The love life of Charlotte is reduced to an endless string of disastrous blind dates, until she meets the perfect man, Kevin. Unfortunately, his merciless mother will do anything to destroy their relationship.
Mary Fiore is San Francisco's most successful supplier of romance and glamor. She knows all the tricks. She knows all the rules. But then she breaks the most important rule of all: she falls in love with the groom.
Anna Foster has never had an ordinary life. At eighteen years old, she is the most protected girl in America; she is the First Daughter. Frustrated with her overprotective father, the ... See full summary »
Follows the lives of five interconnected couples as they experience the thrills and surprises of having a baby, and realize that no matter what you plan for, life does not always deliver what is expected.
J. Todd Smith
Single-girl anxiety causes Kat Ellis (Messing) to hire a male escort (Mulroney) to pose as her boyfriend at her sister's wedding. Her plan, an attempt to dupe her ex-fiancé, who dumped her a couple years prior, proves to be her undoing.
After years of looking for Mr. Right, Charlotte 'Charlie' Cantilini finally finds the man of her dreams, Kevin Fields, only to discover that his mother, Viola, is the woman of her nightmares. A recently fired news anchor who is afraid she will lose her son the way she has just lost her career, Viola determines to scare off her son's new fiancé by becoming the world's worst mother-in-law. While Viola's long-time assistant Ruby does her best to help Viola execute her crazy schemes, Charlie decides to fight back and the gloves come off as the two women battle it out to see just who is the alpha-female. Written by
Sujit R. Varma
Shari Wacks designed the jewelry for the film. See more »
When Charlie's dress rips, the rip is visible and her hair is messed up but in the next shot the rip disappears and her hair is perfectly fine again. See more »
[Charlie sitting at her desk at home. Phone rings. Charlie lets the answering machine pick up and listens to the recording]
Charlotte 'Charlie' Cantilini:
[Answering machine message]
Hi, it's Charlie. Leave a message.
[Answering machine beeps to signal beginning of message]
Carol, from LA Temp Agency:
[Leaving message on answering machine]
Hi Charlie, it's Carol from the L.A. Temp Agency. Listen, Dr. Patel's office needs you for tomorrow. Is that ok? Let me know. Bye.
[Answering machine beeps signaling end of message]
[...] See more »
Jane Fonda is one of the great stars in the Hollywood firmament. A beautiful woman and gifted actress, the motion picture camera has been an unflinching repository for her acting genius. Even in her lesser films Fonda always revealed a spark of creativity that often distinguished her from most of her acting contemporaries. With 6 Academy Award nominations to her credit and 2 Oscar wins for Best Actress, her legacy is firmly established. How sad it is then to report that her return to the screen after a 15 year hiatus is squandered on a wretchedly written, clumsily directed romantic comedy that is an embarrassment for not only Fonda but a talented supporting cast.
"Monster-in-Law" represents what seems to be an increasingly generic brand of comedy. Gone are the days of sharply observant romantic entertainments when writers knew where to throw in a bit of farce or add a dollop of cynicism. Directors such as Billy Wilder and Preston Sturges along with writers I.A.L. Diamond and Fay and Michael Kanin knew how to put an effective story together even if in hindsight the plausibility of the tale was suspect. Most contemporary movies are a completely different animal. Character motivation and good storytelling have been replaced by gross caricature and "connect-the-dots", formulaic writing that is as predictable as it is depressing.
"Monster-in-Law" takes many of its cues from an earlier Fonda comedy, the lamentable 1981 burlesque, "9 to 5". In that film three beleaguered secretaries wreak havoc on their sexist boss. The story was treated as pure farce and was marginally entertaining at best. There have been a score of "dumbed-down" comedies since. Unfortunately movie audiences seem easily pleased by this new comedy hybrid.
In "Monster-in-Law" Jane Fonda plays veteran television interviewer Viola Fields, a Diva from Hell who is determined to break up the impending marriage of her handsome, vacuous son (an L.A. surgeon) to Charlotte "Charlie" Cantilini (Jennifer Lopez), an office temp, part time caterer and dog walker. What starts out as only a mere semblance to reality quickly deteriorates into the most puerile farce imaginable soon after Viola makes her entrance. Viola is a psychotic mixture of brass balls and vulnerability and Ms. Fonda plays her to the hilt. Her star wattage is undeniable but this is not a particularly good performance. Most of the fault lies with Anya Kocheff's execrable screenplay and Robert Luketic's sledgehammer direction. Rationality is thrown out the window for the witless line and easy laugh. Only Wanda Sykes emerges relatively unscathed playing Viola's sarcastic assistant. Her Ruby is the one genuinely funny character in the movie. Otherwise "Monster-in-Law" is a mess and possibly the worst movie of Jane Fonda's career.
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