Kaewta knows her final day is fast approaching. She decides to fly to New York City to forget her painful past and spend her last four months there. Fate plays games with her again when she... See full summary »
Set in a future Bangkok, the story picks-up after a hit-gone-wrong on "Iron Cop", the area police chief. The would-be killer "Pae", together with his equally inept collection of thugs, now become wanted men themselves as the Thai underworld bristles with the shame & dishonor of such an ignoble bungling.
4BIA is a Horror Anthology. The first segment, "Happiness" is about a lonely girl who corresponded with a stranger over hand phone text messaging and soon discovered something strange about... See full summary »
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Sua (Ter - Chantavit Dhnasevi) and Jib (Ice - Preechaya Pongthananikorn) are like any other couple in this world except for one exception: for the past 5 years they have kept their ... See full summary »
Jeab hears that his childhood sweetheart Noi-Naa is to be married, so he makes the trip back home to his provincial village. As he does so, the memories come flooding back to his childhood ... See full summary »
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An urban love story set in the center of Bangkok where thirty-year-old Mei Li struggling to find true love. When Mei Li accidentally meets a handsome BTS engineer whom she considers as the ... See full summary »
Kaewta knows her final day is fast approaching. She decides to fly to New York City to forget her painful past and spend her last four months there. Fate plays games with her again when she has an accident upon her arrival, and she can't even remember who she is. Alienated amid the confusion of this unfamiliar urban world, she meets a mysterious man who, although warm and comforting, seems to harbor many secrets. Kaewta embraces the chance for a new, beautiful life. But she doesn't know her happiness can last only for four months. Written by
I really haven't seen enough Thai films yet, but somehow the ones I did see left quite an impression. Lots of bright green, blue and pink colors, shrill voices with lots of -aaaaai sounds and a not too serious approach of their subject matter. With that in mind, February came as a surprise, as it feels a lot more like an alternative Hong-Kong effort. Nothing bad about that though.
Sometimes a few atmospheric screen caps and a nice poster are all that is needed to gain interest in a film. Such was the case with February. I didn't even bother to take a look at the short summary, I just went right ahead and watched it. Needless to say I was quite surprised when it dawned on me that most of the film takes place in New York. Hadn't seen that in a Thai film either.
In that sense, February can be compared to films like Collage Of Our Life and Blueberry Nights. These films take their characters to a big American city and give us a different view on the country. Luckily this doesn't affect the dialog too much, as the male lead has a pretty flawless American accent, and the female lead has very little English dialog.
But location is not all that connects this film to the later efforts of Kar-wai. Visually, there are quite a few parallels, especially when looking at the use of colors. Dark, warm overtones of green, red and orange dominate the film, giving it a very typical damp and hot atmosphere. Sippapak's approach is somewhat more modern though, which comes to play in the editing and the choice of music.
The film uses some classical drama arrangements, but also several loungy, trip-hop like tracks. And in fact, February is in many ways a cinematic equivalent of the trip-hop genre. At its core, it's a drama film, but rougher around the edges. The core story is an interesting tale of love and loss, but set in a twilight world of art and crime. The visual look is stylish but modern and the music equally reflects this.
The acting is solid and the story actually quite interesting. The ending left me with contradicting feelings, as this would have been the perfect film for that bad ending you never wanted, but in the end I felt at peace with the ending. Which wasn't too hard, as the characters were solid enough to feel for.
February is the kind of film that doesn't really excel at anything, but also fails nothing. Every aspect of the film is balanced and part of the whole. It's a nice drama with some timely accents, well acted and the film's a pleasure to look at. All in all a good reconnaissance with Sippapak, although a quick look at his other output suggests this is hardly a typical film for him. 4.0*/5.0*
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