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Alone in the Dark (2005)

R  |   |  Horror, Sci-Fi  |  28 January 2005 (USA)
2.3
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Ratings: 2.3/10 from 36,390 users   Metascore: 9/100
Reviews: 516 user | 129 critic | 25 from Metacritic.com

Based on the video game, Alone in the Dark focuses on Edward Carnby, a detective of the paranormal, who slowly unravels a mysterious events with deadly results.

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Cast

Cast overview, first billed only:
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Frank C. Turner ...
Matthew Walker ...
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Captain Chernick (as Mark Atcheson)
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Craig Bruhnanski ...
80's Sheriff (as Craig Brunanski)
Kwesi Ameyaw ...
Deputy Adams
Dustyn Arthurs ...
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Krash
...
James Pinkerton
Brad Turner ...
Beat Cop
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Storyline

Edward Carnby, detective of the paranormal, unexplained and supernatural, investigates a mystery (the recent death of a friend) with clues leading to "Shadow Island" that brings him face to face with bizarre horrors that prove both psychologically disturbing and lethal, as he discovers that evil demons worshiped by an ancient culture called the Abskani are planning on coming back to life in the 21st century to once again take over the world... and only he and a young genius anthropologist with an incredible memory (and his ex-girlfriend), Aline Cedrac, stand in their way, at a gateway to hell. Standing in Carnby's way, however, is the impact that a brief encounter with an evil spirit called the Queen had upon his mind, as he slowly finds himself overpowered by the forces of darkness as they eat away at his very sanity... Written by Me

Plot Summary | Plot Synopsis

Taglines:

Can mankind defeat the army of darkness unleashed by an ancient evil cult? See more »

Genres:

Horror | Sci-Fi

Motion Picture Rating (MPAA)

Rated R for violence and language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

| |

Language:

Release Date:

28 January 2005 (USA)  »

Also Known As:

Alone in the Dark - O Despertar do Mal  »

Filming Locations:

 »

Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend:

$2,834,421 (USA) (28 January 2005)

Gross:

$5,132,655 (USA) (11 February 2005)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(Unrated Director's Cut) | (edited)

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

After execs read the green draft of the shooting script, the film got an additional $10 million. Uwe Boll poured the money into special effects. See more »

Goofs

The end credits list a "TTransportation Captain". See more »

Quotes

[first lines]
Prof. Lionel Hudgens: [narrating] In 1967, mine workers discovered the first remnants of a long lost Native American civilization - The Abkani. The Abkani believed that there are two worlds on this planet, a world of light and a world of darkness. 10,000 years ago the Abkani opened a gate between these worlds. Before they could close it, something evil slipped through. The Abkani mysteriously vanished from the Earth. Only a few artifacts remained, hidden in the world's most remote places. These artifacts...
See more »

Connections

Spoofed in Atop the Fourth Wall: Doom #1 (2009) See more »

Soundtracks

Peace of Mind
Performed by Angelzoom
Music by Bernd Wendlandt
Published by Valicon / EMI / Chili Dog / Universal Publishing / D.A.N. Music Publishing
Courtesy of Nuclear Blast
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User Reviews

 
How NOT to direct a film.
26 January 2005 | by (United Kingdom) – See all my reviews

Can it ever be said that there are some movies that have no redeeming features whatsoever? Answer: Yes, and this is one of them. After helming the appalling 'House of the Dead' director Uwe Boll has now cast his less-than-talented eye towards yet another video game adaptation. Don't these guys get it? To anyone who can't understand, here it is in block capitals for you: VIDEO GAMES DO NOT MAKE FOR GOOD MOVIES! The acting here is, at best, sub-standard. The set design and special effects are poor. Unlike the video game (which did have its scary moments) the movie has no atmosphere of impending doom, no sense of danger or menace. Pacing and plotting is confused and the paper that the script is printed on would have been better used as toilet paper. The main culprit is the director. Uwe Boll uses the camera with the grace and skill of a monkey using a paintbrush. Hackneyed zooms, swoops and pans are spliced into the whole dreary affair at unpredictable moments leaving the audience disorientated and bored. Why this guy was ever let near a movie set in the first place must stand as one of modern cinemas greatest secrets. Avoid at all costs.


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