A naked teenage boy covered in blood appears at a remote sheriff's station one year after the brutal unsolved murder of a local girl. Now Sheriff Jack Shepherd, guilt ridden over the girl's...
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Twelve year old Ryan Billings has been diagnosed with an acute fear of the dark. He spends each night lying awake in torment, waiting and watching as the evil in the darkness grows stronger... See full summary »
A naked teenage boy covered in blood appears at a remote sheriff's station one year after the brutal unsolved murder of a local girl. Now Sheriff Jack Shepherd, guilt ridden over the girl's murder, must confront his own demons as he desperately searches for the boy's true identity and possible victims. Little does Jack realize that he has started down a path that will bring him face to face with an unthinkable horror. Before sunrise the living will pay for the pain the dead have suffered. Written by
The sheriff carries a Ruger Mini-14 rifle throughout the film, however there is never a magazine in the weapon. Though Ruger does make a version of the rifle with a fixed internal magazine, you can clearly see the open magazine well in a few shots; he's carrying an empty weapon. See more »
No One Leaves
Written by Nicole Hughes, Jeff Dalziel and Steve London
Performed by Scratching Post
Produced by Jeff Dalziel
Co-produced by Nicole Hughes
Courtesy of Sony/ATV Music and Raglan Road Music Publishing See more »
Great idea for an opening - a naked teenage boy, covered in blood from head to foot, walks out of the forest holding a big butcher knife - and into the Sheriff's station which is packing up, making ready to leave.
Bad idea - a Sheriff with a heavy Irish brogue, corny dialogue, some truly 'WTF?!' editing, having all the 'good guys' in the film at least 5 minutes behind the audience (in a 'come on, it's obvious!' way), and a final shot that will have people leaving the cinema asking their friends "What on earth was that about?!" The director / DP knows how to do fish-eye shots, slo-mo, reverse-filming, all those bog-standard music-video things (and the lighting was fine) - even the SFX were fine
but the film really falls down on plot, script and editing. The plot,
what it is, is revealed too slowly. I'm all for suspense, but not when you waste 45 minutes and leave only the last 45 or so to shoe-horn all the development in. Characters (and red-herrings) are suddenly forgotten / nobody reacts in a normal way / there's no real clue to events (and people) that are revealed later.. And - given the plot, which I'm trying not to reveal - there's way too little explanation of events which we're told are happening elsewhere (and would make what's going on more coherent).
As I say, the final shot - clearly designed to be a 'sting in the tail' (maybe even a hint at a sequel, or events continuing) will instead leave you walking out of the theatre trying to work out why?! / what?! / and, is there any way I can get my money back? (no).
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