A beautiful hemophage infected with a virus that gives her superhuman powers has to protect a boy in a futuristic world, who is thought to be carrying antigens that would destroy all hemophages.
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Aliens and their Guardians are hiding on Earth from intergalactic bounty hunters. They can only be killed in numerical order, and Number Four is next on the list. This is his story.
Director:
D.J. Caruso
Stars:
Alex Pettyfer,
Timothy Olyphant,
Teresa Palmer
A test pilot is granted an alien ring that bestows him with otherworldly powers, as well as membership into an intergalactic squadron tasked with keeping peace within the universe.
Director:
Martin Campbell
Stars:
Ryan Reynolds,
Blake Lively,
Peter Sarsgaard
A futuristic prison movie. Protagonist and wife are nabbed at a future US emigration point with an illegal baby during population control. The resulting prison experience is the subject of ... See full summary »
Director:
Stuart Gordon
Stars:
Christopher Lambert,
Kurtwood Smith,
Loryn Locklin
Bruce Banner, a genetics researcher with a tragic past, suffers an accident that causes him to transform into a raging green monster when he gets angry.
In 2074, when the mob wants to get rid of someone, the target is sent 30 years into the past, where a hired gun awaits. Someone like Joe, who one day learns the mob wants to 'close the loop' by transporting back Joe's future self.
Director:
Rian Johnson
Stars:
Joseph Gordon-Levitt,
Bruce Willis,
Emily Blunt
Ten years after conquering the Earth, ape leader Caesar wants the ruling apes and enslaved humans to live in peace. But warring factions of apes led by a militant gorilla general as well as various human groups threaten the stability.
Director:
J. Lee Thompson
Stars:
Roddy McDowall,
Claude Akins,
Natalie Trundy
In a violent, futuristic city where the police have the authority to act as judge, jury and executioner, a cop teams with a trainee to take down a gang that deals the reality-altering drug, SLO-MO.
Set in the late 21st century, a subculture of humans have emerged who have been modified genetically by a vampire-like disease, giving them enhanced speed, incredible stamina and acute intelligence, and as they are set apart from "normal" and "healthy" humans, the world is pushed to the brink of worldwide civil war aimed at the destruction of the "diseased" population. In the middle of this crossed-fire is - an infected beautiful woman - Ultraviolet, who finds herself protecting a nine-year-old boy who has been marked for death by the human government as he is believed to be a threat to humans. Written by
Anthony Pereyra {hypersonic91@yahoo.com}
The invented language used in the film is called Thaihindi. See more »
Goofs
Nearing the end of the film, Violet infiltrates the complex and makes her way into a white room with tons of men in white suits. She starts fighting them and when a couple of guys come at her, she moves quickly and one guy stabs the other in the chest/gut. Now she goes to elbow one of the guys in the face, watch his helmet, it comes flying off, revealing his head and hair. Then the camera quickly changes to another angle, the helmet is perfect on straight. See more »
Quotes
[first lines]
Violet:
Hello. My name is Violet and I was born into a world you may not understand.
See more »
Crazy Credits
The opening credits play over shots of many different "Ultraviolet" comic book covers which were designed specifically for this purpose -- there is no "Ultraviolet" comic book series. See more »
The worst part about Ultraviolet is that it has THREE genres of movies to compete with. People will compare it to the blockbusters of Sci-Fi movies, Martial Arts movies, and Heroine movies. It will have a tough time trying to stand out when people will inevitably compare it to HUGE movies like Crouching Tiger, The Matrix, Kill Bill, Underworld, etc.
Let's remember that Ultraviolet had a relatively small budget, and yet it did quite a bit with it. With all that said, let me say a few words, good and bad ones, on Ultraviolet.
Yes, the story in Ultraviolet is its weakest point. The problem is in the lack of emotional attachment to the characters, the odd choice and delivery of lines (although you can't deny how great the "It is on." line is), and the strange dream-like stuff it goes into at times.
A lot of the themes in this movie are very fleeting, maybe because they've just been done so often, they need no emphasis. There's one particular story element that you might miss ENTIRELY if you didn't pay attention during one shot. That's how little emphasis there is on story in this movie. The plot is also a little hard to follow at times because it jumps around.
It's strange to see so little emphasis on the story when we know from Equilibrium that Kurt Wimmer is very capable of writing a good story. It makes me wonder if the lack of story was intentional or not, but the unfortunate bottom line is that it hurts this movie.
So what saves this movie? Why 8 out of 10? If we were interested in movies only for their story, we wouldn't be interested in movies at all...we would all read books instead.
Yes, a movie is defined as picture and sound. In that case, Ultraviolet is quite an amazingly interesting picture and sound.
Ultraviolet sacrifices story for a very visceral picture and oodles of style. I haven't seen a movie that looks this COOL in a long time. It really reminds me of the type of style that 60's sci-fi movies were going for- very robust in color and costumes, but modernized and expanded for our time. It's certainly a very nice departure from the typical and BORING space station/stainless steel/green look of modern sci-fi.
The action is kick-ass, applause-worthy at times...although I'll admit that I've seen a bit better from similarly-budgeted movies ("Versus" comes to mind). They could've had some more variety to it (like maybe some better/badder foes), but considering who and what they were working with, I think they did a good job.
Another big strength of the movie is the very cool concepts. Color-changing outfits, gravity belts, disposable paper cellphones, crazy ninjas that drop out of planes like giant pinballs, and entire weapon arsenals stored in wrist devices. All of it with designer-quality fashion to it. You can tell where the budget went in this movie. Like I said, it's an older, weirder, more stylish sense of sci-fi that you don't see very often these days. In fact, a lot of this movie can be defined as set-pieces more so than a single flowing experience.
True, their ability to execute some of these ideas (specifically, the motorcycle chase) is limited by their budget. I think it can be overlooked, though. Some rough edges on CG never hurt anybody...anybody that wants to whine about the graphics really doesn't want to appreciate the movie for what it is.
Overall, I enjoyed this movie, more so for its visuals, music, concepts and set-pieces than for its story or characters. It's really quite interesting to look at. There are more moments in this movie that make me think 'awesome!' than in all of The Matrix trilogy. If this movie isn't a success, then I hope it at least inspires the movie that does get this particular formula just right.
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The worst part about Ultraviolet is that it has THREE genres of movies to compete with. People will compare it to the blockbusters of Sci-Fi movies, Martial Arts movies, and Heroine movies. It will have a tough time trying to stand out when people will inevitably compare it to HUGE movies like Crouching Tiger, The Matrix, Kill Bill, Underworld, etc.
Let's remember that Ultraviolet had a relatively small budget, and yet it did quite a bit with it. With all that said, let me say a few words, good and bad ones, on Ultraviolet.
Yes, the story in Ultraviolet is its weakest point. The problem is in the lack of emotional attachment to the characters, the odd choice and delivery of lines (although you can't deny how great the "It is on." line is), and the strange dream-like stuff it goes into at times.
A lot of the themes in this movie are very fleeting, maybe because they've just been done so often, they need no emphasis. There's one particular story element that you might miss ENTIRELY if you didn't pay attention during one shot. That's how little emphasis there is on story in this movie. The plot is also a little hard to follow at times because it jumps around.
It's strange to see so little emphasis on the story when we know from Equilibrium that Kurt Wimmer is very capable of writing a good story. It makes me wonder if the lack of story was intentional or not, but the unfortunate bottom line is that it hurts this movie.
So what saves this movie? Why 8 out of 10? If we were interested in movies only for their story, we wouldn't be interested in movies at all...we would all read books instead.
Yes, a movie is defined as picture and sound. In that case, Ultraviolet is quite an amazingly interesting picture and sound.
Ultraviolet sacrifices story for a very visceral picture and oodles of style. I haven't seen a movie that looks this COOL in a long time. It really reminds me of the type of style that 60's sci-fi movies were going for- very robust in color and costumes, but modernized and expanded for our time. It's certainly a very nice departure from the typical and BORING space station/stainless steel/green look of modern sci-fi.
The action is kick-ass, applause-worthy at times...although I'll admit that I've seen a bit better from similarly-budgeted movies ("Versus" comes to mind). They could've had some more variety to it (like maybe some better/badder foes), but considering who and what they were working with, I think they did a good job.
Another big strength of the movie is the very cool concepts. Color-changing outfits, gravity belts, disposable paper cellphones, crazy ninjas that drop out of planes like giant pinballs, and entire weapon arsenals stored in wrist devices. All of it with designer-quality fashion to it. You can tell where the budget went in this movie. Like I said, it's an older, weirder, more stylish sense of sci-fi that you don't see very often these days. In fact, a lot of this movie can be defined as set-pieces more so than a single flowing experience.
True, their ability to execute some of these ideas (specifically, the motorcycle chase) is limited by their budget. I think it can be overlooked, though. Some rough edges on CG never hurt anybody...anybody that wants to whine about the graphics really doesn't want to appreciate the movie for what it is.
Overall, I enjoyed this movie, more so for its visuals, music, concepts and set-pieces than for its story or characters. It's really quite interesting to look at. There are more moments in this movie that make me think 'awesome!' than in all of The Matrix trilogy. If this movie isn't a success, then I hope it at least inspires the movie that does get this particular formula just right.