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This movie focuses on the attempts of a psychiatrist to prevent one of his patients from committing suicide while trying to maintain his own grip on reality.

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Popularity
2,946 ( 642)
1 nomination. See more awards »

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Cast

Cast overview, first billed only:
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Cabbie / Piano Mover #2 (as José Ramon Rosario)
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Paramedic #1 / Butch Cook
Lisa Kron ...
Paramedic #2
Gregory Mitchell ...
John Dominici ...
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Storyline

A thought-provoking and haunting exploration of how reality and dream-states may combine to form complex interactions. The line between the imagination and reality blurs when an accomplished Psychiatrist takes on a patient that appears to be suicidal. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Between the worlds of the living and the dead there is a place you're not supposed to stay.


Motion Picture Rating (MPAA)

Rated R for language and some disturbing images | See all certifications »

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Details

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Release Date:

21 October 2005 (USA)  »

Also Known As:

El umbral  »

Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend:

$2,188,199 (USA) (21 October 2005)

Gross:

$3,626,883 (USA) (25 November 2005)
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Company Credits

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Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The colour yellow is frequently used in the movie (Sam's pants, the staircase railings etc.) See more »

Goofs

When the end credit music begins, the subtitles say "woman singing," but the voice is of Damien Rice, an Irish man. See more »

Quotes

Henry Letham: Do you know the Tristan Rêveur quote about bad art? It's "bad art is more tragically beautiful than good art 'cause it documents human failure."
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Connections

Featured in Writing the Music for 'Stay' (2006) See more »

Soundtracks

Who Am I (Animatrix Edit)
Written by Peter Kruder
Performed by Peace Orchestra
Vocals by Hubert Tubbs
Courtesy of G-Stone Recordings
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User Reviews

 
A New Kind of Film
14 February 2005 | by (Los Angeles, CA) – See all my reviews

It is a truism that film, as a photographic medium, intrinsically resists the psychological. In the hands of a less gifted director, this would have been equally true of STAY, despite its overt plot in which a professor of psychiatry struggles to find a psychological clue in order to prevent a young artist from committing suicide at a precise time and location the artist has planned.

But without altering this plot as written, director Marc Forster has invented an editing style (combined with a rigorous control of transitions and point of view) to create nothing less than a parallel plot to the film, in which the professor must contend with the horror of his own descent into full-blown psychosis.

Since the director conveys this parallel plot entirely through visual means, and within the point of view of the hero of the story, its consequences are all the more disconcerting, and we feel the terror of the realization of losing one's mind more acutely than in any previous screen depiction of madness I have seen.

Much as the young artist's psychotic identity implicitly consumes the identity of his psychiatrist, so does the visual plot consume the overt, written plot of the film, like an unconscious motivation that overcomes a conscious one. By succeeding with such an ambitious design, Forster has invented a new kind of film in which the psychological, in all its frightening depths, finally becomes visible.


266 of 441 people found this review helpful.  Was this review helpful to you?

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