George 'Beau' Brummel, a penniless but witty London gentleman, maintains a refined lifestyle with his loyal servant, cook Robinson. Only the friendship of the unpopular Hanoverian heir and ... See full summary »
The true story of Graeme Obree, the Champion cyclist who built his bicycle from old bits of washing machines who won his championship only to have his title stripped from him and his mental health problems which he has suffered since.
At the center of the story is Augustus Melmotte, a European-born city financier, whose origins are as mysterious as his business dealings. Trollope describes him as 'something in the city',... See full summary »
In ANTON CHEKHOV'S THE DUEL, escalating animosity between two men with opposing philosophies of life is played out against the backdrop of a decaying seaside resort along the Black Sea ... See full summary »
Sadie is desperately looking up to her older sister Georgia who is a famous C&W artist. Sadie wants to be a famous artist like her sister, but is always doing everything wrong. Her ... See full summary »
Jennifer Jason Leigh,
Based on a little known 1848 novel by Anne Bronte, Tara Fitzgerald stars as an enigmatic young woman who moves to 19th Century Yorkshire with a young son. Distancing herself from everyone ... See full summary »
England, 1904. A young lawyer from London, Mr. Ashton (James Wilby) and his best friend are hiking across Dartmoor. As he twisted his ankle, Ashton is forced to seek help at a nearby ... See full summary »
The fuzzy cloak Julie Cox (Annabella Milbanke) wears after her wedding is the same costume Gwyneth Paltrow (Emma Woodhouse) wears to the Christmas gathering at the Weston's in Emma (1996). See more »
Half way through the first episode there is a long distance shot of the coach and horses coming down a hill. To the left of the road, at the top of the hill is a pile of about 20 black plastic wrapped silage bales. See more »
This is the only film depiction of Byron I've seen that attempts to portray him as the clever, funny man that he was rather than some cartoon goth with a big floaty cloak, eyeliner and an evil, reverberating laugh. Other films tend to be simple, self-indulgent perpetuations of Byron's partially self-made myth and this film is the only one I have seen so far that shows something of what was beneath: Regency society seen through Lord Byron's eyes as he rips the piss. Jonny Lee Miller carries off the parallel aspects of Byron's personality with aplomb, making him smug and petulant while unavoidably charismatic and likable. Of course it's still all conjecture, as is emphasised at the start of the film, but as far as Byron films go, there's nothing out there to touch this.
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