No other information is available as of yet, though the news is in keeping with del Toro’s habit of pursuing as many different movies as possible. (His list of unrealized projects is longer than his actual filmography, with everything from “Harry Potter and the Prisoner of Azkaban” and “The Hobbit” to “At the Mountains of Madness” and “Silent Hills” leaving fans to wonder “what if?” forever.)
Del Toro has sung the “Collateral,” “The Last of the Mohicans,” and “Blackhat” director’s praises on Twitter, calling “Heat” both “a film that is part of the lexicon of the medium” and “a stark Western set in a hyperreal LA.”
Film: Heat by Michael Mann. Top three Mann. A film that is part of the lexicon of the medium. A stark Western set in a hyperreal La.
— Guillermo del Toro (@RealGDT) December 20, 2015
Sign Up:Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here. Related storiesAlfonso Cuarón Says 'The Shape of Water' is 'Amazingly Sublime,' Teases Why 'Roma' is Taking So LongThe 15 Best Horror Directors of the 21st CenturyGuillermo del Toro 'Hated the Experience' of Working With Harvey Weinstein on 'Mimic'
Last weekend saw the release of the latest Tom Cruise vehicle, “American Made,” and critics are raving that it’s better than “The Mummy!” In honor of this great achievement, we ask: What is Tom Cruise’s greatest performance?
Read More:‘American Made’ Review: Tom Cruise Finally Lands a Role Worthy of His Talents E. Oliver Whitney (@cinemabite), ScreenCrush.com
The greatest Tom Cruise performance of all time happened on Oprah’s couch in 2005. But in the movies? “Magnolia.” It’s the best, but it’s also the “most” Cruise performance. His batshit insanity just barely holds together the fragile insecurity of the man beneath the horndog motivation speaker.
Yet as the evening wore on, a bidding war never materialized for the epic about race and poverty in the 1940s Mississippi Delta. “I’m surprised it didn’t sell that first night,” Rees says over a recent breakfast with Variety. “Wait, what the f—? It’s undeniable. The audience is into it. What happened?” Her producers told her that maybe buyers wanted to load up on comedies first. Days passed. “Then, at some point, the rationales fall away,” recalls Rees.
Although there were a few initial offers, they were much lower than the film’s
Directed by Doug Liman.
Starring Tom Cruise, Domhnall Gleeson, Sarah Wright, E. Roger Mitchell, Jesse Plemons, Lola Kirke, Alejandro Edda, Benito Martinez, Caleb Landry Jones, and Jayma Mays.
A pilot lands work for the CIA and as a drug runner in the south during the 1980s.
There’s an unshakeable feeling that Tom Cruise is actually trying in American Made, Doug Liman’s derivative if not entertaining Goodfellas-lite comic thriller. Cruise has been the movie star for the past two decades, but his on-screen persona only exists as a parallel to Cruise as the movie star. Few risks are taken, so American Made, albeit steeped in cliché, is a rather welcome detour away from the glamour and stunts of the monolithic blockbusters he finds comfort in.
It’s all too easy to forget his 1-2-3-4 punch of The Last Samurai, Collateral, War of the Worlds,
Michael Mann will return to TV for Hue 1968, a Vietnam War drama on FX....
Michael Mann is heading back to TV. Way back in his early days as a writer/producer, he worked on episodes of Starsky And Hutch and Miami Vice. Of course, he went on direct massive movies such as Heat, The Last Of The Mohicans, Ali and Collateral.
See related Preacher renewed for longer second season Preacher episode 10 review: Call And Response
And now, with the golden age of 'peak TV' continuing, FX has snapped up Mann to helm a new war drama. The show will adapt Hue 1968, Mark Bowden's bestseller, all about American involvement in the conflict. (You might recognise Bowden's name - he also wrote the book that became Black Hawk Down.)
Mann will direct multiple episodes, including the first one. There are expected to be 8-10 episodes in total,
[Read the whole post on screenanarchy.com...]
FX has landed the rights to turn Black Hawk Down author Mark Bowden’s book Huế, 1968 into a limited event series that will range from eight-10 hours.
Michael Mann and Michael De Luca acquired the rights to the book in late April.
The Vietnam War adaption will focus on lives on all sides during pivotal the Tet Offensive by Vietnamese forces. Characters include a seemingly innocent Vietnamese schoolgirl turned hardened revolutionary; a Marine captain from Pennsylvania who becomes a war hero; a Hanoi teacher who fights as an infantryman for the North Vietnamese army; and Us president Lyndon B. Johnson.
Mann, the Oscar-winning director of Collateral, The Insider, and Heat, plans to direct several episodes and will produce alongside De Luca and FX Productions.
The network is reportedly planning to begin filming on the series at the end of this year in Asia.
Prolific artist BossLogic decided to give us a look at what a new version of Blade, as portrayed by Jamie Foxx, could look like. Normally, BossLogic tends to do these as a response to people who've been recently cast in the role, or are rumored to be in the running. In this case, BossLogic has taken it upon himself to just throw out a name that might work and show us why.
It’s a cliché to say success has many fathers while failure is an orphan, but it’s no less true for that. The most recent example of this in Hollywood is everyone disowning The Mummy and blaming its poor box office on star Tom Cruise having too much control over the project. It’s easily done, and most films that fail will go through similar finger-pointing and blame spreading. The thing is, in this case, you can imagine its true.
Cruise can be a superb actor; when he challenges himself to get out of his comfort zone – an all too rare experience these days – he’s brilliant. He’s better than Dustin Hoffman in Rain Man, amazing in Magnolia, the best thing in Collateral, but far too often he falls back on the same stock characters in ultimately forgettable films.
Cruise remains one of Hollywood’s last big movie stars, a bankable talent who almost exclusively stars in major films that are expected to make a pretty penny at the box office. In recent years, Cruise has leaned hard on large-scale studio projects, from the enduringly popular “Mission: Impossible” franchise to pricey studio outings like “Oblivion” and “Rock of Ages,” and while he’s still a major marquee name, his career is lacking the kind of daring and exciting choices that once made it stand out.
EW has new images from Mary Poppins Returns. Oh please let this be good. Please let it be good.
Decider the 50 most important Lgbt characters in tv history - they'll be doing essays on the top 10. Two of our contributors were included in their polling.
The Guardian thinks Tom Cruise should ditch the heroics and play an unsavory character again. We heartily agree. He seemed to lose all his artistic ambition (if not his general ambition) right around the time of the Kidman divorce. It's been almost a two decade stretch of franchise heroes only now with rare exceptions like Rock of Ages and Collateral.
Deadline Donald Glover talks Atlanta and taking on the famous role of Lando Calrissian in the Star Wars franchise
Guardian Remember Blue is the Warmest Color? Director Abdellatif Kechiche is auctioning off his Palme d'Or and other memorabilia to pay for his
With Actors, Directors, Actresses and Screenwriters under our collective belt and Cinematographers still to come, we presently turn our eye towards Composers, whose music lends so much to the films they work on.
As with the other lists, credit is given for not merely one or two sterling scores, but rather a consistently excellent body of work with specific stand-out films. To be blunt, this is a trickier prospect than it at first appears. Just because a film is terrific or well-loved doesn’t necessarily mean that the score is itself a standout. We begin with perhaps the most obvious and celebrated film composer of them all…..
John Williams – Star Wars
Goodness me. The Poseidon Adventure, The Towering Inferno, Earthquake, Jaws, Raiders of the Lost Ark, The Long Goodbye, Catch Me If You Can, Star Wars, Close Encounters, Star Wars, Superman, Et, Born on the Fourth of July,
The post ‘Gears of War’ Screenwriter Worked On The ‘Avatar’ Sequels appeared first on /Film.
When Universal announced their partnership with The Coalition, the Microsoft-based company that develops the video game franchise, it was revealed that the movie wouldn't be based on a specific game in the Gears of War franchise, but an original story set in this established universe. Deadline broke the news of Shane Salerno coming aboard to write the script, but no story details have been given as of yet. This popular video game franchise has had a long road to the big screen, but now
Michael Mann and Michael De Luca have acquired rights to Mark Bowden’s upcoming book Hue 1968, which they will develop into an eight-to-10-hour miniseries.
Mann, the Oscar-winning director of Collateral, The Insider, and Heat, will direct multiple episodes and produce alongside De Luca, the Fifty Shades Darker producer who recently co-produced the Oscar telecast.
Hue 1968 took Bowden, the best-selling author of Black Hawk Down, five years to write and focuses on lives on all sides of the conflict during the pivotal Tet Offensive. Grove Atlantic will publish the book on June 6.
Characters include a seemingly innocent Vietnamese schoolgirl turned hardened revolutionary; a Marine captain from Pennsylvania who becomes a war hero; a Hanoi teacher who fights as an infantryman for the North Vietnamese army; and Us president Lyndon B. Johnson.
“Mark Bowden’s written a masterpiece of intensely dramatic non-fiction,” Mann said. “Bowden
I could watch Riz Ahmed in almost anything, but there are limits, tested here by this deeply mediocre British mystery thriller. Adapted by Patrick Neate from his 2005 novel, City of Tiny Lights is helmed by Pete Travis, who in 2012 nearly rescued Judge Dredd from comic book movie hell. But while Travis transposes some of Dredd’s style, he cannot bring its boldness, humour or efficiency.
Ahmed plays Tommy Akhtar, a “snoop” who is so underground that even his job description is unclear. Basically, he’s a private detective. One day he’s visited by a working woman named Melody (Cush Jumbo). Her flatmate is missing. Tommy investigates and finds the body of a Pakistani businessman. It’s a discovery that will bring him into close contact with two blasts from his
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