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It was not a fun experience watching Michael Mann's Blackhat. Not only was it a terrible film, but it was a terrible film from one of my favorite filmmakers, a filmmaker that seems to be moving closer to the lackluster output of Ridley Scott and farther away from the man that made the likes of Collateral, The Insider and Heat. So, just as my interest in Scott's The Martian isn't too high, I can't say I'm all that intrigued when it comes to Mann's next project, which Variety reports is the long-gestating "Ferrari" biopic, about Italian automotive mogul Enzo Ferrari. We first reported on this project back in May 2011 when word was 20th Century Fox would distribute Go Like Hell, a film based on A.J. Baime's "Go Like Hell: Ford, Ferrari, and Their Battle for Speed and Glory at Le Mans" with a script by Jason Keller »
- Brad Brevet
The two's alleged romance started in August 2013, when the 47-year-old Annie star reportedly wooed the former Dawson's Creek actress, 36, at the 4th annual Apollo in the Hamptons bash. Now, more than a year and a half later, Us Weekly reports that the two have been discreetly hooking up, and has the first photo of the attractive pair holding hands.
In the flirty picture, Jamie is looking at Katie while she appears to be reading something on her phone, the two also playing a little footsie.
Photos: Sweetest Celebrity Pda
Us Weekly says Jamie and Kate's relationship "started as a fling," but "has since become a long-term attraction."
"Jamie is someone she can trust and have fun with," the magazine »
Teresa Wright movies: Actress made Oscar history Teresa Wright, best remembered for her Oscar-winning performance in the World War II melodrama Mrs. Miniver and for her deceptively fragile, small-town heroine in Alfred Hitchcock's mystery-drama Shadow of a Doubt, died at age 86 ten years ago – on March 6, 2005. Throughout her nearly six-decade show business career, Wright was featured in nearly 30 films, dozens of television series and made-for-tv movies, and a whole array of stage productions. On the big screen, she played opposite some of the most important stars of the '40s and '50s. It's a long list, including Bette Davis, Greer Garson, Gary Cooper, Myrna Loy, Ray Milland, Fredric March, Jean Simmons, Marlon Brando, Dana Andrews, Lew Ayres, Cornel Wilde, Robert Mitchum, Spencer Tracy, Joseph Cotten, and David Niven. Also of note, Teresa Wright made Oscar history in the early '40s, when she was nominated for each of her first three movie roles. »
- Andre Soares
Visceral Games has made strides towards “heightened, dramatic realism” within its upcoming multiplayer-focused shooter, Battlefield: Hardline.
That’s according to Creative Director Ian Milham, who took to EA’s official blog to assure fans that although authenticity isn’t the studio’s primary concern, imbuing the player within an immersive, cinematic environment is the true goal.
“Everyone’s detector is finely honed for the real world. If it’s not believable, it’s immediately noticeable compared to what you can get away with in a fantasy or sci-fi environment.”
Further in the post, Milham touched upon some of the multiplayer maps within Hardline, and how their architecture and setting draw inspiration from some of the genre’s most memorable films, including Michael Mann’s Heat, Miami Vice and Collateral.
“For instance, on ‘Bank Job’ you can see how the first criminal team must’ve gone into the bank before the round starts, »
- Michael Briers
Directed by Michael Mann.
A furloughed convict and his American and Chinese partners hunt a high-level cyber crime network from Chicago to Los Angeles to Hong Kong to Jakarta.
There’s a clash at the heart of Michael Mann’s Blackhat and I for one don’t like having to come to terms with the fact that this, his eleventh major release, is by far his weakest effort to date – 1983’s The Keep notwithstanding. That clash is style and substance, narrative and mood, character and action, and never has the director come so close to tipping the balance out of his favour.
This is the first movie Mann has directed based on someone else’s script and the rift this causes is evident throughout. The story and screenplay from first time writer Morgan Davis Foehl »
- Gary Collinson
With the 2015 Oscars coming up this weekend, we go back ten years to see if the 2005 awards still hold up today...
It was during an interview with Mark Kermode that I asked him how long someone really needs to gestate on a film, and come up with a proper review. "About ten years", he said. I get his point. Each awards season, it's about, at best, what feels like the best film right then. Not the one that settles over a period of time, or shows you new things each time you watch it. But the one that you watched once, and affected you once. It's the only way, anyway, I can think of why A Beautiful Mind won a Best Picture Oscar.
This weekend, then, is the Academy Awards once more. And I thought it'd be worth rewinding ten years, to see whether the Academy's choices on February 27th »
The fifth film in Disney's "Pirates of the Caribbean" series has begun filming. Here's the press release the company issued today to celebrate the news which also includes a detailed new synopsis. Here's the press release in full:
Queens Land, Australia (February 18, 2015) – Production has commenced on location in Australia on Disney and Jerry Bruckheimer Films' epic comedy adventure "Pirates of the Caribbean: Dead Men Tell No Tales," directed by Espen Sandberg & Joachim Rønning ("Kon-Tiki"), the fifth entry in the blockbuster franchise inspired by the classic Disney Theme Parks attraction, which has reaped $3.7 billion in worldwide box office.
"Pirates of the Caribbean: Dead Men Tell No Tales" will film entirely at Village Roadshow Studios and on locations within Queensland, Australia.
Thrust into an all-new adventure, a down-on-his-luck Captain Jack Sparrow finds the winds of ill-fortune blowing even more strongly when deadly ghost pirates led by his old nemesis, the terrifying »
- Garth Franklin
Pirates of the Caribbean: Dead Men Tell No Tales has begun shooting at the Village Roadshow Studios and on locations in Queensland, a major boost to employment in the State. According to Screen Queensland, 75% of the 850-plus crew are Queenslanders and more locals will be employed during the five months of filming. There will be an estimated 6,100 extras man-days, the majority of which will be local hires. A Queensland production manager was among the first to be engaged. As If had reported, Brenton Thwaites is playing Henry, a British soldier, in the Jerry Bruckheimer/Disney production directed by Kon-Tiki.s Espen Sandberg and Joachim Rønning. Geoffrey Rush returns as Barbossa alongside Johnny Depp as Captain Jack Sparrow, Javier Bardem as his nemesis Captain Salazar, Kaya Scodelario (The Maze Runner) as Henry's love interest, Golshifteh Farahani (Exodus: Gods and Kings), Kevin R. McNally as Joshamee Gibbs and Stephen Graham as Scrum. »
- Don Groves
Production has commenced on location in Australia on Disney and Jerry Bruckheimer Films’ epic comedy adventure Pirates Of The Caribbean: Dead Men Tell No Tales, directed by Espen Sandberg & Joachim Rønning (“Kon-Tiki”), the fifth entry in the blockbuster franchise inspired by the classic Disney Theme Parks attraction, which has reaped $3.7 billion in worldwide box office.
Pirates Of The Caribbean: Dead Men Tell No Tales will film entirely at Village Roadshow Studios and on locations within Queensland, Australia.
Johnny Depp returns to his iconic, Academy Award-nominated role of Captain Jack Sparrow, one of the most beloved characters in motion picture history, newly joined by Oscar winner Javier Bardem (“No Country for Old Men,” “Skyfall”), rising young stars Kaya Scodelario (“The Maze Runner,” British television’s “Skins”) and Brenton Thwaites (“Maleficent,” “The Giver”) and Golshifteh Farahani (“The Patience Stone,” “Exodus: Gods and Kings”).
Rejoining the action are Academy Award winner Geoffrey Rush as Barbossa, »
- Michelle McCue
Production has commenced on location in Australia on Disney and Jerry Bruckheimer Films' epic comedy adventure Pirates of the Caribbean: Dead Men Tell No Tales, directed by Espen Sandberg & Joachim Rønning (Kon-Tiki), the fifth entry in the blockbuster franchise inspired by the classic Disney Theme Parks attraction, which has reaped $3.7 billion in worldwide box office. Pirates of the Caribbean: Dead Men Tell No Tales will film entirely at Village Roadshow Studios and on locations within Queensland, Australia.
Johnny Depp returns to his iconic, Academy Award-nominated role of Captain Jack Sparrow, one of the most beloved characters in motion picture history, newly joined by Oscar winner Javier Bardem (No Country for Old Men, Skyfall), rising young stars Kaya Scodelario (The Maze Runner, British television's Skins) and Brenton Thwaites (Maleficent, The Giver) and Golshifteh Farahani (The Patience Stone, Exodus: Gods and Kings). Rejoining the action are Academy Award winner Geoffrey Rush as Barbossa, »
Shimmering neon reflected on the spotless bonnets of expensive sports cars. Sleek speedboats piloted across ice-blue water by Armani-clad criminals with strict moral codes. Bone-weary cops who view their underworld adversaries with professional respect. That’s far from the totality of Michael Mann’s career, but it sums up the stylish world with which his name is synonymous. For over three decades, the director has painted both small and large screens with beautifully lit pictures that dwell on the violent lives of terse, tough men. Men the calibre of Robert De Niro and Al Pacino in Heat, James Caan in Thief, Tom Cruise in Collateral, and even Don Johnson, who may have sported pastels in Miami Vice, but was a man with a guarded exterior who weighed his words. »
- Jonathan Bernstein
About an hour into my viewing of Blackhat I was struggling to remain conscious from boredom. About an hour later I was glued to my seat, my eyes and ears on full alert for whatever the film was going to throw at me next. So you’ll understand when I say I have considerably mixed feelings about crime maestro Michael Mann’s latest film. It’s his first since 2009′s Public Enemies, a film the subject of which (John Dillinger’s battle against the authorities in the 1920s) I was intrigued by but was severely ill-served by its amateurish and distracting digital handicam cinematography.
- Mark Allen
It has been about six months since my last entry in this supposedly regular column. There are various excuses I could make as to why, but rather than dwell on the past, I'd like to usher this "Long Voyage Home" onward into the future, in the trailblazing spirit of Michael Mann. I couldn't avoid writing on Blackhat, a film that I found as viscerally and formally thrilling as anything I've seen at the cinema in recent memory (and that includes Jean-Luc Godard's Adieu au langage). I've seen it three times and plan to see it at least once more on the big screen before its (likely brief, considering its box office numbers) run ends. It has taken me multiple viewings to get closer to understanding all of Blackhat's moving parts, a journey in itself that I eagerly plan to continue.
A textbook auteur case study, Michael Mann’s »
- Adam Cook
6th Update, Tuesday, 3 Pm: Rentrak Theatrical filed the weekend’s actuals with Warner Bros.’ American Sniper counting a four-week cume through yesterday of $110.4M. Talk about the spoils of war: American Sniper propelled the 2015 box office, in its first 19 days, 3.6% percent over the same frame last year with $667M. It stands to reason that this would be the highest-grossing four-day Mlk weekend of all-time with $248.5M after American Sniper broke a slew of records, read Eastwood’s career-high bow, best three-day opening ever during January and February. Previous Mlk record was 2009 with $231.5M when Sony comedy Paul Blart: Mall Cop zoomed up a four-day bow of $39.2M. American Sniper had the biggest theater average of the four-day weekend with $30,100, followed by Sony Classic’s Still Alice, which chalked up $20,685 PTA or $248K in 12 venues.
The consensus is that American Sniper is going to hold for another two weekends. Wide releases »
- Anthony D'Alessandro
Released this past Friday, Michael Mann’s Blackhat has already proven a colossal flop, which is a shame: following up on Collateral, Miami Vice and Public Enemies, it’s another never-less-than-visually-intriguing investigation of the kinds of truly new images digital cameras can produce in the guise of a cyber-hacking thriller. Go check it out while you still can. Beforehand, you may want to prep with this above-average supercut credited to one “balistik94,” which ties together Mann’s filmography in a number of different ways: dialogue that persists from one film to another (“Time is luck” as recited by both Gong Li in Miami […] »
- Vadim Rizov
American Sniper, which technically opened Dec. 6 but only in limited release, stars Bradley Cooper, while Blackhat stars People's Sexiest Man Alive Chris Hemsworth -- but Hemsworth's dreamy looks weren't enough to take down Cooper and his sniper rifle.
In its first weekend of wide release, American Sniper snagged a staggering $90.2 million and earned itself the box office top spot. Meanwhile, in it's opening weekend Blackhat came in 10th with a disappointing $4 million.
However, Mann is considered to be one of the best action-thriller directors of our generation, with films like Heat and Collateral securing his legacy. Eastwood, on the other hand, is a legend in the field of filmmaking and has created a slew of Oscar-winning movies.
Is Mann's »
Let's face it, computer hacking is the dark cloud that hangs over every single one of us, every single day. At any time, a hacker can attack us, stealing our personal information, draining our bank accounts, shutting down our video game networks, stopping movies from being released theatrically, and hitting in acts of terror that not even Isis can imagine. Hacking is the perfect fodder for a tense movie thriller, as it can -- and has -- affected all of us in our daily lives in one way or another.
In Blackhat, Michael Mann (Heat, Collateral, Miami Vice) presents one such scenario, where a hacker attacks a sovereign nation from the shadows and sends governments into a frenzy of trying to stop him or her before they attack again. Chris Hemsworth (Thor, The Avengers, Rush) stars as Nick Hathaway, an expert hacker serving hard time for past cyber crimes. When »
Beverly Hills — When sitting down for a "Blackhat" chat with director Michael Mann a few weeks ago, I had to ask him about the transition to digital filmmaking as an industry standard. Having already queried a number of our top cinematographers on the matter and written a piece about "Collateral's" legacy in that regard, and given the techno-drive of a movie like "Blackhat," it felt like territory worth digging into. And Mann digs in with intellectual ferocity, like anything else. "When I first shot some stuff digitally it was in 'Ali,'" he says. "We went on the roof of a building in Chicago, we had a couple of cameras and I took a flashlight, bounced it off a card and that was all the lighting. It was very little lighting. And it felt that what I saw was there was a truthfulness to the graphic that just blew me away. »
- Kristopher Tapley
If moviegoers were hoping thriller “Blackhat” and comedy “The Wedding Ringer” could be alternatives from all of the serious awards contenders that have been flooding theaters for the last two months, critics have some bad news. The two movies have been panned in the majority of reviews as stinkers.
The wide releases — one a Michael Mann hacker thriller from Universal and the other a Kevin Hart comedy from Sony — are currently tied on Rotten Tomatoes for an equally “rotten” 31 percent approval ratings from critics.
- Greg Gilman
Even just an average Michael Mann film is still a Michael Mann film – which isn’t a bad thing in my book. The man has a unique style that has developed over his career that’s often described as gritty, in your face, and just plain cool. This is mainly in part due to his more recent use of digital photography that he embraced starting with the movie Collateral. It’s a storytelling choice that has produced a mixed bag of films but nevertheless feel like Mann films (though “man films” would be appropriate as well due to his knack for tough guy stories). Blackhat gives fans of Mann’s macho style what they have come to expect: a cold but mainly likable anti-hero, a world of elite cops and criminals, intense shoot-outs, and skylines lit with neon lights at night. All of this mind you, filmed with shaky camera »
- Michael Haffner
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