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Directed by | |||
| Robert Luketic | |||
Writing credits(WGA) | ||
| Anya Kochoff | (written by) | |
Produced by | |||
| Chris Bender | .... | producer | |
| Richard Brener | .... | executive producer | |
| Toby Emmerich | .... | executive producer | |
| Michael Flynn | .... | executive producer | |
| Magnus Kim | .... | associate producer | |
| J.C. Spink | .... | producer | |
| Paula Weinstein | .... | producer | |
Original Music by | |||
| David Newman | |||
| Rosey | |||
Cinematography by | |||
| Russell Carpenter | |||
Film Editing by | |||
| Scott Hill | |||
| Kevin Tent | |||
Casting by | |||
| Ronna Kress | |||
Production Design by | |||
| Missy Stewart | |||
Art Direction by | |||
| James F. Truesdale | |||
Set Decoration by | |||
| Susan Mina Eschelbach | |||
Costume Design by | |||
| Kym Barrett | |||
Makeup Department | |||
| Jeri Baker | .... | hair stylist | |
| Margot Boccia | .... | makeup artist: Ms. Lopez | |
| Marc Boyle | .... | hair stylist | |
| Anita Brabec | .... | makeup artist | |
| Cydney Cornell | .... | hair stylist: Ms. Fonda | |
| Linden Tyler Glavich | .... | key hair stylist | |
| Kathrine Gordon | .... | key hair stylist: additional photography | |
| Emanuel Millar | .... | hair stylist: Ms. Fonda, additional photography | |
| Beth Miller | .... | key hair stylist | |
| Ken Paves | .... | hair stylist: Ms. Lopez, additional photography | |
| Julie Pearce | .... | key makeup artist | |
| Dorothy J. Pearl | .... | makeup artist: Ms. Fonda (as Dorothy Pearl) | |
| Melissa A. Yonkey | .... | hair stylist: Ms. Lopez (as Melissa Yonkey) | |
Production Management | |||
| Jan Foster | .... | production manager | |
| Jan Foster | .... | unit production manager | |
| Erik Holmberg | .... | executive in charge of production | |
| Sara Romilly | .... | post-production supervisor | |
Special Effects by | |||
| Frank Ceglia | .... | special effects supervisor | |
| Scott Dwyer | .... | special effects technician | |
| Michael Kay | .... | special effects technician | |
| Matt Kutcher | .... | special effects coordinator | |
| Matt Kutcher | .... | special effects director | |
| Andrew J. Loprino | .... | special effects technician | |
| Jennifer M. Sheppard | .... | special effects office coordinator | |
Visual Effects by | |||
| Akemi Abe | .... | main titles | |
| Jeremy Appelbaum | .... | compositor | |
| Tatjana Bozinovski | .... | rotoscope artist | |
| Kelly Bumbarger | .... | digital compositor | |
| D. Walt Cameron | .... | digital artist | |
| Patrick Clancey | .... | digital opticals | |
| Carole Cowley | .... | visual effects executive producer: R!ot Pictures | |
| Jason Crosby | .... | CG supervisor | |
| Chris Del Conte | .... | visual effects producer: Digital Dimension | |
| Travis Dutch | .... | scanning and recording | |
| Larry Gaynor | .... | senior paint artist | |
| Benoit Girard | .... | visual effects supervisor: Digital Dimension | |
| Cynthia Hyland | .... | paint & roto artist | |
| Travis Wade Ivy | .... | digital artist | |
| Taryn P. Kelly | .... | visual effects coordinator: Digital Dimension | |
| Ntana Key | .... | second digital colorist: EFILM | |
| Harimander Singh Khalsa | .... | digital effects artist (as Michael Cashore) | |
| Michael Kirylo | .... | digital effects artist | |
| Anthony Kramer | .... | visual effects production assistant: Digital Dimension | |
| Vincent Lavares | .... | data manager: R!OT Pictures | |
| Kevin Lin | .... | paint artist | |
| Sean Looper | .... | pipeline technical director: Digital Dimension | |
| Mimi Medel | .... | visual effects executive | |
| Jerome Morin | .... | visual effects executive producer: Digital Dimension | |
| Kenneth Nakada | .... | visual effects supervisor: R!OT Pictures | |
| Julia Neighly | .... | visual effects coordinator (as Julia Gaudette) | |
| Julie Orosz | .... | visual effects producer: CIS-Hollywood | |
| Lauren Ritchie | .... | executive in charge of visual effects | |
| Daniel Rubin | .... | digital compositor: Digital Dimension | |
| Steven J. Scott | .... | supervising digital colorist: EFilm | |
| Carla Sierra | .... | production coordinator | |
| Brian Smallwood | .... | digital compositor | |
| Thomas J. Smith | .... | visual effects supervisor: CIS Hollywood | |
| Marion Spates | .... | digital effects artist: Digital Dimension | |
| Tammy Sutton | .... | digital compositor | |
| Tammy Sutton | .... | rotoscope and paint supervisor | |
| Elaine Essex Thompson | .... | visual effects producer (as Elaine Thompson) | |
| Phi Tran | .... | visual effects artist | |
| Leandro Visconti | .... | compositing supervisor: Digital Dimension | |
| Dan Walker | .... | visual effects: Digital Dimension | |
| Jerry Whitaker | .... | rotoscope artist | |
| Sean Wilson | .... | digital compositor | |
| Travis Yohnke | .... | visual effects | |
| Thomas Mathai | .... | data manager (uncredited) | |
Stunts | |||
| Dara Amos | .... | utility stunts | |
| Lena Baran | .... | stunt double | |
| Bob Brown | .... | stunt coordinator | |
| Lisa Bucaro | .... | utility stunts | |
| Lisa Walcott Bucaro | .... | stunt performer | |
| Danielle Burgio | .... | stunt double | |
| Jennifer Caputo | .... | stunts | |
| Andy Dylan | .... | stunt double (as Andrew Sheehy) | |
| Lisa Hoyle | .... | stunts | |
| Cassandra McCormick | .... | stunt double (as Cassandra Crider) | |
| John Medlen | .... | stunt coordinator | |
| John Medlen | .... | stunts | |
| Marta Merrifield | .... | stunts | |
| Michelle Sebek | .... | stunt double | |
Casting Department | |||
| Jennifer Alessi | .... | extras casting | |
| Sande Alessi | .... | extras casting | |
| Kristan Berona | .... | extras casting | |
| Mohammed Hassan | .... | extras casting associate | |
| Eliza Ladensohn | .... | casting assistant | |
| Courtney Sheinin | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Laura Baker | .... | key costumer | |
| Stacy Caballero | .... | assistant costume designer | |
| Holly Davis | .... | key set costumer | |
| Mitzi Haralson | .... | costumer: Ms. Lopez | |
| John Hayles | .... | cutter | |
| R.A. Hossie | .... | cutter | |
| Phillip Howard | .... | costumer | |
| Sabine Huber | .... | costumer | |
| Stacia Lang | .... | specialty costumer | |
| Josefina Lem | .... | seamstress | |
| Lisa Lovaas | .... | costume supervisor | |
| Brendan McBreen | .... | costume production assistant | |
| Stephen Oh | .... | costumer | |
| Dana Rosenberg | .... | costumer | |
| Seda Tufenkjian | .... | seamstress | |
| Tony Velasco | .... | key set costumer | |
| Saeyoung Vu | .... | bride costume creator | |
Editorial Department | |||
| Terra Bliss-Alvarez | .... | digital intermediate supervisor (as Terra Bliss) | |
| P.J. Burch | .... | assistant editor | |
| Betty Burkhart | .... | post-production coordinator | |
| Nathan Godley | .... | editorial production assistant | |
| Joe Hathaway | .... | digital color timer | |
| Marlen Hill | .... | negative cutter | |
| Curtis Lindersmith | .... | digital intermediate editor | |
| Jim Passon | .... | color timer | |
| John Potter | .... | high definition preview timer | |
| Alex Renskoff | .... | first assistant editor | |
| Nick Smith | .... | assistant editor | |
Music Department | |||
| Mark Agostino | .... | music playback operator | |
| Bruce Botnick | .... | score mixer | |
| Bruce Botnick | .... | score recordist | |
| Bob Bowen | .... | music executive | |
| Tom Boyd | .... | musician: oboe soloist | |
| Paul Broucek | .... | executive in charge of music | |
| Jeff Carson | .... | music editor | |
| Bryan Clements | .... | scoring crew | |
| Sandy DeCrescent | .... | music contractor | |
| Dan DiPrima | .... | additional music editor | |
| George Doering | .... | musician | |
| Jessica Dolinger | .... | music clearances | |
| Mark Eshelman | .... | scoring crew | |
| Marty Frasu | .... | scoring sound supervisor | |
| Mark Graham | .... | music librarian | |
| Gregory Jamrok | .... | orchestrator | |
| Greg Loskorn | .... | scoring technician | |
| Ze Luis | .... | conductor: strings | |
| Ze Luis | .... | string arrangements | |
| Tony Mandracchia | .... | musician | |
| Peymon Maskan | .... | music coordinator | |
| Adam Michalak | .... | score recordist | |
| David Newman | .... | conductor | |
| Bryan Pezzone | .... | musician: piano | |
| Peter Rotter | .... | orchestra contractor | |
| Dana Sano | .... | music supervisor | |
| Lori Silfen | .... | music business affairs executive | |
| Steven L. Smith | .... | music preparation | |
| Billy Sullivan | .... | musician | |
| James Thatcher | .... | musician: french horn | |
| Matt Fausak | .... | assistant music editor (uncredited) | |
Transportation Department | |||
| Denny Caira | .... | transportation coordinator | |
| Karen K. Chang | .... | transportation office coordinator | |
| Wallace Frick | .... | transportation captain (as Wally Frick) | |
| Tyler W. Gaisford | .... | picture car coordinator | |
| J. Armin Garza II | .... | driver: camera car | |
| Marc Lebeaune | .... | driver | |
| Theresa M. Roehner | .... | driver | |
| Jose M. Sanchez | .... | driver | |
| Mike Shannon | .... | transportation captain | |
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| In Her Shoes | Kings & Queen | Giant | Prime | Click |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Germany section |
Everyone I know went to see "Monster In Law" for Jane Fonda and in spite of J Lo. If you go with that spirit, you just may have a reasonable good time. I hadn't realized how much I missed Jane Fonda and how wonderful she is, she was she will always be. The film in itself is just too terrible for words. A showdown between a possessive mother and a dog walker. The script is unbelievable bad and the aforementioned Jennifer Lopez is, poor thing, atrocious. She has the lightness of an elephant and the charm of a blank page but, look at the billing...Jennifer Lopez right on top, above Jane Fonda. Ridiculous isn't it? But that's what, I imagine, marketing people decide. What a shame. If I had been Miss Lopez, I would have used my power to demand that Jane Fonda's name should appear above mine. I know, I live in a fantasy world of respect and, if nothing else, good manners. The film may turn out to be useful as a teaching tool. To show both actresses together for a how to and how not to. I'm sure Jennifer Lopez must have been told by someone that she has to cultivate her craft. Her voice, goodness! A jarring, shrilling clash of tonsils and nasal sounds. Too late to play cute, virginal girls. A dog walker indeed!