| Sophie Mgcina | |||
| Kurt Egelhof | |||
| Mpumi Malatsi | ... | Mangi | |
| Pamela Nomvete | ... | Thandi (as Pamela Nomvete Marimbe) | |
| rest of cast listed alphabetically: | |||
| Connie Mfuku | |||
Directed by | |||
| Ramadan Suleman | |||
Writing credits(in alphabetical order) | ||
| Bhekizizwe Peterson | writer | |
| Ramadan Suleman | writer | |
Produced by | |||
| Jacques Bidou | .... | producer | |
| Marianne Dumoulin | .... | producer | |
| Bhekizizwe Peterson | .... | producer | |
Original Music by | |||
| Zim Ngqawana | |||
Cinematography by | |||
| Manuel Teran | |||
Film Editing by | |||
| Jacques Comets | |||
Production Design by | |||
| Patrick Deschènes | |||
Art Direction by | |||
| Darryl Hammer | |||
Production Management | |||
| Carine Stander | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Patrick Meunier | .... | first assistant director | |
Sound Department | |||
| Nicolas Becker | .... | foley artist | |
| Gita Cerveira | .... | sound | |
| Jean-Pierre Laforce | .... | foley recordist | |
| Jean-Pierre Laforce | .... | sound mixer | |
| Jean Mallet | .... | sound editor | |
| Jean Mallet | .... | sound effects editor | |
| Jeanne Oberson | .... | dialog editor | |
Editorial Department | |||
| Jean-Louis Alda | .... | color timer | |
| Laurent Desbrueres | .... | color timer | |
| Jeanne Oberson | .... | assistant editor | |
| Emmanuelle Pencalet | .... | assistant editor | |
Other crew | |||
| Kathleen Weir | .... | script supervisor | |
Thanks | |||
| Grant Keir | .... | thanks | |
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| Fools | Stander | Goodbye Bafana | Code inconnu: Récit incomplet de divers voyages | Catch a Fire |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section | Add this title to MyMovies |
The most honest movie about the legacy left by apartheid and the problems people have with the way things have turned out. The story is sadly a common one in our history, but the way the subject is handled is both new and accurate. I saw a screening in the company of a number of people who have lived through similar experiences, and the response was overwhelmingly positive, though obviously emotional. It's a much more real portrayal of the Truth and Reconcilition Commission and it's inherent problems than Red Dust, and much less influenced by foreign interests than the recent spate of movies about Africa. It's not an easy one to sit through, but well worth it.