A young Hungarian girl struggles to find her place in the world when she's reunited with her parents in the USA years after she was left behind during their flight from the communist country in the 1950s.
Upon hearing of her mother's death, jaded teenage loner Purslane Hominy Will returns to New Orleans for the first time in years, ready to reclaim her childhood home. Expecting to find her late mother's house abandoned, Pursy is shocked to discover that it is inhabited by two of her mother's friends: Bobby Long, a former literature professor, and his young protégé, Lawson Pines. These broken men, whose lives took a wrong turn years before, have been firmly rooted in the dilapidated house for years, encouraged only by Lawson's faltering ambitions to write a novel about Bobby Long's life. Having no intention of leaving, Pursy, Bobby Long and Lawson are all forced to live together. Yet as time passes, their tenuous, makeshift arrangement unearths a series of buried personal secrets that challenges their bonds, and reveals just how inextricably their lives are intertwined. Written by
Sujit R. Varma
Writer/director Shainee Gabel adapted the screenplay from the previously unpublished novel "Off Magazine Street" by Ronald Everett Capps. Capps' son, Grayson Capps, appears in the film and contributed six songs to its soundtrack. See more »
The ship disappears out of the screen too quickly. While Bobby and Lawson are talking on the bank of the river, a barge goes across the screen. A close-up comes in for the men, but when it pulls back again, the barge is completely gone. It was a continual scene, with one conversation, but there was nowhere near enough time for the slow moving barge to get out of sight. See more »
Time was never a friend to Bobby Long. It would conspire against him, allowing him to believe in a generous nature and then rob him blind everytime. We'd lost Lorraine. All of us. But long before she died.
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Reviews for "A Love Song for Bobby Long" are falling in the range from terrible to fantastic. My vote is closer to the fantastic end. The movie gets off to a slow start, but starts to work about a quarter into the film. The story unfolds at a slow pace; fitting for its locale. The character development for the three main characters (Travolta, Johansson and Macht) is well-woven into the story. Each character is flawed and through a series of events overcomes their problem. That to me is interesting movie-making. No storyline or subplot was left hanging at the end. Maybe I was tired, but I didn't see the end of the movie coming in the first five minutes as one comment stated. This movie is worth your time.
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