Collateral (2004) - News Poster



Carey Mulligan Hits Out At Lack Of “Fully Rounded” Film Roles For Women

Suffragette star Carey Mulligan has hit out at the lack of "fully rounded" film roles for women and said that television offers more interesting opportunities. Mulligan was speaking at the premiere of Collateral, the BBC Two and Netflix co-production written by Sir David Hare (The Reader) and directed by Jessica Jones and The Defenders director Sj Clarkson. “I think for the most of female actresses I know it’s just about going where the better writing is. Films have…
See full article at Deadline TV »

Guillermo del Toro Is Making a Documentary About Michael Mann, Which We Hope Will Be Called ‘Mann’s Labyrinth’

  • Indiewire
Guillermo del Toro Is Making a Documentary About Michael Mann, Which We Hope Will Be Called ‘Mann’s Labyrinth’
While presenting the new director’s cut of “Heat” at the Lumière Film Festival, Cannes chief Thierry Frémaux made an announcement sure to please cinephiles: Guillermo del Toro is making a documentary about Michael Mann. That’s enough to make films about well-known auteurs a trend, what with Noah Baumbach and Jake Paltrow’s “De Palma” and Susan Lacy’s “Spielberg.”

No other information is available as of yet, though the news is in keeping with del Toro’s habit of pursuing as many different movies as possible. (His list of unrealized projects is longer than his actual filmography, with everything from “Harry Potter and the Prisoner of Azkaban” and “The Hobbit” to “At the Mountains of Madness” and “Silent Hills” leaving fans to wonder “what if?” forever.)

Del Toro has sung the “Collateral,” “The Last of the Mohicans,” and “Blackhat” director’s praises on Twitter, calling “Heat” both “a film that is part of the lexicon of the medium” and “a stark Western set in a hyperreal LA.”

Film: Heat by Michael Mann. Top three Mann. A film that is part of the lexicon of the medium. A stark Western set in a hyperreal La.

Guillermo del Toro (@RealGDT) December 20, 2015

Sign Up:Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here. Related storiesAlfonso Cuarón Says 'The Shape of Water' is 'Amazingly Sublime,' Teases Why 'Roma' is Taking So LongThe 15 Best Horror Directors of the 21st CenturyGuillermo del Toro 'Hated the Experience' of Working With Harvey Weinstein on 'Mimic'
See full article at Indiewire »

Tom Cruise’s Best Performances — IndieWire Critics Survey

Tom Cruise’s Best Performances — IndieWire Critics Survey
Every week, IndieWire asks a select handful of film critics two questions and publishes the results on Monday. (The answer to the second, “What is the best film in theaters right now?”, can be found at the end of this post.)

Last weekend saw the release of the latest Tom Cruise vehicle, “American Made,” and critics are raving that it’s better than “The Mummy!” In honor of this great achievement, we ask: What is Tom Cruise’s greatest performance?

Read More:‘American Made’ Review: Tom Cruise Finally Lands a Role Worthy of His Talents E. Oliver Whitney (@cinemabite),

The greatest Tom Cruise performance of all time happened on Oprah’s couch in 2005. But in the movies? “Magnolia.” It’s the best, but it’s also the “most” Cruise performance. His batshit insanity just barely holds together the fragile insecurity of the man beneath the horndog motivation speaker.
See full article at Indiewire »

Can Netflix Crash the Oscars With Dee Rees’ ‘Mudbound’?

Can Netflix Crash the Oscars With Dee Rees’ ‘Mudbound’?
Mudbound” had hit a raw nerve. On the afternoon Dee Rees’ operatic drama premiered at the Sundance Film Festival last January, it was met with rapturous reviews and Oscar buzz. Surely, distributors would be duking it out for the rights to the picture with a sprawling cast, led by Mary J. Blige, Carey Mulligan, Garrett Hedlund, Jason Mitchell and Jason Clarke.

Yet as the evening wore on, a bidding war never materialized for the epic about race and poverty in the 1940s Mississippi Delta. “I’m surprised it didn’t sell that first night,” Rees says over a recent breakfast with Variety. “Wait, what the f—? It’s undeniable. The audience is into it. What happened?” Her producers told her that maybe buyers wanted to load up on comedies first. Days passed. “Then, at some point, the rationales fall away,” recalls Rees.

Although there were a few initial offers, they were much lower than the film’s
See full article at Variety - Film News »

Movie Review – American Made (2017)

American Made, 2017.

Directed by Doug Liman.

Starring Tom Cruise, Domhnall Gleeson, Sarah Wright, E. Roger Mitchell, Jesse Plemons, Lola Kirke, Alejandro Edda, Benito Martinez, Caleb Landry Jones, and Jayma Mays.


A pilot lands work for the CIA and as a drug runner in the south during the 1980s.

There’s an unshakeable feeling that Tom Cruise is actually trying in American Made, Doug Liman’s derivative if not entertaining Goodfellas-lite comic thriller. Cruise has been the movie star for the past two decades, but his on-screen persona only exists as a parallel to Cruise as the movie star. Few risks are taken, so American Made, albeit steeped in cliché, is a rather welcome detour away from the glamour and stunts of the monolithic blockbusters he finds comfort in.

It’s all too easy to forget his 1-2-3-4 punch of The Last Samurai, Collateral, War of the Worlds,
See full article at Flickeringmyth »

‘Westworld’ Dp on Working With ‘Exhilarating,’ Emmy-Nominated Actors

While Christopher Nolan’s “Dunkirk” hits theaters touting large-scale practical effects shot on film, a year ago his brother Jonathan Nolan was doing the same thing for the small screen with HBO’s “Westworld.” “It was exciting to be on a set for a pilot that had the same cinematic approach and expectations as a bigger feature film,” says cinematographer Paul Cameron, a first-time Emmy nominee for the smash drama series, which received a whopping 22 nominations. The veteran D.P.—who’s worked with the late Tony Scott on Denzel Washington starrers “Déjà Vu” and “Man on Fire,” and with Michael Mann on “Collateral”—spoke with Backstage about capturing the look of the series (practical effects and shooting on film included), what his relationship with actors is like on set, and why Sir Anthony Hopkins had “more fun on [‘Westworld’] than he had in years working on movie sets.” Read: ‘Westworld,
See full article at Backstage »

Michael Mann to direct a Vietnam War TV series

Rob Leane Jul 7, 2017

Michael Mann will return to TV for Hue 1968, a Vietnam War drama on FX....

Michael Mann is heading back to TV. Way back in his early days as a writer/producer, he worked on episodes of Starsky And Hutch and Miami Vice. Of course, he went on direct massive movies such as Heat, The Last Of The Mohicans, Ali and Collateral.

See related Preacher renewed for longer second season Preacher episode 10 review: Call And Response

And now, with the golden age of 'peak TV' continuing, FX has snapped up Mann to helm a new war drama. The show will adapt Hue 1968, Mark Bowden's bestseller, all about American involvement in the conflict. (You might recognise Bowden's name - he also wrote the book that became Black Hawk Down.)

Mann will direct multiple episodes, including the first one. There are expected to be 8-10 episodes in total,
See full article at Den of Geek »

Michael Mann to Direct Vietnam War Limited Series ‘Hue 1968’ for FX

Michael Mann to Direct Vietnam War Limited Series ‘Hue 1968’ for FX
Filmmaker Michael Mann is looking to return to the small screen in a big way. While Mann got his start as a writer/producer on shows like Starsky and Hutch and Miami Vice, his directorial efforts on TV have been limited to a single episode each of 1977’s Police Woman and 1987’s Crime Story, and then the pilot for HBO’s short-lived drama series Luck in 2011. Now, however, the Heat and Collateral director is aiming to enter the popular fray of “limited series” efforts on TV with a Vietnam War-centric effort for FX. Per Deadline, …
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10+ Years Later: Miami Vice, Exotic, Experimental and Entertaining As Ever

Never before in cinema have two men in expensive suits talking on cellphones on a downtown rooftop looked so beautiful. Perhaps never again. Michael Mann's gloriously expensive 2006 up-scaling of the quasi-camp TV show Miami Vice (on which he served as producer for five seasons) landed in the middle of the director's radical experiments with digital cinematography. If the 1980s series is remembered for its white suits, pastel shirts, and fast cars in the Florida sunshine, the film is remarkable for its twinkling twilight skyline and coral coloured clouds uniquely rendered with digital noise. Mann (and ace cinematographer Dion Beebe) initially dipped their lenses into the high-gain/high-grain look of digital video with 2003's Collateral. After his definitive crime drama Heat did such a superb job using the cities locations...

[Read the whole post on]
See full article at Screen Anarchy »

Michael De Luca, Michael Mann project 'Hue 1968' lands at FX

Premium cable network to adapt Vietnam War book into limited series.

FX has landed the rights to turn Black Hawk Down author Mark Bowden’s book Huế, 1968 into a limited event series that will range from eight-10 hours.

Michael Mann and Michael De Luca acquired the rights to the book in late April.

The Vietnam War adaption will focus on lives on all sides during pivotal the Tet Offensive by Vietnamese forces. Characters include a seemingly innocent Vietnamese schoolgirl turned hardened revolutionary; a Marine captain from Pennsylvania who becomes a war hero; a Hanoi teacher who fights as an infantryman for the North Vietnamese army; and Us president Lyndon B. Johnson.

Mann, the Oscar-winning director of Collateral, The Insider, and Heat, plans to direct several episodes and will produce alongside De Luca and FX Productions.

The network is reportedly planning to begin filming on the series at the end of this year in Asia.

When Screen
See full article at ScreenDaily »

What Jamie Foxx Looks Like as Marvel's Blade

What Jamie Foxx Looks Like as Marvel's Blade
Blade, even before the first X-Men movie managed to bring superheroes into the modern age of cinema, was a successful comic book franchise. With the box office power that the Marvel Cinematic Universe has shown over the years, there has been talk of possibly bringing the vampire hunter back into the fold at some point. Wesley Snipes has expressed interest in returning to the part, but it may be too little, too late for that. So, who's next up? How about Jamie Foxx?

Prolific artist BossLogic decided to give us a look at what a new version of Blade, as portrayed by Jamie Foxx, could look like. Normally, BossLogic tends to do these as a response to people who've been recently cast in the role, or are rumored to be in the running. In this case, BossLogic has taken it upon himself to just throw out a name that might work and show us why.
See full article at MovieWeb »

Jamie Foxx Elaborates On “Special” Dynamic Of ‘Baby Driver’

Although Jamie Foxx has starred in his share of well received films (Ray, Django Unchained, Collateral), he understands that not every film that comes across the pike is going to be a hit (witness Annie or most recently Sleepless). Foxx may have hit it out of the park once again with Baby Driver, a project [...]
See full article at Hollywood Outbreak »

Tom Cruise And Why Top Gun 2 Should Be Canned

Neil Calloway says it’s time Hollywood started saying no to Cruise…

It’s a cliché to say success has many fathers while failure is an orphan, but it’s no less true for that. The most recent example of this in Hollywood is everyone disowning The Mummy and blaming its poor box office on star Tom Cruise having too much control over the project. It’s easily done, and most films that fail will go through similar finger-pointing and blame spreading. The thing is, in this case, you can imagine its true.

Cruise can be a superb actor; when he challenges himself to get out of his comfort zone – an all too rare experience these days – he’s brilliant. He’s better than Dustin Hoffman in Rain Man, amazing in Magnolia, the best thing in Collateral, but far too often he falls back on the same stock characters in ultimately forgettable films.
See full article at Flickeringmyth »

5 Ways for Tom Cruise to Resurrect His Career

5 Ways for Tom Cruise to Resurrect His Career
Tom Cruise’s latest starring role in a franchise-facing actioner may not be the out-and-out disaster so many pictured when the first reviews for “The Mummy” started rolling in (current Rotten Tomatoes score: 17%, his second-lowest of all-time), but it’s still worrisome for a tentpole film meant to launch an entirely new franchise. Box office aside, “The Mummy” points to another troubling element in Cruise’s career: woeful repetition.

Cruise remains one of Hollywood’s last big movie stars, a bankable talent who almost exclusively stars in major films that are expected to make a pretty penny at the box office. In recent years, Cruise has leaned hard on large-scale studio projects, from the enduringly popular “Mission: Impossible” franchise to pricey studio outings like “Oblivion” and “Rock of Ages,” and while he’s still a major marquee name, his career is lacking the kind of daring and exciting choices that once made it stand out.
See full article at Indiewire »


Must See

EW has new images from Mary Poppins Returns. Oh please let this be good. Please let it be good.


Decider the 50 most important Lgbt characters in tv history - they'll be doing essays on the top 10. Two of our contributors were included in their polling.

The Guardian thinks Tom Cruise should ditch the heroics and play an unsavory character again. We heartily agree. He seemed to lose all his artistic ambition (if not his general ambition) right around the time of the Kidman divorce. It's been almost a two decade stretch of franchise heroes only now with rare exceptions like Rock of Ages and Collateral.

Deadline Donald Glover talks Atlanta and taking on the famous role of Lando Calrissian in the Star Wars franchise

Guardian Remember Blue is the Warmest Color? Director Abdellatif Kechiche is auctioning off his Palme d'Or and other memorabilia to pay for his
See full article at FilmExperience »

The Best Of The Best – The Greatest Composers And The Scores That Made Them Great

Author: Dave Roper

With Actors, Directors, Actresses and Screenwriters under our collective belt and Cinematographers still to come, we presently turn our eye towards Composers, whose music lends so much to the films they work on.

As with the other lists, credit is given for not merely one or two sterling scores, but rather a consistently excellent body of work with specific stand-out films. To be blunt, this is a trickier prospect than it at first appears. Just because a film is terrific or well-loved doesn’t necessarily mean that the score is itself a standout. We begin with perhaps the most obvious and celebrated film composer of them all…..

John WilliamsStar Wars

Goodness me. The Poseidon Adventure, The Towering Inferno, Earthquake, Jaws, Raiders of the Lost Ark, The Long Goodbye, Catch Me If You Can, Star Wars, Close Encounters, Star Wars, Superman, Et, Born on the Fourth of July,
See full article at HeyUGuys »

‘Gears of War’ Screenwriter Worked On The ‘Avatar’ Sequels

‘Gears of War’ Screenwriter Worked On The ‘Avatar’ Sequels
Over a decade ago, talk of a Gears of War movie started. Ever since its announcement, some notable writers have come and gone from the project. Chris Morgan (The Fast and the Furious franchise), Stuart Beattie (Collateral), and Billy Ray (Shattered Glass) all took cracks at the video game adaptation. With the project alive again, and this time at Universal, a new writer […]

The post ‘Gears of War’ Screenwriter Worked On The ‘Avatar’ Sequels appeared first on /Film.
See full article at Slash Film »

Gears of War Movie Brings in Avatar Sequel Writer

Now that the long-awaited Gears of War movie found a studio home at Universal last October, the project is finally starting to come together. Universal has brought on screenwriter Shane Salerno, who co-wrote all four upcoming Avatar sequels with James Cameron, to work on on the screenplay. Dylan Clark will produce through his Universal-based production company, although no director is set in stone quite yet.

When Universal announced their partnership with The Coalition, the Microsoft-based company that develops the video game franchise, it was revealed that the movie wouldn't be based on a specific game in the Gears of War franchise, but an original story set in this established universe. Deadline broke the news of Shane Salerno coming aboard to write the script, but no story details have been given as of yet. This popular video game franchise has had a long road to the big screen, but now
See full article at MovieWeb »

Michael Mann, Michael De Luca line up 'Hue 1968' series

Vietnam War adaption will focus on lives on all sides during pivotal Tet Offensive.

Michael Mann and Michael De Luca have acquired rights to Mark Bowden’s upcoming book Hue 1968, which they will develop into an eight-to-10-hour miniseries.

Mann, the Oscar-winning director of Collateral, The Insider, and Heat, will direct multiple episodes and produce alongside De Luca, the Fifty Shades Darker producer who recently co-produced the Oscar telecast.

Hue 1968 took Bowden, the best-selling author of Black Hawk Down, five years to write and focuses on lives on all sides of the conflict during the pivotal Tet Offensive. Grove Atlantic will publish the book on June 6.

Characters include a seemingly innocent Vietnamese schoolgirl turned hardened revolutionary; a Marine captain from Pennsylvania who becomes a war hero; a Hanoi teacher who fights as an infantryman for the North Vietnamese army; and Us president Lyndon B. Johnson.

Mark Bowden’s written a masterpiece of intensely dramatic non-fiction,” Mann said. “Bowden
See full article at ScreenDaily »

‘City of Tiny Lights’ Review

Stars: Riz Ahmed, Billie Piper, James Floyd, Roshan Seth, Cush Jumbo | Written by Patrick Neate | Directed by Pete Travis

I could watch Riz Ahmed in almost anything, but there are limits, tested here by this deeply mediocre British mystery thriller. Adapted by Patrick Neate from his 2005 novel, City of Tiny Lights is helmed by Pete Travis, who in 2012 nearly rescued Judge Dredd from comic book movie hell. But while Travis transposes some of Dredd’s style, he cannot bring its boldness, humour or efficiency.

Ahmed plays Tommy Akhtar, a “snoop” who is so underground that even his job description is unclear. Basically, he’s a private detective. One day he’s visited by a working woman named Melody (Cush Jumbo). Her flatmate is missing. Tommy investigates and finds the body of a Pakistani businessman. It’s a discovery that will bring him into close contact with two blasts from his
See full article at Blogomatic3000 »
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