| Photos (See all 30 | slideshow) |
| Javier Bardem | ... | Ramón Sampedro | |
| Belén Rueda | ... | Julia | |
| Lola Dueñas | ... | Rosa | |
| Mabel Rivera | ... | Manuela | |
| Celso Bugallo | ... | José | |
| Clara Segura | ... | Gené | |
| Joan Dalmau | ... | Joaquín | |
| Alberto Jiménez | ... | Germán | |
| Tamar Novas | ... | Javi | |
| Francesc Garrido | ... | Marc | |
| Josep Maria Pou | ... | Padre Francisco (as José María Pou) | |
| Alberto Amarilla | ... | Hermano Andrés | |
| Andrea Occhipinti | ... | Santiago | |
| Federico Pérez Rey | ... | Conductor | |
| Nicolás Fernández Luna | ... | Cristian | |
| Raúl Lavisier | ... | Samuel | |
| Xosé Manuel Olveira 'Pico' | ... | Juez 1 | |
| César Cambeiro | ... | Juez 2 | |
| Xosé Manuel Esperante | ... | Periodista 1 | |
| Yolanda Muiños | ... | Periodista 2 | |
| Adolfo Obregón | ... | Ejecutivo | |
| José Luis Rodríguez | ... | Presentador | |
| Julio Jordán | ... | Encuadernador | |
| Juan Manuel Vidal | ... | Amigo Ramón | |
| Marta Larralde | ... | Muchacha Playa | |
| rest of cast listed alphabetically: | |||
| Jordi Ballester | |||
Directed by | |||
| Alejandro Amenábar | |||
Writing credits | ||
| Alejandro Amenábar | (screenplay) and | |
| Mateo Gil | (screenplay) | |
Produced by | |||
| Alejandro Amenábar | .... | producer | |
| Fernando Bovaira | .... | producer | |
| Emiliano Otegui | .... | line producer | |
Original Music by | |||
| Alejandro Amenábar | |||
Cinematography by | |||
| Javier Aguirresarobe | (director of photography) | ||
Film Editing by | |||
| Alejandro Amenábar | |||
Casting by | |||
| Luis San Narciso | |||
Production Design by | |||
| Benjamín Fernández | |||
Art Direction by | |||
| Benjamín Fernández | |||
Set Decoration by | |||
| Emilio Ardura | |||
Costume Design by | |||
| Sonia Grande | |||
Makeup Department | |||
| James Allen | .... | special makeup assistant | |
| Jo Allen | .... | special makeup designer | |
| Mara Collazo | .... | hair stylist | |
| Chris Fitzgerald | .... | sculptor | |
| Manolo García | .... | hair stylist | |
| Ana López Puigcerver | .... | makeup artist | |
| David Martí | .... | special makeup effects artist | |
| Carlos Montosa | .... | wigs | |
| Ana Urosa | .... | makeup artist | |
Production Management | |||
| José Antonio García Tapia | .... | production manager | |
| Emiliano Otegui | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Larisa Balinge | .... | assistant director | |
| José Ramón Otegui | .... | second assistant director (as Joserra Otegui) | |
| Walter Prieto | .... | assistant director | |
Art Department | |||
| Gonzalo Ansó | .... | props | |
| Alberto Báez | .... | carpenter | |
| Leo Báez | .... | construction coordinator | |
| Pedro Calderón | .... | painter | |
| Paco Calonge | .... | props (as Francisco Calonge) | |
| Manuel Casla | .... | carpenter | |
| Carlos Chamorro | .... | laborer | |
| Manuel Chamorro | .... | carpenter | |
| Salvador Comes | .... | painter | |
| Blas Díaz | .... | carpenter | |
| Francisco Díaz | .... | carpenter | |
| Alejandro Fernández | .... | assistant art director | |
| Francisco Fernández | .... | carpenter | |
| Antonio Lopez | .... | carpenter | |
| Natalia Montes | .... | storyboard artist | |
| Rubén Rivas | .... | graphic designer | |
| Tino Torrescusa | .... | property master | |
| Ana Viana | .... | apprentice art director | |
| Juan Ignacio Viñuales | .... | props | |
Sound Department | |||
| Susana Benito | .... | assistant sound mixer | |
| Ricard Camprodón | .... | sound consultant: SDDS | |
| Manuel Cora | .... | sound consultant: DTS | |
| Juan Ferro | .... | sound editor | |
| Alfonso Raposo | .... | sound mixer | |
| Guillermo Solana | .... | boom operator | |
| María Steinberg | .... | sound editor | |
| María Steinberg | .... | sound effects editor | |
| Ricardo Steinberg | .... | sound | |
| Ricardo Viñas | .... | stereo sound consultant: Dolby | |
Special Effects by | |||
| David Campos | .... | special effects | |
| Pau Costa | .... | special effects supervisor | |
| Giacomo Iovino | .... | mold maker | |
| Javier Jal | .... | special effects technician | |
| Javier H. Moneo | .... | special effects technician | |
| Julio Navarro | .... | special effects technician | |
| Raúl Romanillos | .... | special effects supervisor | |
| Juan Serrano | .... | special effects technician: DDT SFX | |
| Stuart Sewell | .... | mold maker | |
Visual Effects by | |||
| Sara Alavés | .... | visual effects producer | |
| Nike Alonso | .... | visual effects producer | |
| Helmuth Barnert | .... | digital compositor | |
| Manuel Barrero | .... | digital restoration: Fotofilm Madrid | |
| Félix Bergés | .... | visual effects supervisor | |
| Montse Capdevila | .... | digital compositor | |
| María Carretero | .... | graphic effects artist | |
| Gonzalo Carrión | .... | 3D infography | |
| Eduardo Díaz | .... | digital compositor | |
| Yusef El Khadir | .... | 3D operator | |
| Juancho Fernández | .... | digital compositor | |
| Segundo Fernández | .... | digital compositor | |
| Carmen García | .... | digital compositor | |
| Vincent Gilot | .... | motion control operator | |
| Tim Mendler | .... | motion control operator | |
| Matías Nieto | .... | time lapse photography | |
| Guillermo Orbe | .... | digital compositor | |
| Thorsten Rienth | .... | digital compositor | |
| Rubén Sanz | .... | visual effects producer | |
| Rafa Solorzano | .... | visual effects supervisor (as Rafael Solorzano) | |
| Carlos Trijueque | .... | digital compositor | |
Stunts | |||
| Guiomar Alonso | .... | stunts | |
| Eugenio Jiménez | .... | stunts | |
| Miguel Pedregosa | .... | stunt coordinator | |
| Álvaro Quiroga | .... | stunts | |
Camera and Electrical Department | |||
| Miguel Balanzategui | .... | combo operator | |
| Jon Barco | .... | apprentice camera (as Jon Barco ) | |
| Miguel Ángel Cano | .... | electrician | |
| Gustavo de la Fuente | .... | assistant camera | |
| Rafael García Martos | .... | gaffer | |
| Raúl García | .... | assistant camera | |
| José Manuel Herrero | .... | underwater camera operator | |
| Josu Inchaustegui | .... | Steadicam operator | |
| Josu Inchaustegui | .... | second assistant camera | |
| Teresa Isasi | .... | still photographer | |
| Carlos Miguel | .... | key grip | |
| Juan Ramos | .... | Steadicam operator: second unit (as Juan Matías Ramos) | |
| Marcelino San Eugenio | .... | electrician | |
| James Swanson | .... | aerial director of photography | |
| Alberto Sánchez Beltrán | .... | electrician (as Alberto Sánchez) | |
| Anselmo Villalba | .... | key grip | |
Costume and Wardrobe Department | |||
| Cristina Martínez | .... | costume assistant | |
| Cristina Ureña | .... | costume assistant | |
Editorial Department | |||
| Carlos Agulló | .... | assistant editor | |
| Paolo Balestrazzi | .... | assistant editor | |
| Felisa Catalinas | .... | negative cutter | |
| Yolanda Cáceres | .... | color timer | |
| Enrique Domínguez | .... | assistant editor | |
| Manuela Díaz | .... | post-production: Sogecine | |
| Paulino Fernández Ibáñez | .... | telecine | |
| Eladio Fernández | .... | post-production: Sogecine | |
| Miguel P. Gilaberte | .... | digital intermediate colorist | |
Music Department | |||
| Chris Barrett | .... | assistant music engineer | |
| Xavier Capellas | .... | orchestrator | |
| Nicholas Cervonaro | .... | assistant music engineer (as Nick Cervonaro) | |
| José Luis Crespo | .... | music mixer | |
| Álvaro Cruz | .... | assistant music engineer | |
| Lucio Godoy | .... | music producer | |
| Claudio Ianni | .... | orchestrator | |
| Brian Masterson | .... | music recording engineer | |
| Carlos Núñez | .... | soundtrack collaborator | |
| Orquesta Sinfónica de Radio Televisión Española | .... | orchestra | |
| Rubén Suárez | .... | assistant music engineer | |
| Gavyn Wright | .... | orchestra leader | |
| José Manuel Zapata | .... | tenor | |
Other crew | |||
| Pablo Alfaro | .... | financial director: Sogecine | |
| Francisco Arnoso 'Pixi' | .... | production assistant: Galicia | |
| Antonio Bazaga | .... | advisor: Eurimages | |
| Yuyi Beringola | .... | script supervisor | |
| Beatriz Bodegas | .... | legal assistant: Sogecine | |
| Soledad Cebrián | .... | accountant: Sogecine | |
| Eduardo Chapero-Jackson | .... | production crew: Sogecine | |
| Urko Errazquin | .... | marketing: Sogecine | |
| Fernando Esteban | .... | legal department: Sogecine | |
| Marian Fernández | .... | production assistant | |
| Luis Ferrón | .... | production assistant | |
| Mar Francolí | .... | location manager: Galicia | |
| Virginia Galvez | .... | production assistant: Barcelona (as Virginia Gálvez) | |
| Nuria Garcia Atienza | .... | production crew: Sogecine (as Nuria Gª Atienza) | |
| Rosa Garcia Merino | .... | head of publicity | |
| Marga García | .... | marketing: Sogecine | |
| Rosa García | .... | publicist | |
| Valentín García | .... | production assistant: Galicia | |
| Susana Herreras | .... | production crew: Sogecine | |
| Lola Liñares | .... | production assistant | |
| Javier Martín | .... | accountant: Sogecine | |
| José Miguel Mendiola | .... | production accountant | |
| César Mendizábal | .... | directors apprentice | |
| Eva Muslera | .... | production controller: Sogecine | |
| Frédéric North | .... | helicopter pilot (as Fred North) | |
| Luc Poullain | .... | aerial coordinator | |
| Federico Pérez Rey | .... | linguistics consultant: Galician | |
| Carmen Rico | .... | production secretary | |
| Noelia Romero | .... | accountant: Sogecine | |
| Cecilia Rubio | .... | legal department: Sogecine | |
| Francisco Sanchez Ortiz | .... | marketing: Sogecine (as Francisco Sánchez Ortíz) | |
| Germán Sela | .... | marketing: Sogecine | |
| Eva Soto | .... | publicist: Sogecine | |
| Guy Stodel | .... | acquisitions executive | |
| Rafael Toba | .... | production coordinator | |
| Paul Turcotte | .... | location manager: Seychelles | |
| Guillem Vidal-Folch | .... | production apprentice: Barcelona | |
| Daniel M. Villalba | .... | second production assistant | |
| Simón de Santiago | .... | international sales (uncredited) | |
| Daniel Villagomez | .... | credits administrator (uncredited) | |
Thanks | |||
| Ramona Maneiro | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
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THE SEA INSIDE a film by Alejandro Amenabar.
Almodovar has always single handed the flag for Spanish cinema for years now, out of nowhere came Amenabar reinventing genres and injecting some new blood to the otherwise malfunctioning Spanish industry, now in a big gamble he switches from psychological terror to social drama, well the big ones would be, are audiences ready to embrace the swing and more important can he hold the flag? This is the story of Ramon Sampedro, a sailor that in his twenties was paralyzed from the neck down in an accident at the sea and his fight with the Spanish government for the right to end his life. The story has the traces of an afternoon made for TV melodrama and the only way this is going to work is through words and honest performances and they both come in spades. Mateo Gil and Amenabar co-write in a way where the audience is not meant to be lead blind to a death end but they are encouraged to make up their own minds in the process and that is a brilliant stroke, this is not a movie pro death but a movie in favour of the ultimate illusions of our time LIBERTY. There is a few laughs spare a long the way, like when the church comes home in a wheel chair to deconstruct Sampedro beliefs but is mostly a valley of tears through out, punches coming from all fronts even when you think you are safe his father that to that point didn't make any sense comes up with the most moving line of the entire movie. It is a heartbreaking experience specially when Sampedro seems more full of life than most the people wandering the streets and everyone around him tries to convince him of the wonders of life even those who are helping him to die but when you strip a man of his dreams The film is almost exclusively built on close ups bringing a claustrophobic feeling that makes the audience more sympathetic with Sampedro. That's for the actors a huge challenge that must construct their whole performances with their eyes and the eyes don't lie. Bardem was not granted his second Oscar nomination, probably in favour of Eastwood, but in my opinion he was the only one who could have shadowed Jammie Fox. This role reminds me of the great Gregory Peck in TO KILL A MOCKINGBIRD where the acting looked effortless and I reckon Bardem has reached that status where the line of what is acting and what is real has become completely blur. I was never fond of his early work but since Almodovar's LIVE FLESH he is on a roll, LOS LUNES AL SOL, THE DANCER UPSTAIRS and the Oscar nominated BEFORE THE NIGHT FALLS made him an international star and although he and Banderas come from the same Almodovar background is fascinating to see how different paths they took and how Bardem has now become a real reference for Spanish cinema in the whole world. A golden globe, 14 Goyas, jury prize at Venice and probably an Oscar with permission from THE CHORUS BOYS, Amenabar directs, co-write, edits and puts music to a high caliber drama, he has pull it off what about some Science Fiction now? Whose life is it anyway?****.