The love life of Charlotte is reduced to an endless string of disastrous blind dates, until she meets the perfect man, Kevin. Unfortunately, his merciless mother will do anything to destroy their relationship.
Mary Fiore is San Francisco's most successful supplier of romance and glamor. She knows all the tricks. She knows all the rules. But then she breaks the most important rule of all: she falls in love with the groom.
Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
After years of looking for Mr. Right, Charlotte 'Charlie' Cantilini finally finds the man of her dreams, Kevin Fields, only to discover that his mother, Viola, is the woman of her nightmares. A recently fired news anchor who is afraid she will lose her son the way she has just lost her career, Viola determines to scare off her son's new fiancé by becoming the world's worst mother-in-law. While Viola's long-time assistant Ruby does her best to help Viola execute her crazy schemes, Charlie decides to fight back and the gloves come off as the two women battle it out to see just who is the alpha-female. Written by
Sujit R. Varma
When Charlie is watching the movie, the TV screen is blank. See more »
[Charlie sitting at her desk at home. Phone rings. Charlie lets the answering machine pick up and listens to the recording]
Charlotte 'Charlie' Cantilini:
[Answering machine message]
Hi, it's Charlie. Leave a message.
[Answering machine beeps to signal beginning of message]
Carol, from LA Temp Agency:
[Leaving message on answering machine]
Hi Charlie, it's Carol from the L.A. Temp Agency. Listen, Dr. Patel's office needs you for tomorrow. Is that ok? Let me know. Bye.
[Answering machine beeps signaling end of message]
[...] See more »
Everyone I know went to see "Monster In Law" for Jane Fonda and in spite of J Lo. If you go with that spirit, you just may have a reasonable good time. I hadn't realized how much I missed Jane Fonda and how wonderful she is, she was she will always be. The film in itself is just too terrible for words. A showdown between a possessive mother and a dog walker. The script is unbelievable bad and the aforementioned Jennifer Lopez is, poor thing, atrocious. She has the lightness of an elephant and the charm of a blank page but, look at the billing...Jennifer Lopez right on top, above Jane Fonda. Ridiculous isn't it? But that's what, I imagine, marketing people decide. What a shame. If I had been Miss Lopez, I would have used my power to demand that Jane Fonda's name should appear above mine. I know, I live in a fantasy world of respect and, if nothing else, good manners. The film may turn out to be useful as a teaching tool. To show both actresses together for a how to and how not to. I'm sure Jennifer Lopez must have been told by someone that she has to cultivate her craft. Her voice, goodness! A jarring, shrilling clash of tonsils and nasal sounds. Too late to play cute, virginal girls. A dog walker indeed!
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