When a sports agent has a moral epiphany and is fired for expressing it, he decides to put his new philosophy to the test as an independent agent with the only athlete who stays with him and his former secretary.
Cuba Gooding Jr.,
LA cabbie Max Durocher is the type of person who can wax poetic about other people's lives, which impresses U.S. Justice Department prosecutor Annie Farrell, one of his fares, so much that she gives him her telephone number at the end of her ride. Although a dedicated man as seen through the efficiency in which he does his work, he can't or won't translate that eloquence into a better life for himself. He deludes himself into believing that his now twelve year cabbie job is temporary and that someday he will own his own limousine service. He even lies to his hospitalized mother that he already owns one, with a further lie that he tells her as such primarily to make her happy, rather than the truth which is that he won't do anything to achieve that dream. One night, Max picks up a well dressed man named Vincent, who asks Max to be his only fare for the evening. For a flat fee of $600, plus an extra $100 if he gets to the airport on time - Vincent wants Max to drive him to five stops ... Written by
If the viewer observes carefully during the scene where Max is being robbed by the long haired derelict, a small and faint swastika is visible on his upper left cheek. Just below his eye. It is worth noting that Michael Mann has also featured white supremacists in Heat (1995) and Miami Vice (2006). See more »
When Max and Vincent load the first corpse in the trunk, the "corpse" is holding Max by the wrists as well. See more »
There is no sound during the opening DreamWorks logo sequence but the sound of a jet landing are heard during the Paramount logo sequence. In the non-US versions, the studio logos order is reversed, so there is no sound on Paramount's and a jet landing is heard over Dreamworks'. See more »
Rather contrived thriller. The most obvious difficulty is why a supposedly professional contract killer would go to the trouble of taking the cab driver hostage in the first place. Why not simply hire a car, change cabs between jobs, or try to do a better job of hiding what you were up to in the first place? As it is, Vincent (Tom Cruise) as the killer ends up with a very reluctant companion who he must know would try to foul things up for him. The only reason is to keep the two characters of the cab driver Max (Jamie Fox) and the killer together, which might make sense as a way of creating dramatic situations but stretches believability. However, if you can get past that, the very clichéd ending and numerous other plot holes, it's not too bad. I'll give it a 7/10 for sheer entertainment.
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