is an insult to anyone who may have the misfortune to endure 92 minutes of unprofessional directing, poor special effects, poorer acting and an altogether mediocre performance and story line. I am still very surprised that this even made it to a theater and even more surprised I didn't walk out of it halfway. I guess it's like a gruesome car-crash where you cannot divert your eyes away even though you should. But in this case I'd rather be in the car crash and be spared the movie.