| Photos (See all 30 | slideshow) |
| Javier Bardem | ... | Ramón Sampedro | |
| Belén Rueda | ... | Julia | |
| Lola Dueñas | ... | Rosa | |
| Mabel Rivera | ... | Manuela | |
| Celso Bugallo | ... | José | |
| Clara Segura | ... | Gené | |
| Joan Dalmau | ... | Joaquín | |
| Alberto Jiménez | ... | Germán | |
| Tamar Novas | ... | Javi | |
| Francesc Garrido | ... | Marc | |
| Josep Maria Pou | ... | Padre Francisco (as José María Pou) | |
| Alberto Amarilla | ... | Hermano Andrés | |
| Andrea Occhipinti | ... | Santiago | |
| Federico Pérez Rey | ... | Conductor | |
| Nicolás Fernández Luna | ... | Cristian | |
| Raúl Lavisier | ... | Samuel | |
| Xosé Manuel Olveira 'Pico' | ... | Juez 1 | |
| César Cambeiro | ... | Juez 2 | |
| Xosé Manuel Esperante | ... | Periodista 1 | |
| Yolanda Muiños | ... | Periodista 2 | |
| Adolfo Obregón | ... | Ejecutivo | |
| José Luis Rodríguez | ... | Presentador | |
| Julio Jordán | ... | Encuadernador | |
| Juan Manuel Vidal | ... | Amigo Ramón | |
| Marta Larralde | ... | Muchacha Playa | |
| rest of cast listed alphabetically: | |||
| Jordi Ballester | |||
Directed by | |||
| Alejandro Amenábar | |||
Writing credits | ||
| Alejandro Amenábar | (screenplay) and | |
| Mateo Gil | (screenplay) | |
Produced by | |||
| Alejandro Amenábar | .... | producer | |
| Fernando Bovaira | .... | producer | |
| Emiliano Otegui | .... | line producer | |
Original Music by | |||
| Alejandro Amenábar | |||
Cinematography by | |||
| Javier Aguirresarobe | (director of photography) | ||
Film Editing by | |||
| Alejandro Amenábar | |||
Casting by | |||
| Luis San Narciso | |||
Production Design by | |||
| Benjamín Fernández | |||
Art Direction by | |||
| Benjamín Fernández | |||
Set Decoration by | |||
| Emilio Ardura | |||
Costume Design by | |||
| Sonia Grande | |||
Makeup Department | |||
| James Allen | .... | special makeup assistant | |
| Jo Allen | .... | special makeup designer | |
| Mara Collazo | .... | hair stylist | |
| Chris Fitzgerald | .... | sculptor | |
| Manolo García | .... | hair stylist | |
| Ana López Puigcerver | .... | makeup artist | |
| David Martí | .... | special makeup effects artist | |
| Carlos Montosa | .... | wigs | |
| Ana Urosa | .... | makeup artist | |
Production Management | |||
| José Antonio García Tapia | .... | production manager | |
| Emiliano Otegui | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Larisa Balinge | .... | assistant director | |
| José Ramón Otegui | .... | second assistant director (as Joserra Otegui) | |
| Walter Prieto | .... | assistant director | |
Art Department | |||
| Gonzalo Ansó | .... | props | |
| Alberto Báez | .... | carpenter | |
| Leo Báez | .... | construction coordinator | |
| Pedro Calderón | .... | painter | |
| Paco Calonge | .... | props (as Francisco Calonge) | |
| Manuel Casla | .... | carpenter | |
| Carlos Chamorro | .... | laborer | |
| Manuel Chamorro | .... | carpenter | |
| Salvador Comes | .... | painter | |
| Blas Díaz | .... | carpenter | |
| Francisco Díaz | .... | carpenter | |
| Alejandro Fernández | .... | assistant art director | |
| Francisco Fernández | .... | carpenter | |
| Antonio Lopez | .... | carpenter | |
| Natalia Montes | .... | storyboard artist | |
| Rubén Rivas | .... | graphic designer | |
| Tino Torrescusa | .... | property master | |
| Ana Viana | .... | apprentice art director | |
| Juan Ignacio Viñuales | .... | props | |
Sound Department | |||
| Susana Benito | .... | assistant sound mixer | |
| Ricard Camprodón | .... | sound consultant: SDDS | |
| Manuel Cora | .... | sound consultant: DTS | |
| Juan Ferro | .... | sound editor | |
| Alfonso Raposo | .... | sound mixer | |
| Guillermo Solana | .... | boom operator | |
| María Steinberg | .... | sound editor | |
| María Steinberg | .... | sound effects editor | |
| Ricardo Steinberg | .... | sound | |
| Ricardo Viñas | .... | stereo sound consultant: Dolby | |
Special Effects by | |||
| David Campos | .... | special effects | |
| Pau Costa | .... | special effects supervisor | |
| Giacomo Iovino | .... | mold maker | |
| Javier Jal | .... | special effects technician | |
| Javier H. Moneo | .... | special effects technician | |
| Julio Navarro | .... | special effects technician | |
| Raúl Romanillos | .... | special effects supervisor | |
| Juan Serrano | .... | special effects technician: DDT SFX | |
| Stuart Sewell | .... | mold maker | |
Visual Effects by | |||
| Sara Alavés | .... | visual effects producer | |
| Nike Alonso | .... | visual effects producer | |
| Helmuth Barnert | .... | digital compositor | |
| Manuel Barrero | .... | digital restoration: Fotofilm Madrid | |
| Félix Bergés | .... | visual effects supervisor | |
| Montse Capdevila | .... | digital compositor | |
| María Carretero | .... | graphic effects artist | |
| Gonzalo Carrión | .... | 3D infography | |
| Eduardo Díaz | .... | digital compositor | |
| Yusef El Khadir | .... | 3D operator | |
| Juancho Fernández | .... | digital compositor | |
| Segundo Fernández | .... | digital compositor | |
| Carmen García | .... | digital compositor | |
| Vincent Gilot | .... | motion control operator | |
| Tim Mendler | .... | motion control operator | |
| Matías Nieto | .... | time lapse photography | |
| Guillermo Orbe | .... | digital compositor | |
| Thorsten Rienth | .... | digital compositor | |
| Rubén Sanz | .... | visual effects producer | |
| Rafa Solorzano | .... | visual effects supervisor (as Rafael Solorzano) | |
| Carlos Trijueque | .... | digital compositor | |
Stunts | |||
| Guiomar Alonso | .... | stunts | |
| Eugenio Jiménez | .... | stunts | |
| Miguel Pedregosa | .... | stunt coordinator | |
| Álvaro Quiroga | .... | stunts | |
Camera and Electrical Department | |||
| Miguel Balanzategui | .... | combo operator | |
| Jon Barco | .... | apprentice camera (as Jon Barco ) | |
| Miguel Ángel Cano | .... | electrician | |
| Gustavo de la Fuente | .... | assistant camera | |
| Rafael García Martos | .... | gaffer | |
| Raúl García | .... | assistant camera | |
| José Manuel Herrero | .... | underwater camera operator | |
| Josu Inchaustegui | .... | Steadicam operator | |
| Josu Inchaustegui | .... | second assistant camera | |
| Teresa Isasi | .... | still photographer | |
| Carlos Miguel | .... | key grip | |
| Juan Ramos | .... | Steadicam operator: second unit (as Juan Matías Ramos) | |
| Marcelino San Eugenio | .... | electrician | |
| James Swanson | .... | aerial director of photography | |
| Alberto Sánchez Beltrán | .... | electrician (as Alberto Sánchez) | |
| Anselmo Villalba | .... | key grip | |
Costume and Wardrobe Department | |||
| Cristina Martínez | .... | costume assistant | |
| Cristina Ureña | .... | costume assistant | |
Editorial Department | |||
| Carlos Agulló | .... | assistant editor | |
| Paolo Balestrazzi | .... | assistant editor | |
| Felisa Catalinas | .... | negative cutter | |
| Yolanda Cáceres | .... | color timer | |
| Enrique Domínguez | .... | assistant editor | |
| Manuela Díaz | .... | post-production: Sogecine | |
| Paulino Fernández Ibáñez | .... | telecine | |
| Eladio Fernández | .... | post-production: Sogecine | |
| Miguel P. Gilaberte | .... | digital intermediate colorist | |
Music Department | |||
| Chris Barrett | .... | assistant music engineer | |
| Xavier Capellas | .... | orchestrator | |
| Nicholas Cervonaro | .... | assistant music engineer (as Nick Cervonaro) | |
| José Luis Crespo | .... | music mixer | |
| Álvaro Cruz | .... | assistant music engineer | |
| Lucio Godoy | .... | music producer | |
| Claudio Ianni | .... | orchestrator | |
| Brian Masterson | .... | music recording engineer | |
| Carlos Núñez | .... | soundtrack collaborator | |
| Orquesta Sinfónica de Radio Televisión Española | .... | orchestra | |
| Rubén Suárez | .... | assistant music engineer | |
| Gavyn Wright | .... | orchestra leader | |
| José Manuel Zapata | .... | tenor | |
Other crew | |||
| Pablo Alfaro | .... | financial director: Sogecine | |
| Francisco Arnoso 'Pixi' | .... | production assistant: Galicia | |
| Antonio Bazaga | .... | advisor: Eurimages | |
| Yuyi Beringola | .... | script supervisor | |
| Beatriz Bodegas | .... | legal assistant: Sogecine | |
| Soledad Cebrián | .... | accountant: Sogecine | |
| Eduardo Chapero-Jackson | .... | production crew: Sogecine | |
| Urko Errazquin | .... | marketing: Sogecine | |
| Fernando Esteban | .... | legal department: Sogecine | |
| Marian Fernández | .... | production assistant | |
| Luis Ferrón | .... | production assistant | |
| Mar Francolí | .... | location manager: Galicia | |
| Virginia Galvez | .... | production assistant: Barcelona (as Virginia Gálvez) | |
| Nuria Garcia Atienza | .... | production crew: Sogecine (as Nuria Gª Atienza) | |
| Rosa Garcia Merino | .... | head of publicity | |
| Marga García | .... | marketing: Sogecine | |
| Rosa García | .... | publicist | |
| Valentín García | .... | production assistant: Galicia | |
| Susana Herreras | .... | production crew: Sogecine | |
| Lola Liñares | .... | production assistant | |
| Javier Martín | .... | accountant: Sogecine | |
| José Miguel Mendiola | .... | production accountant | |
| César Mendizábal | .... | directors apprentice | |
| Eva Muslera | .... | production controller: Sogecine | |
| Frédéric North | .... | helicopter pilot (as Fred North) | |
| Luc Poullain | .... | aerial coordinator | |
| Federico Pérez Rey | .... | linguistics consultant: Galician | |
| Carmen Rico | .... | production secretary | |
| Noelia Romero | .... | accountant: Sogecine | |
| Cecilia Rubio | .... | legal department: Sogecine | |
| Francisco Sanchez Ortiz | .... | marketing: Sogecine (as Francisco Sánchez Ortíz) | |
| Germán Sela | .... | marketing: Sogecine | |
| Eva Soto | .... | publicist: Sogecine | |
| Guy Stodel | .... | acquisitions executive | |
| Rafael Toba | .... | production coordinator | |
| Paul Turcotte | .... | location manager: Seychelles | |
| Guillem Vidal-Folch | .... | production apprentice: Barcelona | |
| Daniel M. Villalba | .... | second production assistant | |
| Simón de Santiago | .... | international sales (uncredited) | |
| Daniel Villagomez | .... | credits administrator (uncredited) | |
Thanks | |||
| Ramona Maneiro | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb Spain section |
Director and co-writer Alejandro Amenabar didn't make things easy for viewers of his taut, a bit overlong but very disturbing story, accurately based on a Spanish man's struggle to obtain assisted suicide. "Mar Adentro" ("The Sea Inside") is gripping and its impact far exceeds the time spent in the theater.
With the award-winning Canadian movie, "The Barbarian Invasions," folks got to see a family along with a coterie of devoted friends address the wish of a beloved albeit irascible man to end his life. In that movie, the center of attention suffered from progressive, incurable cancer and his descent into a terminal stage was fast. Emotional as the scenes were, death was inevitable - the question was how gentle could it be made through solicited intervention.
Ramon Sampedro (brilliantly played by Javier Bardem) is a different story. For well over two decades he's been a quadriplegic because of a diving accident. (Very sharp viewers may detect a terrible irony as to why he ended in that condition because of his improvident dive.) Once a world traveler and lover of beautiful women, he now lies trapped in an immobile body, his every need attended to by a truly devoted family who willingly surrender much of their privacy and time to sustain their beloved relation.
Rosa (Lola Duenas), a single mom of two small boys, enters the Sampedro household out of what might have been mere curiosity to learn about the paralyzed man's plight but she becomes both an emotionally supportive centerpiece for Ramon as well as an amusing but occasionally aggravating presence. A nice performance by Duenas.
The problem, of course, is that Sampedro isn't sick in the normal sense. He may well live for decades more with proper care. So his softly but persistently voiced desire to end his life with "dignity" creates a moral dilemma for friends and relatives who, not surprisingly, react from different ethical and religious perspectives.
Ramon is the poster quad of a group dedicated to changing Spain's laws concerning assisted suicide. "Death with Dignity" is their watchword. Gene (Clara Segura) is a sensitive activist who enlists the aid of pro bono publico counsel, Julia (Belen Rueda). Julia has her own health issues which carry an indefinite but catastrophic prognosis. Happily married to a devoted spouse, she bonds emotionally with her client.
What follows is an acutely sensitive interplay of values and emotions. Ramon lives with his brother and wife, their technophile teenage son, not the intellectual Ramon is, and his aged dad who can't stop grieving over his son's cataclysmic descent into absolute helplessness.
The moral and legal issues are played out through excellent acting and short vignettes including a courtroom scene in which formalism triumphs over any judicial interpretation that might take into account Ramon's feelings and views. It may be Spain but the issues are alive in most countries, including the U.S.
Especially amusing is a shouted, first floor to bedroom, debate between Ramon with a drop-in, lecturing Jesuit priest, also a quadriplegic but one whose hidebound dogma casually masks the absence of a soul.
Special kudos to Mabel Rivera, Ramon's sister-in-law-Manuela, for a wrenchingly authentic portrayal of a strong woman who holds the family together. And the same compliment fulsomely extends to Belen Rueda, Julia, who segues from objective advocate to close friend to a woman hurtling towards a dark fate.
The director imposes no value judgments allowing each character full range to express his or her feelings effectively and, at times, movingly. Like "Dead Man Walking," this movie can support any view about its deadly subject.
No one can stop a person from committing suicide if he/she is determined but the universal tragedy of the world's Ramons is that without assistance, life in a body in which only the heart beats and only the head can move is a sentence no court could pronounce on the most depraved of criminals.
The cinematography is well-matched to the story and the beautiful Galician scenes are an intended contrast to the limited views the once globe-trotting Ramon experiences from his special bed.
9/10