| Photos (See all 30 | slideshow) |
| Javier Bardem | ... | Ramón Sampedro | |
| Belén Rueda | ... | Julia | |
| Lola Dueñas | ... | Rosa | |
| Mabel Rivera | ... | Manuela | |
| Celso Bugallo | ... | José | |
| Clara Segura | ... | Gené | |
| Joan Dalmau | ... | Joaquín | |
| Alberto Jiménez | ... | Germán | |
| Tamar Novas | ... | Javi | |
| Francesc Garrido | ... | Marc | |
| Josep Maria Pou | ... | Padre Francisco (as José María Pou) | |
| Alberto Amarilla | ... | Hermano Andrés | |
| Andrea Occhipinti | ... | Santiago | |
| Federico Pérez Rey | ... | Conductor | |
| Nicolás Fernández Luna | ... | Cristian | |
| Raúl Lavisier | ... | Samuel | |
| Xosé Manuel Olveira 'Pico' | ... | Juez 1 | |
| César Cambeiro | ... | Juez 2 | |
| Xosé Manuel Esperante | ... | Periodista 1 | |
| Yolanda Muiños | ... | Periodista 2 | |
| Adolfo Obregón | ... | Ejecutivo | |
| José Luis Rodríguez | ... | Presentador | |
| Julio Jordán | ... | Encuadernador | |
| Juan Manuel Vidal | ... | Amigo Ramón | |
| Marta Larralde | ... | Muchacha Playa | |
| rest of cast listed alphabetically: | |||
| Jordi Ballester | |||
Directed by | |||
| Alejandro Amenábar | |||
Writing credits | ||
| Alejandro Amenábar | (screenplay) and | |
| Mateo Gil | (screenplay) | |
Produced by | |||
| Alejandro Amenábar | .... | producer | |
| Fernando Bovaira | .... | producer | |
| Emiliano Otegui | .... | line producer | |
Original Music by | |||
| Alejandro Amenábar | |||
Cinematography by | |||
| Javier Aguirresarobe | (director of photography) | ||
Film Editing by | |||
| Alejandro Amenábar | |||
Casting by | |||
| Luis San Narciso | |||
Production Design by | |||
| Benjamín Fernández | |||
Art Direction by | |||
| Benjamín Fernández | |||
Set Decoration by | |||
| Emilio Ardura | |||
Costume Design by | |||
| Sonia Grande | |||
Makeup Department | |||
| James Allen | .... | special makeup assistant | |
| Jo Allen | .... | special makeup designer | |
| Mara Collazo | .... | hair stylist | |
| Chris Fitzgerald | .... | sculptor | |
| Manolo García | .... | hair stylist | |
| Ana López Puigcerver | .... | makeup artist | |
| David Martí | .... | special makeup effects artist | |
| Carlos Montosa | .... | wigs | |
| Ana Urosa | .... | makeup artist | |
Production Management | |||
| José Antonio García Tapia | .... | production manager | |
| Emiliano Otegui | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Larisa Balinge | .... | assistant director | |
| José Ramón Otegui | .... | second assistant director (as Joserra Otegui) | |
| Walter Prieto | .... | assistant director | |
Art Department | |||
| Gonzalo Ansó | .... | props | |
| Alberto Báez | .... | carpenter | |
| Leo Báez | .... | construction coordinator | |
| Pedro Calderón | .... | painter | |
| Paco Calonge | .... | props (as Francisco Calonge) | |
| Manuel Casla | .... | carpenter | |
| Carlos Chamorro | .... | laborer | |
| Manuel Chamorro | .... | carpenter | |
| Salvador Comes | .... | painter | |
| Blas Díaz | .... | carpenter | |
| Francisco Díaz | .... | carpenter | |
| Alejandro Fernández | .... | assistant art director | |
| Francisco Fernández | .... | carpenter | |
| Antonio Lopez | .... | carpenter | |
| Natalia Montes | .... | storyboard artist | |
| Rubén Rivas | .... | graphic designer | |
| Tino Torrescusa | .... | property master | |
| Ana Viana | .... | apprentice art director | |
| Juan Ignacio Viñuales | .... | props | |
Sound Department | |||
| Susana Benito | .... | assistant sound mixer | |
| Ricard Camprodón | .... | sound consultant: SDDS | |
| Manuel Cora | .... | sound consultant: DTS | |
| Juan Ferro | .... | sound editor | |
| Alfonso Raposo | .... | sound mixer | |
| Guillermo Solana | .... | boom operator | |
| María Steinberg | .... | sound editor | |
| María Steinberg | .... | sound effects editor | |
| Ricardo Steinberg | .... | sound | |
| Ricardo Viñas | .... | stereo sound consultant: Dolby | |
Special Effects by | |||
| David Campos | .... | special effects | |
| Pau Costa | .... | special effects supervisor | |
| Giacomo Iovino | .... | mold maker | |
| Javier Jal | .... | special effects technician | |
| Javier H. Moneo | .... | special effects technician | |
| Julio Navarro | .... | special effects technician | |
| Raúl Romanillos | .... | special effects supervisor | |
| Juan Serrano | .... | special effects technician: DDT SFX | |
| Stuart Sewell | .... | mold maker | |
Visual Effects by | |||
| Sara Alavés | .... | visual effects producer | |
| Nike Alonso | .... | visual effects producer | |
| Helmuth Barnert | .... | digital compositor | |
| Manuel Barrero | .... | digital restoration: Fotofilm Madrid | |
| Félix Bergés | .... | visual effects supervisor | |
| Montse Capdevila | .... | digital compositor | |
| María Carretero | .... | graphic effects artist | |
| Gonzalo Carrión | .... | 3D infography | |
| Eduardo Díaz | .... | digital compositor | |
| Yusef El Khadir | .... | 3D operator | |
| Juancho Fernández | .... | digital compositor | |
| Segundo Fernández | .... | digital compositor | |
| Carmen García | .... | digital compositor | |
| Vincent Gilot | .... | motion control operator | |
| Tim Mendler | .... | motion control operator | |
| Matías Nieto | .... | time lapse photography | |
| Guillermo Orbe | .... | digital compositor | |
| Thorsten Rienth | .... | digital compositor | |
| Rubén Sanz | .... | visual effects producer | |
| Rafa Solorzano | .... | visual effects supervisor (as Rafael Solorzano) | |
| Carlos Trijueque | .... | digital compositor | |
Stunts | |||
| Guiomar Alonso | .... | stunts | |
| Eugenio Jiménez | .... | stunts | |
| Miguel Pedregosa | .... | stunt coordinator | |
| Álvaro Quiroga | .... | stunts | |
Camera and Electrical Department | |||
| Miguel Balanzategui | .... | combo operator | |
| Jon Barco | .... | apprentice camera (as Jon Barco ) | |
| Miguel Ángel Cano | .... | electrician | |
| Gustavo de la Fuente | .... | assistant camera | |
| Rafael García Martos | .... | gaffer | |
| Raúl García | .... | assistant camera | |
| José Manuel Herrero | .... | underwater camera operator | |
| Josu Inchaustegui | .... | Steadicam operator | |
| Josu Inchaustegui | .... | second assistant camera | |
| Teresa Isasi | .... | still photographer | |
| Carlos Miguel | .... | key grip | |
| Juan Ramos | .... | Steadicam operator: second unit (as Juan Matías Ramos) | |
| Marcelino San Eugenio | .... | electrician | |
| James Swanson | .... | aerial director of photography | |
| Alberto Sánchez Beltrán | .... | electrician (as Alberto Sánchez) | |
| Anselmo Villalba | .... | key grip | |
Costume and Wardrobe Department | |||
| Cristina Martínez | .... | costume assistant | |
| Cristina Ureña | .... | costume assistant | |
Editorial Department | |||
| Carlos Agulló | .... | assistant editor | |
| Paolo Balestrazzi | .... | assistant editor | |
| Felisa Catalinas | .... | negative cutter | |
| Yolanda Cáceres | .... | color timer | |
| Enrique Domínguez | .... | assistant editor | |
| Manuela Díaz | .... | post-production: Sogecine | |
| Paulino Fernández Ibáñez | .... | telecine | |
| Eladio Fernández | .... | post-production: Sogecine | |
| Miguel P. Gilaberte | .... | digital intermediate colorist | |
Music Department | |||
| Chris Barrett | .... | assistant music engineer | |
| Xavier Capellas | .... | orchestrator | |
| Nicholas Cervonaro | .... | assistant music engineer (as Nick Cervonaro) | |
| José Luis Crespo | .... | music mixer | |
| Álvaro Cruz | .... | assistant music engineer | |
| Lucio Godoy | .... | music producer | |
| Claudio Ianni | .... | orchestrator | |
| Brian Masterson | .... | music recording engineer | |
| Carlos Núñez | .... | soundtrack collaborator | |
| Orquesta Sinfónica de Radio Televisión Española | .... | orchestra | |
| Rubén Suárez | .... | assistant music engineer | |
| Gavyn Wright | .... | orchestra leader | |
| José Manuel Zapata | .... | tenor | |
Other crew | |||
| Pablo Alfaro | .... | financial director: Sogecine | |
| Francisco Arnoso 'Pixi' | .... | production assistant: Galicia | |
| Antonio Bazaga | .... | advisor: Eurimages | |
| Yuyi Beringola | .... | script supervisor | |
| Beatriz Bodegas | .... | legal assistant: Sogecine | |
| Soledad Cebrián | .... | accountant: Sogecine | |
| Eduardo Chapero-Jackson | .... | production crew: Sogecine | |
| Urko Errazquin | .... | marketing: Sogecine | |
| Fernando Esteban | .... | legal department: Sogecine | |
| Marian Fernández | .... | production assistant | |
| Luis Ferrón | .... | production assistant | |
| Mar Francolí | .... | location manager: Galicia | |
| Virginia Galvez | .... | production assistant: Barcelona (as Virginia Gálvez) | |
| Nuria Garcia Atienza | .... | production crew: Sogecine (as Nuria Gª Atienza) | |
| Rosa Garcia Merino | .... | head of publicity | |
| Marga García | .... | marketing: Sogecine | |
| Rosa García | .... | publicist | |
| Valentín García | .... | production assistant: Galicia | |
| Susana Herreras | .... | production crew: Sogecine | |
| Lola Liñares | .... | production assistant | |
| Javier Martín | .... | accountant: Sogecine | |
| José Miguel Mendiola | .... | production accountant | |
| César Mendizábal | .... | directors apprentice | |
| Eva Muslera | .... | production controller: Sogecine | |
| Frédéric North | .... | helicopter pilot (as Fred North) | |
| Luc Poullain | .... | aerial coordinator | |
| Federico Pérez Rey | .... | linguistics consultant: Galician | |
| Carmen Rico | .... | production secretary | |
| Noelia Romero | .... | accountant: Sogecine | |
| Cecilia Rubio | .... | legal department: Sogecine | |
| Francisco Sanchez Ortiz | .... | marketing: Sogecine (as Francisco Sánchez Ortíz) | |
| Germán Sela | .... | marketing: Sogecine | |
| Eva Soto | .... | publicist: Sogecine | |
| Guy Stodel | .... | acquisitions executive | |
| Rafael Toba | .... | production coordinator | |
| Paul Turcotte | .... | location manager: Seychelles | |
| Guillem Vidal-Folch | .... | production apprentice: Barcelona | |
| Daniel M. Villalba | .... | second production assistant | |
| Simón de Santiago | .... | international sales (uncredited) | |
| Daniel Villagomez | .... | credits administrator (uncredited) | |
Thanks | |||
| Ramona Maneiro | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb Spain section |
Alejandro Amenabar, the young and talented Spanish director, clearly shows us he is a serious film maker. Anyone doubting it, should have a look at his latest film "The Sea Inside". This is a movie that has been rewarded with numerous accolades, not only in Spain, but throughout the world, wherever this wonderful movie has been shown.
If you have not seen the film, perhaps you would like to stop here.
Ramon Sampedro is a man confined to bed. Being quadriplegic, he depends on the kindness of strangers for everything. Since his accident, Ramon only thinks in one thing alone: how to end his life! This is the moral issue at the center of the story, based on the real Ramon Sampedro's life.
Mr. Amenabar tells the story from Ramon's point of view. There is nothing here that is false or manipulative on his part. After all, he relies on facts that were well known in his country as this case became a "cause celebre" in favor of euthanasia, a theme that no one in that country wanted to deal with in Spain.
With its background of being a predominantly Roman Catholic country, Spain has evolved into one of the most democratic societies in Europe, a distinction that is more notable because of its long years dominated by a dictator. Yet, in spite of the advances in that society, the idea of taking one's own life, is something not clearly understood by the majority of its citizens, who still considered this subject as something that could not be done in their country.
Ramon Sampedro was a man that loved life. He lived an intense life as a young man when he enlisted as a sailor to discover the world. Having no money, this was the only way for him to see other lands, experience other cultures. Ramon's love affair with the sea, is something that people in Galicia learn to love from their childhood. Imagine how that same friendly sea is the one that takes away Ramon's life, as he knew it! In a second, Ramon goes from a vibrant young man into a vegetable!
Ramon's family is shattered by the experience. Suddenly they must leave everything aside to take care of him at home. His brother and sister-in-law, are stoic people that deal with the situation as a matter of fact. Their lives become something of an afterthought, because Ramon's life comes first. They tend to the sick man without protesting, or blaming Ramon for the sacrifices they must make to keep him alive.
That is why, in their minds, the Sampedros can't comprehend Ramon's wishes to end it all. Haven't they given up having a normal life to take care of him? This moral issue weighs heavily on these uncomplicated and simple people because in their minds, they are doing what came naturally.
The second subject of the movie is the legal issue of the euthanasia and the well meaning people that suddenly enter Ramon's life in their desire to help him put an end to his suffering. There's Julia, the lawyer who is herself handicapped and suffers from a rare malady. There is Rosa, the fish cannery worker who becomes infatuated with Ramon.
Javier Bardem, makes a brilliant Ramon Sampedro. His transformation is total. We don't doubt from one moment he is no one else but the paralyzed man on that bed. Mr. Bardem can only use his face in order to convey all the emotions trapped inside Ramon. Mr. Bardem makes this man real. This is perhaps Javier Bardem's best role of his career. He surpasses his own award winning performance as Reynaldo Arenas, the late Cuban poet he portrayed in "Before Night Falls".
In the supporting roles, Belen Rueda, makes an impressive appearance as Julia, the woman fighting her own physical problems. Lola Duenas is also effective as Rosa, the kindred soul that loves Ramon deeply. Celso Bugallo, as Ramon's brother shows a man at a crossroads of his own life. Mabel Rivera makes a compassionate Manuela, the sister-in-law that never asks anything of life, but tends to Ramon without questioning why she has to do it, at all.
Mr. Amenabar also has composed the haunting music score for the film. He is a man that never cease to surprise. One wonders what his next project will be, but one wishes him success in whatever he might decide to do in the future.