During an archaeological expedition on Bouvetøya Island in Antarctica, a team of archaeologists and other scientists find themselves caught up in a battle between the two legends. Soon, the team realize that only one species can win.
200 years after her death, Ellen Ripley is revived as a powerful human/alien hybrid clone who must continue her battle against the aliens. Along with a crew of space pirates, Ripley must also prevent the deadly aliens from reaching Earth.
After her last encounter, Ellen Ripley crash-lands on Fiorina 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she brought along an unwelcome visitor.
Charles S. Dutton,
57 years later, Ellen Ripley is rescued by a deep salvage team during her hypersleep. The moon from the original movie has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
A cybernetic warrior from a post-apocalyptic future travels back in time to protect a 25-year old drifter and his future wife from a most advanced robotic assassin and to ensure they both survive a nuclear attack.
In 2018, a mysterious new weapon in the war against the machines, half-human and half-machine, comes to John Connor on the eve of a resistance attack on Skynet. But whose side is he on, and can he be trusted?
When a private satellite encounters an unidentified source of heat in Antarctica and it is found to be a pyramid buried deep underground , a search team comprising of top-of-the-line archaeologists and engineers is sent to Antarctica to find out more . Once there , the team comes across signs which indicate that the place is inhabited by an unknown alien species . It is not long before the aliens begin to hunt the team members . At the same time , a trio of coming-of-age Predators have arrived to collect the skulls of the aliens as trophies , and the humans are caught between a deadly battle between the two warring species . Written by
(at around 38 mins) Sebastian sets the clock on the sarcophagus to October 10, 2004 - 10/10/2004, because the Aztec calendar was supposedly based on 10's (the decimal system, erroneously called "metric" here). Yet, why would an Aztec civilization set a calendar to align with the Gregorian calendar, which is what our modern calendar is and wasn't developed until centuries later by the Romans? The Aztecs would not recognize what we call "October" as the 10th month. See more »
If you listen very carefully during the end-credits, you can hear the signature clicking-rasps of the Predators, and the iconic hiss of the Alien Warrior subltly interjected into the musical score. See more »
A team assembled by a billionaire investigate a heat signal that reveals a pyramid below the surface of a whaling station in Antarctic. However, the pyramid is a hunting ground for Predators who kill Aliens as a rite of passage and the team find themselves caught in the middle of their hunt.
It shouldn't have been mixed, Paul W.S. Anderson's AVP: Alien vs. Predator was more so unjustly panned by critics and fans due to the hype and anticipation. It has the feeling of an Alien film, a great premise, good cinematography, some amazing effects and a fine score.
Paul W.S. Anderson is successful in bringing the franchises together, respecting ideas from both Alien and Predator movies. I haven't seen a bad film that he's made and I'm not sure why there is such a geek gang hatred against the mans work. The ever-improving Uwe Boll he is not! The strong leads include Sanaa Lathan as the heroine and Raoul Bova. However, unfortunately actors Carsten Norgaard as Rusten Quinn and Tommy Flanagan as Mark Verheiden disappear far too early. Overall the acting is good, Lance Henrikson shows up as the 'real' Bishop but some of the characters lack development and the editing feels choppy in places.
The Predators and Aliens look great apart from some badly executed CGI. It not Ridley Scott or John McTiernan, but Paul Anderson pulls off the almost impossible task of putting these to aliens together on screen.
If there was not an Alien or Predator film prior to this it may have been haled as a science fiction adventure classic, but alas that's not the case.
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