A comedy centered around four couples who settle into a tropical-island resort for a vacation. While one of the couples is there to work on the marriage, the others fail to realize that participation in the resort's therapy sessions is not optional.
After being cut from the USA softball team and feeling a bit past her prime, Lisa finds herself evaluating her life and in the middle of a love triangle, as a corporate guy in crisis competes with her current, baseball-playing beau.
An uptight, conservative, businesswoman accompanies her boyfriend to his eccentric and outgoing family's annual Christmas celebration and finds that she's a fish out of water in their free-spirited way of life.
Sarah Jessica Parker,
Brad and Kate have been together three years, in love, having fun, doing all sorts of things together with no intention of marriage or children. Christmas morning, they're on their way to Fiji, having told their two sets of divorced parents that they're off to do charity work. Through a fluke, they have no choice but to visit each of their four idiosyncratic parents. As the day progresses, Brad and Kate remember growing up, each learns more about the other, and Kate realizes that her life may not be as good as it could be. Do they know each other well enough to weather the storms families bring? Written by
Seth Gordon inspired himself from memories of his own family Christmases, where the mood was tense, where his sister would always be after him and where no one would want to go get his grandmother for dinner, to approach the directing on this film. See more »
Kate's hair is completely different when she leaves the bathroom at her mother's house. See more »
Sigh. Another potentially funny Hollywood comedy hits the skids when it encounters a message. The message here seems to be, "Families Are Hideous And Awful, But Everyone Should Be Forced To Have One". No, I don't understand the logic of that either.
The families are made up of 4 sets of familiar comedy archetypes - the yokels, the interfering women, the religious kooks and - um - the fourth set who the writers couldn't be bothered to make interesting or unusual. I suppose you can't blame them for losing interest - I know I had.
Phoned-in performances and a faxed-in script result in a charmless, pointless holiday film. The only good thing about it is the charisma of the leads, and a funny appearance by Jon Favreau. But seriously, you would be better advised to watch National Lampoon's Xmas Vacation again instead.
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